relief in doors and shutters is obtained by filling the panels thereof with a good Japanese leather paper, which at once causes the proper decorative effect with the expenditure of a very little money, the effect being heightened by the addition of brass locks and handles, which cost very little, and yet just add the finishing touches to the room.

Should the Japanese paper be too expensive, the red effect could be obtained by one of Pither’s papers with a bold frieze in a good floral design. This is united to the paper by a frieze or picture rail, sold by Maple at 2¼d. a foot unpainted, and from this frieze the pictures hang on brass hooks made on purpose; these are about 2s. 6d. a dozen; and the pictures are suspended from them on copper wires; this, however, only answers where there is no gas, as gas corrodes the wire rather quickly, and then cords must be used; but where there is no gas the copper answers perfectly, and looks far better than anything else can possibly do.

Should red be objected to altogether—and I hope it may not be—here is another scheme of decoration; a dark sage-green paper, with a very little gold in it; a gold and green Japanese leather dado; all the paint one shade of sage-green, and a terra-cotta and white ceiling paper; terra-cotta serge or damask curtains edged with ball fringe, and a sage-green tablecloth with pale terra-cotta border. With the red decoration the curtains &c. can be a rather faint pinky terra-cotta; this produces an excellent effect, while in some rooms a dull blue would harmonise most excellently with the red. Let me mention one other trifle: always insist on that ghastly round in the centre of the ceiling, above the gaselier, being removed. Workmen always say this is impossible, just as they generally declare they cannot paint over graining; but it is quite an easy business, and makes an immense difference in the appearance of any room, and is another ‘little-thing’ the forgetting of which always annoys one, and spoils what might otherwise be a perfect whole.

I generally advise a dado in the dining-room, because of the rubbing the paper always receives from the backs of the chairs; but this said rubbing can be obviated by putting all round the room on the floor against the wainscot a two-inch border of wood. This does not show if painted to match the wainscot, and always keeps off a great deal of the wear and tear the wall receives. Yet sometimes, when the paper is a really handsome one, a dado can be dispensed with for some time; the placing of one when the paper itself has been up a few years having the effect often of making a new room of it, and doing away with the re-papering process; which is always such a terror by reason of the dilatoriness and utter worthlessness of many of the British workmen we are forced to employ, painters, as a rule, being the most unsatisfactory of all; and I am quite sure many young men who now starve genteelly as clerks, either in or out of place, could earn much more money, and be constantly employed too, if they would take to honest papering and painting, and carry out our ideas in our houses for us, giving us honest, sober work in return for honest pay. However, we must not sermonise more than we can help; and having suggested a few ideas for covering the walls and buying the most necessary articles of furniture, I now proceed to dwell upon those small extras which will make the room comfortable, should Edwin have to sit in it when he is at home and has letters to write; or should the bride-elect be obliged sometimes to make it her morning room, to save the fire, or the extra work caused by a third room to a servant. A simple window-seat, as in sketch 11, can often be placed in a suburban bow-windowed villa, and at once makes a cosy seat. This frame costs 7s., and can be made by a local carpenter.