[A], [B], [C], [D], [E], [F], [G], [H], [I], [J], [K], [L], [M], [N], [O], [P], [Q], [R], [S], [T], [U], [V], [W], [Y].
Abbey, Edwin, [150]
Academy, Royal, [59], [94], [106-7], [143], [146], [245];
school of the, [109];
duties of the, [127-30]
Actors’ Benevolent Fund, [189-90]
Adelphi, the, [231]
Adelphi Hotel, Liverpool, [50]
Albany, the, [37]
Albemarle Hotel, [259]
Albert, Prince Consort, [129]
Albery, Mr., [230]
Albion Tavern, Drury Lane, [233-35]
Algiers, [103-5]
Alverstone, Lord, [186-88]
American ambassadors, orators among the, [189]
Amiens, [154]
Aquarium, the, [78]
Armstrong, Lord, [50]
Armstrong, Thomas, [120]
Arnold, Arthur, [28], [35]
Arnold, Sir Edwin, [28]
Arrowsmith, Messrs., [255]
Art Journal, the, [146-49]
Arts, relation of the, [210-14]
Arts Club, the, [35], [85], [94], [114], [116], [123], [151], [152]
Aspinall, Mr., [56]
Athenæum, the, [29]
Atkinson, [15]
Ayrton, Mr., [174]
Bancroft, Lady, [233], [261]
Bancroft, Sir Squire, [259]
Barnes Common, [1-2]
Barnum’s Show, [78]
Barrère, Camille, [35-36]
Barry, [75]
Bateman, Dick, [228-29], [232]
Bateman, Isabella, [229], [230]
Bateman, Richard, [228-35], [254]
Bayard, Mr., speech of, [189-91]
Beaconsfield, Earl, attack on Mr. Gladstone, [176-78];
visits to the Grosvenor, [179-80];
anecdote concerning, [180-81];
personality, [181-82];
style of oratory, [182-83]
Beatty-Kingston, William, [42], [44-46]
Beaulieu, [285-86]
Beefsteak Club, the, [122], [255], [259]
Beefsteak Room of the Lyceum, [241], [270]
Beere, Mrs. Bernard, [195]
Belt trial, the, [51-52]
Bernhardt, Sarah, [239], [275], [279-80]
Bigham, Lord Justice, [49]
Billingsgate, [249]
Birmingham University, [33]
Black and White, [65]
Blake, [74-75]
Blandford Square, [121], [255]
Bodichon, Madam, [103-4]
Book illustration, [109-10]
Botticelli, [67], [72], [74]
Boughton, G. H., [266]
Bow Street, [187]
Box Hill, [206]
Braid, Mr., [8]
Brice, Prof. Stewart, [48]
Bright, John, [168-75];
speeches on the Reform movement, [170-72];
impromptu speeches, [173-74];
his allusion to the “Scottish terrier,” [174-75];
Millais’s portrait, [175]
British Museum, the, [109], [245]
Brontës, the, [11]
Brookfield, Charles, [215]
Brown, Ford Madox, [63], [130]
Browning, Robert, [10], [86], [204], [266];
poetry of, [199-201];
personality, [201-7];
Browning senr., [203]
Bruce Castle School, [3-9], [38-39], [228]
Bruce, Edgar, [255-56]
Buchanan, Robert, [282-83]
Burke, Mr., murder of, [267]
Burne-Jones, Sir Edward, [8], [74], [85], [117], [130], [132], [210], [267], [283];
Rossetti on, [67], [69-70];
letter quoted, [71-72], [82];
the pre-Raphaelite movement, [76];
pen-sketches, [78-79];
essays in the grotesque, [79-80];
personality, [80-82]
Buyers, modern, [131-32]
Byron, Lord, [181]
Café Royal, the, [115], [157-58]
Calais, [153]
Caldecott, Randolph, [120-21]
Callander, [16-17]
Cameron, Henry, [193], [198]
Cameron, Mrs., [193], [194], [197]
Campden Hill, [266]
Canning, policy, [177]
Caracci, the, [180]
Carlyle, [11], [195]
Carr, Mr. J. Comyns—boyhood, [1-13];
in the City, [13-14];
idle hours, [15-25];
Junior of the Northern Circuit, [48-58];
theatre management, [281-92];
Journalistic work—Dramatic and Musical Review, [26-28];
Echo, [28], [35];
Globe, [28-36], [38], [59], [68], [264];
