The two girls, stirred to a new outlook on life by the extraordinary experiences of the past months, were on the threshold of diverse adventures. After the toil and anxiety of their tramp through inhospitable country, and the hazard of the open air, this reception into a community and settlement into a permanent shelter afforded a relief which was too unexpected to be qualified as yet by criticism, or any comparison with past glories. They were young and plastic, and to each of them the future seemed to hold some promise; to them the silence and immobility of their mother could only be evidence of impaired faculties.

“We must get her to bed,” said Blanche.

Even when Mrs Gosling asked with perfect relevance, “Are we going to stop ’ere, Blanche?” they humoured her with evasive replies. “Well, for a day or two, perhaps,” and “Look here, don’t you worry about that. We’re going to put you to bed.”

Her head dropped again and she fell back into her moody silence. Doubtless she meditated on the many wrongs her daughters had done her, and wondered why she should have been brought out to die in this wilderness?

During the nine days that elapsed before her plan matured, she made no further comment on her surroundings. She lay in the upstairs room, sleeping little, with no desire ever again to face the terror of a world which demanded a new mode of thought. Unconsciously she had adopted Blanche’s phrase, “Everything’s different,” but to her the message was one of doom, she could not live in a different world.

And Blanche on her side was puzzled at her mother’s apathy and said, “I can’t understand it.” Yet both the changed conditions and Mrs Gosling’s unchangeable habit were fundamental things.

XVIII—MODES OF EXPRESSION

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