ORATORIOS AND CANTATAS
"The Creation."
"The Seasons."
"Il Ritorno di Tobia."
"The Seven Words."
"Invocation of Neptune."
"Applausus Musicus." For the festival of a prelate, 1768.
Cantata for the birthday of Prince Nicolaus, 1763.
Cantata "Die Erwahlung eines Kapellmeisters."
OPERAS
Italian Operas:
"La Canterina," 1769;
"L'Incontro Improviso," 1776;
"Lo Speciale," 1768;
"Le Pescatrice," 1780;
"Il Mondo della Luna," 1877;
"L'Isola Disabitata," 1779;
"Armida," 1782;
"L'Infedelta Delusa," 1773;
"La Fedelta Premiata," 1780;
"La Vera Constanza," 1786;
"Acide e Galatea," 1762;
"Orlando Paladino," 1782;
"Orfeo," London, 1794.
German Opera or Singspiel, "Der Neue Krumme Teufel."
5 marionette operas.
Music for "Alfred," a tragedy, and various other plays.
MISCELLANEOUS SONGS:
12 German lieder, 1782;
12 ditto, 1784;
12 single songs;
6 original canzonets, London, 1796;
6 ditto;
"The Spirit Song," Shakespeare (F minor);
"O Tuneful Voice" (E flat), composed for an English lady of position;
3 English songs in MS.;
2 duets;
3 three-part and 10 four-part songs;
3 choruses, MS.;
1 ditto from "Alfred";
The Austrian National Anthem, for single voice and in 4 parts;
42 canons in 2 and more parts;
2 ditto;
"The Ten Commandments" set to canons; the same
with different words under the title "Die zehn Gesetze der Kunst";
symphonies and accompaniments for national songs
in the collections of Whyte, Napier and George Thomson.
22 airs mostly inserted in operas.
"Ariana a Naxos," cantata for single voice and pianoforte, 1790.
"Deutschlands Klage auf den Tod Friedrichs der Grossen,"
cantata for single voice, with baryton accompaniment, 1787.
APPENDIX C: BIBLIOGRAPHY
The Haydn literature is almost entirely Continental. With the exceptions of Pohl's article in Grove's "Dictionary of Music" and Miss Townsend's "Haydn," nothing of real importance has appeared in English. The following list does not profess to be complete. It seems futile in a book of this kind to refer amateurs and students to foreign works, many of which are out of print and others generally inaccessible. For the benefit of English readers the English works have been placed first and apart from the Continental. It has not been thought necessary to follow Pohl in giving a separate list of German and other Continental critiques. His plan of citing works in the order of their publication has, however, been adopted as being perhaps preferable to an alphabetical order of writers.
TITLE OF WORK AUTHOR PLACE AND DATE