Another good story was told Redgrave by Lee. ‘I hear you sell all your pictures,’ said Constable to the younger landscape-painter. ‘Why, yes,’ said Lee; ‘I’m pretty fortunate. Don’t you sell yours?’ ‘No,’ said Constable, ‘I don’t sell any of my pictures, and I’ll tell you why: when I paint a bad picture I don’t like to part with it, and when I paint a good one I like to keep it.’ It is well known that one year when Constable was on the Council of the Royal Academy, one of his own pictures was passed by mistake before the judges. ‘Cross it,’ said one. ‘It won’t do,’ said another. ‘Pass on,’ said a third. And the carpenter was just about to chalk it with a cross, when he read the name of ‘John Constable.’ Of course there were lame apologies, and the picture was taken from the condemned heap and placed with the works of his brother Academicians. But after work was over Constable took the picture under his arm, and, despite the remonstrance of his brother colleagues, marched off with it, saving: ‘I can’t think of its being hung after it has been fairly turned out. The work so condemned was the ‘Stream bordered in with Willows,’ now in the South Kensington

Museum. Leslie once remarked to Redgrave that he would give any work he had painted for it, so warmly did he admire it.

‘Constable is the best landscape-painter we have,’ wrote Frith to his mother in 1835. ‘He is a very merry fellow, and very rich. He told us an anecdote of a man who came to look at his pictures; he was a gardener. One day he called him into his painting-room to look at his pictures, when the man made the usual vulgar remarks, such as, “Did you do all this, sir?” “Yes.” “What, all this?” “Yes.” “What, frame and all?” At last he came to an empty frame that was hung against the wall without any picture in it, when he said to Constable, “But you don’t call this picture quite finished, do you, sir?” Constable said that quite sickened him, and he never let any ignoramuses ever see his pictures again, or frames either.’

Constable’s great merits, writes Mr. Frith, were first recognised in France, with the result upon French landscape art that is felt at the present time. His advice to Frith was: ‘Never do anything without nature before you if it be possible to have it. See those weeds and the dock leaves? They are to come into the foreground of this

picture. I know dock leaves pretty well, but I should not attempt to introduce them into a picture without having them before me.’

Constable died very suddenly in 1837. His fame, now that he is dead, is greater than when he was alive. His work abides in all its strength.

There is little in East Bergholt to remind one of Constable, where his reputation remains as that of a genial and kindly-hearted man; but the landscape in all its essential features remains the same. The house in which he was born was pulled down in 1841, which is a great pity, as it is described as a large and handsome mansion. But I never saw a small village with so many attractive residences, though why anybody should live in any of them I could not, for the life of me, understand. Yet there they were, quite a street of them, all in beautiful order, as if they were the residences of wealthy citizens in the suburbs of a busy town. They ought to have been filled with handsome girls, as Charles Kingsley tells us East Anglia is famed for the beauty of its women; all I can say, however, is that I saw none of them, or any sign of life anywhere, beyond the inevitable tradesmen’s carts. Independently of Constable, East Bergholt claims to be worth a pilgrimage for its rustic beauty,

which, however, becomes tame and common as you get away from it. The church is old, and has a history—of little consequence, however, to anyone now. One of its rectors was burned at Ipswich in Queen Mary’s reign. His name, Samuel, ought to be preserved by a Church which, till lately, had few martyrs of its own. East Bergholt has also a Congregational and Primitive Methodist chapel, and a colony of Benedictine nuns, driven away from France by the great Revolution. We are a hospitable people, and we are proud to be so, but have we not just at this time too many refugee nuns and monks in our midst?

CHAPTER XII.
east anglian worthies.

Suffolk cheese—Danes, Saxons, and Normans—Philosophers and statesmen—Artists and literati.