"Oh! there you are," his uncle replied. "Either you know too little or too much, and one has to trust you in either case. But surely, my dear boy, you can at least see that you've got it in your power to give any of us away to the old man?"

"Oh, good Lord!" Arthur ejaculated in an undertone. He had a horrible picture of the Kenyons living a life of eternal suspicion and distrust, fearing that one or other of them might by some trick or disloyalty obtain an unfair hold on the old man's affection. His uncle's next speech, however, destroyed that picture even as it began to take shape.

"That doesn't apply to us, of course," he said. "We've got a sort of unspoken agreement between ourselves. Had to have. We hadn't at first though, you know," he continued, looking round and changing his voice as if he were making an unexpected announcement.

"Hadn't you?" Arthur murmured encouragingly.

"By Jove, no," his uncle went on reminiscently. "But that was nearly forty years ago, of course; just after this place was built; at the time when I tried to break away." He paused a moment and then went on: "I wanted to be an artist. I've got portfolios of stuff upstairs if you'd ever care to look at 'em. I dare say I shouldn't have been any good, not really first-class, but I can see things, and now and again I can get something down. There was a note of the wood I made when we first came here, that was rather good. I'll show it to you sometime. The wood was pretty nearly all pines then. The old man planted those larches—said the pines were too gloomy. I dare say he was right."

"And he wouldn't let you become an artist?" Arthur put in.

"He didn't actually forbid it," Joe Kenyon said. "But he made it simply impossible. He—well"—he lowered his tone almost to a whisper—"we used to believe in those days that he had some insidious disease or other. I suppose he must have started the idea himself. I can't remember. But I know that my poor mother used to be very depressed about it at times. She died in '83, you know, a year or two after we came here to live. However, what with one thing and another, there seemed to be no alternative except to put off my going to Paris—from month to month at first, and afterwards from year to year." He gave a grim laugh as he added. "In a way of speaking you may say it's going on still. Not long ago at dinner I was talking about Italy and the old man asked me why I didn't go there."

"Yes, it was after I came. I heard him," Arthur said. "But—I didn't understand...."

"Oh, well! if I'd said I would, I shouldn't have got the money to go with in the first place," his uncle explained, "and in the second it would have been all up with me so far as the old man's will was concerned. He never threatens one, not directly, but we know. And, well, I can't face the thought of the workhouse. They don't allow you cigars there, I'm told," he concluded whimsically.