The other three occupants of the compartment, sitting on the same side as the woman, back to the engine, dropped papers and magazines and turned their heads, all interest. None of these three had, so far as I had observed, fallen under the spell of inspection by the infant, but I noticed that the man—an artisan apparently—who sat next to the woman had edged away from her, and that the three passengers opposite to me were huddled towards my end of the compartment.
The child had abstracted its gaze, which was now directed down the aisle of the carriage, indefinitely focussed on some point outside the window. It seemed remote, entirely unconcerned with any human being.
I speak of it asexually. I was still uncertain as to its sex. It is true that all babies look alike to me; but I should have known that this child was male, the conformation of the skull alone should have told me that. It was its dress that gave me cause to hesitate. It was dressed absurdly, not in “long-clothes,” but in a long frock that hid its feet and was bunched about its body.
III
“Er—does it—er—can it—talk?” hesitated the rubicund man, and I grew hot at his boldness. There seemed to be something disrespectful in speaking before the child in this impersonal way.
“No, sir, he’s never made a sound,” replied the woman, twitching and vibrating. Her heavy, dark eyebrows jerked spasmodically, nervously.
“Never cried?” persisted the interrogator.
“Never once, sir.”
“Dumb, eh?” He said it as an aside, half under his breath.