Pall Mall Gazette, [35], [36], [102], [146];
“Ignotus” articles, [63-64], [71];
Saturday Review, [36], [38], [59], [206], [215];
Examiner, [36], [38], [46-47], [59];
World, [36], [38];
Manchester Guardian, [38], [146], [150], [153];
editor of the English Illustrated Magazine, [40], [118], [158-65], [257];
English editor of L’Art, [140], [146];
Art Journal, [146-47], [149];
Academy, [150];
Portfolio, [149]
Dramatic work—King Arthur, [83-84], [279], [284], [287], [291-92];
Called Back, [255-56];
Dark Days, [256];
The United Pair, [257];
The Beauty Stone, [285], [287-88];
contributions to the performances at St. George’s Hall, [257-58]
Carr, Mrs. J. Comyns, North Italian Folk, [120]
Cavendish, Lord Frederick, [267]
Chalons, [72]
Chamberlain, Mr., [152];
Mr. Parnell’s attack on, [185-86]
Cheyne Walk, Rossetti’s home, [65], [69];
Whistler’s home, [135], [136], [141], [142]
Child, Mr., [152-53]
Choate, Mr., [189]
Churchill, Lord Randolph, [240-41]
Cleveland, President, the Venezuelan crisis, [189-90]
Coal Hole, the, [33]
Coleridge, Lord, [56]
Collins, Lord Justice, [49]
Collins, Prof. Churton, [33-34], [229]
Cologne, [243];
Custom House, [120]
Cologne Gazette, [265]
Colvin, Prof. Sidney, [36], [102]
Comedy Theatre, [160], [282], [283]
Constable, [91]
Continental Hotel, [271]
Conway, Hugh, The Family Affair, [162];
Called Back, [255-56];
personality, [257]
Cook, Dutton, [231]
Cook, Mr., [37]
Coquelin, [279]
Cornhill Magazine, the, [9-10], [29], [95], [110]
Correspondents, special, [39-47]
Corry, Montague (Lord Rowton), [267]
Cotton, Mrs., prosecution of, [56-57]
Crane, Walter, [161]
Craven, Hawes, [84], [243]
Crawford, Marion, [159]
Creighton, Bishop, [47]
Crimean remembrances, [3]
Croizette, [279]
Crompton, Charles, [48], [57]
Cumberland, fishing in, [21-22];
walking tours, [24-25]
Custom House, the, [249]
Daily News, the, [40-41]
Daily Telegraph, the, [28], [43]
Daudet, [282]
Débâts, the, [157]
Delane, Mr., [277]
Delaunay, [278]
Delmas, M., [4]
Desclée, [239]
Design, renewed study in, [111]
Dickens, Charles, [9], [11], [77], [89], [137], [205], [223];
“Mr. Pecksniff,” [147];
his likeness to Tennyson, [194];
on Irving, [230]
Dilke, Sir Charles, [146]
Dochart, Loch, [18]
Doyle, Richard, [119-20]
Dramatic and Musical Review, the, [26]
Drury Lane Theatre, [232]
Dublin, [240]
Dudley Gallery, [121]
Duffield, Richard, [215]
Dumas, L’Étrangère, [279]
Dumfries, [251]
Dungeon Ghyll, [24]
Dungeon Ghyll Hotel, [25]
Duse, Madame, [280]
Easedale Tarn, [24]
Echenique, [6]
Echo, the, [28], [35]
Elgin Marbles, the, [109]
Eliot, George, [11]
Emerson, [11]
English Illustrated Magazine, the, [40], [118], [257];
wood-engravings, [158-59];
literary contributors, [159-66]
Engraving, renewed study of, [111]
Erckmann-Chatrian, [230]
Examiner, the, [36], [38], [46], [59]
Farringford, home of Tennyson, [193], [194], [197]
Faulkner, Charles, [8]
Fechter, Charles, [232], [273], [274]
Fifeshire, [23]
Fishing, the Scottish gillie, [18-21];
the art of, [22-23]
Fleury, Robert, [97]
Florence, school of, [75], [76]
Forbes, Archibald, [39-42]
Français, Theatre, [245]
Francillon, the novelist, [29-33]
Franco-German War, [40], [157], [278]
Freshwater, [193]
Froude, [11]
Fuseli, [75]
Gaiety Restaurant, the old, [30], [259]
