Highways of Canadian Literature

by J. D. Logan; Donald G. French

More particularly, it is important to note that the struggle of the British North American Provinces to realize the ideals of Responsible Government, which the Puritan settlers brought with them and which were effected in 1848 in three of the Provinces later confederated, caused the first awakening of the literary spirit, and the actual creation of the first nativistic literature, in Canada. This struggle for Responsible Government and of other higher spiritual interests and ideals before 1848 and afterwards, including the later struggle for political union (Confederation) of the Provinces, not only incited Canadian poets and prose writers to literary expression during the period, but also largely determined the form, substance, and mood or temper of that literature.

A distinction must be drawn between (1) the literature written in or about Canada by British authors, visiting or sojourning in the Canadas and the Maritime Provinces, as, for instance, Tom Moore’s Canadian Boat Song (1804) and much other verse and prose down to Louis Hémon’s realistic romance of French-Canada, Maria Chapdelaine (1922), all of which will be noted but will be denominated the ‘Incidental’ Literature; and (2) the literature which was written by permanently resident émigrés and by native-born citizens in the separate (unconfederate) Provinces, Nova Scotia, New Brunswick, and the Canadas, up to the year of Confederation, which will be designated the ‘Nativistic’ Literature; and (3) the literature, after Confederation, written by native-born Canadians, which will be called the ‘Native and National’ Literature of Canada. These literary distinctions themselves are demanded by an important demarcation in the social groups which, from the Fall of Montreal in 1760 and the Puritan Migration from New England in the same year up to the last Loyalist Migration, in 1786, from New England and the other revolutionary States, formed the social and cultural units of the Anglo-Saxon civilization in what, after the acknowledgment of American Independence and up to the Confederation of the Canadian Provinces, was known definitively as British North America.

Following 1760 and the British Occupation of Montreal and Quebec City, the civilization and culture of the social groups in these centres and, later, in the Loyalist centres in Ontario, were on another and lower level than the culture and civilization in Nova Scotia and New Brunswick. Moreover, the literature written by the groups of English-speaking people, sojourning or permanently resident in the Canadas, neither sprang from the social and spiritual necessities which created the literature of the Maritime Provinces in their Puritan and Loyalist period, nor possessed the aesthetic and spiritual qualities of the literature produced in Nova Scotia and New Brunswick in the Puritan and Loyalist period of their history.

The Anglo-Saxon civilization and culture in Montreal and Quebec, after the British Occupation (1760), was highly military and practical; that is to say, materialistic. For the English-speaking people in Quebec were concerned wholly with the civil and military administration of Quebec City and Province, and the English-speaking people in Montreal were concerned chiefly with the development of trade, particularly the fur trade, under men who were adventurers much more than they were colonizers and civilizers. Naturally, therefore, Canadian Literature in English in the Province of Quebec chiefly consisted of chronicles, annals, and narratives (historical, or of adventure); and, secondly, whenever it happened to be pure literature, comprised verse and prose written by cultured visitors from the Motherland; and thus in all cases this ‘Incidental’ Pioneer Canadian Literature in English in the Province of Quebec was British in inspiration, form, and aim.

On the other hand, the Puritan and Loyalist migrations to New Brunswick and Nova Scotia, particularly Nova Scotia, from 1760 to 1783 and later, comprised groups of English-speaking people who were intellectually cultured and spiritually-minded. The literature, verse and prose, which they produced was the urgent expression of political, social, and spiritual needs; and, being for the most part satiric, was modelled on the pre-revolutionary literature of their relatives in New England and the other Atlantic States, which, in its time, had been modelled on the satiric neo-classical verse and the polemic and satiric prose of the eighteenth century in England.

So that the genius of the literature written in the Province of Quebec from the British Occupation of Montreal to the triumph of Responsible Government in 1848, and somewhat later, was pragmatic rather than literary; whereas the genius of the literature produced in the same period in Nova Scotia and New Brunswick, particularly in Nova Scotia, was definitively literary in spirit and form.

The civilization and culture of the Loyalist centres in Ontario, brought in by the Loyalist Migrations, 1783-1786, and later by the settlements of British-born émigrés, chiefly discharged soldiers, officials, and mechanics, after the close of the Napoleonic wars, 1815, were essentially practical and materialistic. On the whole the literature produced in Ontario, particularly up to the triumph of Responsible Government was, as in Quebec Province, a literature of annals and chronicles and narratives. However, during this period and onwards to Confederation, particularly after the war of 1812 and during the rebellion of 1837, there appeared in the Canadas some genuinely aesthetic verse and prose, written by British-born sojourners or permanent émigrés and by native authors.

There were, in the third quarter of the eighteenth century, several other migrations of small groups of English-speaking people to Nova Scotia and the Canadas, notably a group of Scots. The English Migration in 1749, under Cornwallis, to Halifax was of no significance in the literary history of Canada; nor were the Swiss and German Migrations to Nova Scotia of literary significance. On the other hand, the Scots Migration to Pictou, Nova Scotia, 1773, had a most decided intellectual influence not only on Nova Scotia, but also on the whole of what is now known as Canada. It had, however, no influence on specific literary culture and literary creation, save Journalism, in Canada as a whole.

Meanwhile, it must be observed that in literary culture and the production of literature in the English language in Canada from 1760 to Confederation, taking these merely as convenient dates, Nova Scotia (including New Brunswick) during the Puritan and Loyalist period and up to the triumph of Responsible Government, and even still later, not only produced the most significant and authentic literature, but also Nova Scotia is to be regarded as the first home of an originally ‘Nativistic’ Literature produced in Canada.

Up to Confederation there could not be, as there was not, any innate and natural sentiment of Canadian nationality in the hearts of the people. The motive of Confederation was not based on sentiment but on practical political vision and expediency. The ideal of Confederation, before it was achieved, was wholly an intellectual concept. If, therefore, the Canadian Confederacy were to endure, it was imperative that the intellectual ideal, for the factual realization of it, should become powerful over the hearts and imagination of the Canadian people after the fact of Confederation in 1867—that there should develop, or be developed, in the souls of the Canadian people a definitive sentiment of nationality.