With eyes glued to his Hebrew book,

And shake his body to and fro

His splendid holiness to show.

But yet, in truth, his heart within

Is hard as stone, and black with sin;

And he is ever a sad disgrace

To Jewish creed and Jewish race.

The prevailing tone of the Eben Bochan is, however, serious. The author refers to the cruel persecutions which the Jews suffered in the years 1320 and 1321, being occasioned by the Shepherds and Lepers, as well as to the burning of the Talmud at Toulouse, which took place in the year 1319, at the instigation of a certain person named Bernard Gui. And elsewhere, again, in the same book, he appears in the capacity of a moralizing philosopher, impressing his readers with the necessity of making good use of their life, as it is so very short and uncertain. On one occasion he uses a beautiful metaphor, which is, indeed, not quite original[[109-1]], but nevertheless striking. It runs as follows:—

“The world is like a vast and endless sea, upon which there floats a small and fragile little boat—namely, man. It is of artistic make and form, and looks as if it were the work of a master-hand. It is steered by the power of the divine spirit that directs its course, and keeps it constantly moving onward and onward, together with its heavy load of cargo—that is, man's actions during his life. After having started from the coast where it first came into existence it moves ever forward till it reaches the opposite coast, where there lies a new realm called Eternity, which consists of vast regions that shine with eternal light and splendour, and also of others that are enveloped in everlasting darkness. And God, the ruler of the universe, sits there on his throne, surrounded by his mighty messengers, the angels, to judge every newcomer. Now, O Son of Man! it will entirely depend on the nature of the cargo that thou hast landed on the opposite coast—namely, thy deeds in thy past life, whether thou wilt be sent to the regions that glow with eternal light, or to those in which darkness reigns supreme.”

Towards the end of the book Kalonymos states that he composed it in honour of ten friends. Their names are as follows:—