Gaiety Theatre, the, [229], [232], [246]
Gainsborough, [93]
Gallery of Illustration, Regent Street, [258]
Gambetta, [35]
Garrick Club, the, [90], [164], [183], [184]
Garrison, William Lloyd, [170]
Gauthiot, M., [157-58]
George III., [128]
German Reeds, the, [121], [257-59]
Gilbert, Sir John, [109], [119]
Gilbert, Sir William, [53-54], [288]
Giorgione, [180]
Giotto, [73]
Gladstone, W. E., [190];
Burne-Jones on, [76];
Millais’s portrait, [175];
style of oratory, [175-76];
his reply to Disraeli’s attack quoted, [176-78];
visits to the Grosvenor, [178-79];
his treatment of Parnell, [188]
Glasgow, [255]
Glebe Place, [143]
Glenesk, Lord, [20]
Glenmuick, [20]
Globe, the, the author’s work as dramatic critic, [28-38], [59], [68], [264];
“Ignotus” articles, [63], [71]
Got, [278]
Gothard Pass, [21]
Grain, Corney, [258-59]
Grange, the, home of Burne-Jones, [73], [83]
Granville, Dr. Mortimer, [28]
Grasmere, [16], [24]
Great Russell Street, [45]
Greenwood, Frederic, [36-37]
Grosvenor Gallery, establishment, [65], [127], [129-32], [266], [268-69];
exhibitions, [76], [89-90], [120], [133], [143], [146], [178-80], [198];
Millais’s works, [89-90]
Grove End Road, house of Sir L. Tadema, [267-68]
Gully, see Selby, Viscount
Gurney, Overend, [12]
Guy Fawkes, [2]
Hake, George, [64]
Hall, Mrs., [147-48]
Hall, Samuel Carter (“Mr. Pecksniff”), [146-49]
Hallé, Sir Charles E., [89], [126], [132], [146]
Hamerton, Philip, [149-50]
Hamilton, Lady, [264]
Hannen, Mr. Justice, the Parnell trial, [186-88]
Harcourt, Sir William, [23], [180-81]
Hare, Sir John, [233], [236], [259]
Harrop Tarn, [21]
Harte, Bret, [159], [223-24]
Harwood, Mr., [7], [37-38]
Hawtrey, Charles, [256]
Haydon, [75]
Haymarket Theatre, the, [257], [281-82]
Henley, relations with Stevenson, [215], [218-19];
Irving and, [219-21]
Henschell, [119]
Herschell, Lord, [49], [55-56]
Hertfordshire, [23]
High White Stones, [24]
Hill, Arthur, [3], [5], [6]
Hill, Dr. Birkbeck, [6-8], [170]
Hill, Sir Rowland, [3]
His Majesty’s Theatre, [270]
Holker, Lord Justice, [49], [54-55]
Hollingshead, John, [232]
Home Rule movement, the, [184-85]
Hope, Beresford, [37]
Horsman, Mr., [174-75]
Horton, Miss Priscilla (Mrs. German Reed), [258]
Houghton, Lord, [270-71]
Howell, Charles, [141-42]
Hughenden, [180-81]
Hunt, Holman, [75], [111-13], [130]
Huxley, Professor, [159]
Hyde Park, [170]
Ibsen, [208]
Illustrated London News, the, [97]
Indian Mutiny, [2-3]
Inglis, Mr., [186]
Inner Temple, [14]
Irving, Sir Henry, [52], [83], [152], [196];
production of Becket, [195-96];
attack on Henley, [219-21];
anecdotes concerning, [221-23], [234-36];
Bob Gassett in Dearer than Life, [229];
in Fanchette, [230];
Digby Grant in The Two Roses, [230], [235-36];
in The Bells, [231-34], [239];
personality, [236-38], [241-43], [270-72];
in Hamlet, [239-41];
visit to Nuremberg, [243-44];
in Charles I., [254];
Ellen Terry and, [279-80];
his request to the author, [283-84]
Italy, Northern, aspects of character in, [19]
James, Edwin, [167]
James, Henry, [159]
Jameson, Frederick, [206], [260]
Jefferies, Richard, [159];
“The Gamekeeper at Home,” [163-64]
Jesmond Dene, [50]
Jeune, Sir Francis, see St. Helier, Lord
Jeykell, Miss, [103-5]
Johnson, Dr., [7]
Jonby, [15]
Journalism, relation to literature, [47]
