Tall, of dark complexion, with grey hair and blue eyes, with a face lit up with genius—the most brilliant preacher in the English Church: such is Henry Melville. His action is simple and singular. When he commences scarcely any is observable. Then as he flies along, and warms as he proceeds, the head is dropped with a convulsive jerk, and the right hand is raised, and the climax is ejaculated (for so rapid is his delivery it can scarcely be called preaching) with a corresponding emphasis. No sooner is the text enunciated than he plunges at once into his subject, developing and illustrating his meaning with a brilliancy and rapidity unparalleled in the pulpit at the present day. You are kept in breathless attention. The continuity of thought is unbroken for an instant. Every sentence is connected with that which precedes or follows; and, as the preacher goes on his way like a giant, every instant mounting higher, every instant pouring out a more gorgeous rhetoric, every instant climbing to a loftier strain, you are reminded of some monster steam-ship ploughing her way across the Atlantic, proudly asserting
her mastery over the mountain-waves, landing her precious cargo safe in port. When she started, you trembled for her safety; she was so lavish of her power that you feared it would fail her when she needed it most. But on she wends her gallant way, scattering around her the mad waves as in play. I can compare Melville with nothing else, as he stands in that pulpit—in that sea of human souls—drowning all discord by his own splendid voice, mastering all passions by his own irresistible will, piercing all scepticism by his own living faith.
And yet Melville is not what some understand by the term, ‘an intellectual preacher.’ He does not aim to demonstrate the reasonableness of Christian truth—to convince men whose understandings reject it. With the large class who are perpetually halting between two opinions, who to-day are convinced by one man, and to-morrow by another—who have lost themselves hopelessly in German mysticism—Melville has no sympathy whatever. I never heard him use the terms objective and subjective in my life. Of honest intellectual doubt, with all its pain and horror, he seems to have no idea. Melville always is as positive as Babington Macaulay
himself. In no circumstances could he have been a Blanco White, or a Francis Newman, or a Froude. As a churchman he stands rigidly inside the pale of the Church. His God is a personal God. His Christ descended into hell. His heaven has a golden pavement, and shining thrones. Wordsworth tells us—
‘Feebly must they have felt, who in old times
Array’d with vengeful whips the furies.
Beautiful regards were turned on me,
The face of her I loved.’
Melville never could have written that. His hell is physical, not mental. It is a bottomless pit where the smoke of their torment ever ascends—where the worm never dies—where the fire is not quenched. In all other matters his vision seems similarly clear, and intense, and narrow. Beside the Church, whose creed he preaches, and whose articles he has subscribed, and whose emoluments he pockets, he knows no other. His Holy Catholic Church is that which the State pays to and supports. His successors of the Apostles are those whom Episcopalian bishops ordain. His redeemed and sanctified ones consist only of those who have been confirmed. According to him, error from the
pulpits of the State Establishment is sanctified, owing to some mysterious power its pulpits possess. Pulpits outside the Church are not only destitute of that power, but, alas! destitute also of all saving grace. I have called Melville a brilliant preacher. He is that; but his brilliancy, like that of Sheridan, is the result of intense preparation. I write not this to disparage him. I consider it much in his favour. In these days, when the pulpit contains so small a part of the learning or the intellect of the age, no pulpit preparation can be too intense, or elaborate, or severe. It is said Melville writes and re-writes his sermons till they arrive at his standard of perfection. It is said he not unfrequently devotes a week to the composition of a single discourse. I can quite believe it. Every sentence is in its proper place—every figure is correct—every word tells—and the whole composition bears the stamp of subdued and chastened power.
Considering how rich the Church to which Mr. Melville belongs is, and how transcendently his talents outshine the mild mediocrities by which its pulpits are adorned, Mr. Melville cannot be considered to have been very successful in the
way of patronage. His income from Camden-town Chapel, Camberwell—a place of worship belonging to a relative—was about £1000 a-year: he resigned that when he was made President of Haileybury College. As Chaplain of the Tower, I believe, he has about £300 a-year. I have already stated what his Golden Lectureship is worth. Certainly, he is not a poor man, but, compared with some of his brethren, he cannot be considered very rich. He has published several sermons. ‘Fraser,’ some years since, in a severe criticism on them, detected several remarkable coincidences between passages in them and in Chalmers’ Sermons—of whose style, certainly, Melville strongly reminds one. But I am not aware that the criticism did Melville much harm; and he is still in as great request as ever. I am told there is no such successful preacher of charity sermons in London: no other preacher is so successful in taking money at the doors. As an orator, in the Church or out of it, no man can produce a greater effect. He strikes the chords with a master’s hands. At his bidding strong men tremble and despair, or believe and live.