Junior of the Circuit, the, [49-50], [56]
Keats, [68], [200]
Keene, Charles, [118], [244];
sketch of, [114-15]
Kelly, Mr., [255]
Kelmscott, home of Rossetti, [64]
Kennedy, Lord Justice, [49]
Kensington Gardens, [90]
Killin, [19]
Kinsmen Club, the, [223]
Knight, Joseph, [264]
Labour News, the, [27-28]
Lambs Club, the, [117], [259-61], [263]
Landor, Rossetti on, [68-69]
Landseer, Sir Edwin, [72], [88];
personality, [105-7]
Langdale Pikes, [24]
L’Art, [140], [146]
L’Art en Province, [153]
Lawson, Cecil, exhibitions at the Grosvenor, [133], [143];
the “Minister’s Garden,” [143];
the “Pastoral,” [143];
personality, [144-45]
Leech, John, [89], [118]
Leigh’s School, [109]
Leighton, Sir Frederick, [44], [275];
Rossetti on, [67-68];
personality, [93-96];
letter to the author quoted, [97-99]
Leslie, George, letters to the author quoted, [103-7]
Lewis, Lady, [79-80], [267]
Lewis, Leopold, [230]
Lewis, Sir George, [51], [80], [183], [187], [267]
Leyland, Mr., [134]
Liddon, Canon, [167]
Lindsay, Lady, [137], [266-67]
Lindsay, Sir Coutts, [119], [132], [143], [146], [266-67], [284]
Literature, its relation to music, [211]
Locker, Frederick, [198-99]
Lockwood, Sir Frank, [190]
London University, [14]
Louvre, the, [245]
Lowe, Mr., M.P., [174-75]
Lowell, James Russell, [189]
Luib, [18]
Lyceum, the, [84], [152], [195], [221], [229], [241], [254], [270], [274], [279], [284]
Lynn-Linton, Mrs., [265]
M’Connell, Mr., [50], [55]
Macfarlane, Mr., [251]
Maclure, Macdonald and Macgregor, Messrs., [166]
Macmillan, Messrs., [158]
Macready, [232]
Maidenhead, [117]
Malory, Sir Thomas, [83], [283]
Manchester Art Gallery, the, [153]
Manchester Guardian, the, [38], [146], [150], [153]
Manor House, Barnes Common, [1-2]
Marlborough, Duke of, [240]
Marshall, Gen. Henry, [3]
Marston, Dr. Westland, [263-65]
Martineau, James, preaching of, [167-69]
Maurier, M. Du, [114];
personality, [116-17];
work on Punch, [117-18];
his love of music, [118-19];
drawing of Frederick Locker, [199]
Mecklenburg Square, [43]
Men of the Time, [97]
Meredith, George, [159];
Evan Harrington, illustrations, [114];
“The Old Chartist,” illustration, [115];
personality, [205-8];
sonnets on Modern Love, [207];
comment on Ibsen, [208]
Michael Angelo, [73], [180]
Mill, J. S., [11], [176]
Millais, Sir J. E., [63], [75], [116], [138];
Rossetti on, [67], [87];
the author’s early criticism on, [85-86];
the “Carpenter’s Shop,” [86];
“Feast of Lorenzo,” [86];
“The Huguenots,” [86], [90], [92], [93];
“Ophelia,” [86], [92], [93];
personality, [86-89], [90-92], [99-101];
the Grosvenor Gallery exhibitions, [89-90];
his special power, [91-93];
contrasted with Leighton, [93-96];
black and white work, [111-13];
attitude towards the Royal Academy, [130];
portrait of John Bright, [175];
of Gladstone, [175];
of Tennyson, [193];
of Dickens, [194]
Miller, Joachim, [264]
Millet, Frank, [150]
Milton, [200]
Minto, Professor, [46-47]
Mitre Tavern, Temple Bar, [158]
Monnet, [279]
Montague, Henry, [234-35]
Montague, H. J., [260-61], [273]
Monte Carlo, [285]
Moore, Albert, [66], [138]
Morris, William, [72];
The Defence of Guinevere, [10], [208];
poetry of, [208-9];
personality, [209-10]
Music, claims of, [210-12]
National Gallery, the, [128], [245]
Neilson, Adelaide, [264]
New Gallery, [126-27], [131-32], [178], [179]
Newman, Messrs., [126]
North, Mr., [164]
Northern Circuit, the, [48-58]
Nuremberg, [243]
Ogilvie, Mr. Stuart, [282]
Old Masters, value of, [131-32]
Old Square, Lincoln’s Inn, [41]
Oliphant, Lawrence, [159], [164-65]
Oliphant, Mrs., “The Lake of Tiberias,” [164-65]
Once a Week, [107], [110], [113-14], [117]
O’Neil, Arthur, [26-28]
O’Neil, Henry, [26]
Oratory, the art of, [167-92]
Orsini, defence of, [167]
Oxenford, John, [276-78]
Oxford Union Debating Society, [177-78]
Pagani’s Italian Restaurant, [121]
Palais Royal Theatre, [100]
Pall Mall exhibitions, the, [134]
Pall Mall Gazette, [35], [36], [47], [102], [146], [163], [231]
Pall Mall Restaurant, [158]
Parnell, C. S., the trial, [186-88];
character, [188];
the forged letter, reply to Mr. Chamberlain, [183-86]
Parry, Mr., [258]
Parsons, Alfred, [151], [152], [164]
Patterdale, [24]
Payne, Bernal, [102]
Pellegrini, Carlo, [121-25]
Penzance, Lord, [49]
Perugini, Mrs., [194]
Phelps, [232], [244]
Pigott, [186], [187]
Pinero, The Beauty Stone, [285], [287-88]
Poe, Edgar Allan, [257]
Poetry, music in, [210-12]
Poets, some Victorian, [193-214]
Pollock, Walter Herries, [37], [215]
Pope, Sam, [49], [56]
Portfolio, the, [149]
Power, Richard, [184]
Pre-Raphaelites, the, [60], [63], [75-76], [130]
Previtale’s, [81]
Prince of Wales’s Theatre, [255-56], [261]
Princess’s Theatre, [244]
Punch, [114], [117-18]
Purnell, Thomas, [254];
anecdotes concerning, [28-34];
story told by, [147-48]
Queen’s Theatre, [229]
Rabelais Club, [221]
Rachel, Madame, [275]
Rae, Mr., of Birkenhead, [63], [65]
Raleigh Club, [258]
Rannoch, [23]
Raphael, [180]
Rasselas, mountains of, [182]
Reade, Charles, [280]
Reed, Alfred, [258]
Reform Bill of 1832, [177];
of 1867, [182]
Reform, John Bright’s speeches on, [170-75]
Restaurants, London, [158]
Reynolds, [93]
Ristori, Madame, [275-76]
Robertson, Tom, [233], [261]
Robinson, Sir John, [40-41]
Rossetti, Dante Gabriel, [7], [8], [10-11], [60], [72], [75], [85], [115], [117], [130];
the pre-Raphaelite movement, [63], [76];
works of, [64-65];
friendship with the author, [64-70];
expressed opinions of, [66-69], [87];
black and white work, [111], [112];
illustrations for Tennyson’s poems, [112-13];
personality, [264]
Rothenberg-on-the-Tauber, [243]
Rubens, [80]
Ruskin, [11], [60], [113], [138], [141]
Russell, Lord, on the Northern Circuit, [49-54], [56-57];
the Parnell trial, [186-88]
Russell, Sir William, [39]
Sadler’s Wells Theatre, [26], [244]
St. George’s Hall, [121], [257-59]
St. Helier, Lord, [189]
St. James’s Hall, [170], [173], [194]
St. Paul’s, burial of Sullivan, [288]
Sala, George Augustus, [42-44], [46]
Salvini, [275], [278-79]
Sandys, Frederick, [114-16]
Saturday Review, the, [7], [36], [37], [38], [47], [59], [206], [215], [265]
Savile Club, the, [215], [219], [223]
Savoy, chapel of the, [30]
Schlesinger, Dr. Max, [265-66]
Scotland, early fishing excursions in, [17-22]
Scott, Sir W., [218]
Scottish character, some aspects, [17-21], [153-57]
Selby, Viscount, [49]
Selous, Fred, [4]
Severn, Arthur, [121]
Shakespeare, [162-63], [200]
Shield, Hugh, [55]
Simpson’s Restaurant, [158]
Skinner, Alan, [41-42], [167]
Skinner, Hilary, [41-42]
Smith, Prof. Goldwin, [183]
Soria, De, [119]
South Kensington Museum, [245]
Spaniard’s Inn, Highgate, [251]
Spurgeon, preaching of, [167-68]
Stanley, Dean, [167]
Steinle, [97], [98]
Stevens, Alfred, [130]
Stevenson, R. L., personality, [215-19]
Stickle Tarn, [24-25]
Stratford-on-Avon, [152]
“Student Williams,” [47]
Sullivan, Sir Arthur, [283];
King Arthur, [283], [287], [291-92];
personality, [284-86];
The Beauty Stone, [285], [287-88];
method of work, [286-87];
death, [288]
Sully, [279]
Swinburne, A. C., [7], [10], [77], [159];
the new music in his poetry, [208-12]
Switzerland, [21]
Tadema, Lady, [267-68]
Tadema, Sir Laurence, [80], [82], [267-68]
Taylor, Tom, [193]
Tebbs, Mr. Virtue, [66]
Tenniel, Sir John, [114]
Tennyson, Horatio, [198]
Tennyson, Lionel, [198]
Tennyson, Lord—Poems (edition 1857), [112-13];
appearance, [193-94];
The Princess, [194-95];
The Promise of May, [195];
Becket, [195], [196];
The Cup, [195], [196];
personality, [197-98], [200], [205];
Browning’s admiration for, [204]
Terriss, William, [3], [5]
Terry, Ellen, visit to Nuremberg, [243-44];
in Butterfly, [255];
Sarah Bernhardt’s compliment to, [279];
in King Arthur, [291-92]
Terry, Kate, [274]
Thackeray, W. M., [9-11], [95-96], [110], [205]
The Theatre, [221]
Theatre, the, impressions of childhood, [225-28];
condition of the stage on the advent of Irving, [232];
the actor’s art, [237-49];
need for a national theatre, [244-46];
rehearsals, [288-91];
the question of scenery, [291-92]
Thirlemere, [21]
Thomson, Hugh, [165-66]
Thorne, Tom, [234-35]
Times, the, [56], [183-84], [276-77]
Tissot, James, [268-70]
Titian, [180]
Toole, J. L., [229-30], [234-35], [250], [254];
friendship with Irving, [241], [246];
personality and anecdotes, [246-53];
a day’s fun, [247-50]
Toole’s Theatre, [255]
Tottenham Court Road Theatre, [232], [281]
Tower of London, visit of Toole, [248-49]
Townsend House, [267]
“Trafalgar,” Greenwich, [37]
Tree, Beerbohm, [256], [270], [281-82]
Tristram, Outram, [281]
Turner, [66]
Ullswater, [15]
Unitarian chapel, Great Portland Street, [167], [169]
United States, quality of illustrations in, [159]
Vanity Fair cartoons, [121], [165]
Vaudeville Theatre, [234-35]
Venezuela, [189]
Verrey’s Restaurant, [158]
Vinci, Leonardo da, [180], [245]
Walker, Frederick, [114], [144];
personality, [102], [105-7];
visit to Algiers, [103-5];
his work, [107-10]
Walking tours, [23-25]
Walton, [267]
Water-Colour Society, [74]
Watts, G. F., [63], [72], [73], [129], [169], [193]
Watts-Dunton, Theodore, [47], [159]
Webster, The Duchess of Malfi, [276]
Webster, Sir Richard, see Alverstone, Lord
Westminster Club, the, [254]
Westmoreland, fishing in, [21-22];
walking tours, [24-25]
Weyman, Stanley, [159-61]
Whistler, J. A. M., [114], [115];
criticism of (1873), [133-34];
public attitude, [134-35];
personality [135-38];
style, [138-39];
his love of contest, [139-42];
friends, [142-43];
at Lawson’s, [143]
Whymper, T. W., [109]
Wilde, Oscar, [118];
poetry of, [212-13];
dramatic work of, [213-14]
Wills, W. G., [221-22], [283];
Charles I., [254]
Wood-engraving, [109-10], [120], [158-59]
Wordsworth, [200], [201]
World, the, [36], [38], [40]
Wurtzburg, [243]
Yates, Edmund, [147];
founds the World, [36], [38-39], [40], [43], [44];
style of oratory, [191-92]
Printed by R. & R. Clark, Limited, Edinburgh.