In spite, however, of this intuitive faith in the past, a faith no logic, no mental illumination, can root out or destroy, dissent has its new chapels and new men. Of these latter the Rev. A. J. Morris is one. People who read Mr. Ruskin, and talk sentimentally about architecture—a practice very rare among architects themselves—will see in Mr. Morris’s chapel something of the character of the man. It is new, but still it appropriates to itself what is graceful and useful in the past. For instance, it has more of an Episcopalian character than dissenting chapels at the time of its erection generally had. Up to that time dissenters had prided themselves on the uncomely and unpoetical aspect of the places in which they met for
public worship. Your dissenting chapel was generally a square, built of the ugliest red brick, and rendered hideous internally by square deal boxes, called pews, in which the people sat under a common-place divine, generally as plain as the place. Such was the meeting-house, as it was termed in the hallowed days of dissent, in the good old times. The whole affair was an abomination to men of taste. Mr. Morris has introduced a great reform—he has abolished the pew system. He has as graceful a gothic chapel as heart could desire; his place of worship is reverential and in keeping with its character. ‘That man of primitive piety,’ as glorious old Isaak Walton termed him, Mr. George Herbert, says in his Temple:—
‘quit thy state,
All equal are within the church’s gate.’
Such certainly is the language of Mr. Morris’s chapel, and such I imagine more or less would be the language of Mr. Morris himself.
Having entered the chapel and got a seat, a matter of some little difficulty,—for the place, which is not very large, is almost always full,—of course you naturally look in the direction of the pulpit. There you will see a man in the prime
of life, of average size, with a light complexion, with a head nearly bald, and with what little hair it can boast of a colour popularly known as sandy. The head is well shaped, round and compact, and complete. Mr. Morris’s appearance is that of a recluse, of a student of books and his own thoughts rather than of manners and of men. He wears no gown, but, nevertheless, has an ecclesiastical appearance, partly possibly resulting from the fact of his wearing an M.B. waistcoat. M.B., perhaps it may be as well to observe on the authority of a late Edinburgh Reviewer, means Mark of the Beast, and was a term used by clerical tailors to denote those square, closely buttoned vests, much affected at one time by curates and other young people suspected of a Puseyite tendency. Mr. Morris’s voice is loud, but not very agreeable. He has a singular mannerism which is anything but pleasant till you are used to it, and when, as was the case the last time I heard him preach, the reverend gentleman asks—‘Ow shall we lay up for ourselves treasure in Eaven?’ you are apt to forget the gravity of the occasion, and to indulge yourself with a feeble smile.
In what Mr. Morris himself says, however,
you will find no occasion for a smile. What he says is worth hearing. In this unsettled age you will see that he has settled convictions—that his religion is a real thing—that it is that which his intellect has fed on—that by which he has squared his life—that by the truth of which he lives, and by the lamp of which he is prepared to find his way when he comes to the valley of the shadow of death. The peculiarity of Mr. Morris as a preacher seems to me to be healthy manliness. He preaches as a man to men. Those whom he addresses are most of them engaged in business, and his aim is to teach them that Christianity is as fit for the counting-house as it is for the closet—as fit for the week-day as the Sabbath—as fit for the world as it is for the church. Some men once in the pulpit seem to forget that there is such a thing as the living present. They are perpetually dwelling on the past, trying to make dry bones live. They can tell you what the old divines said. They can quote their favourite commentators. They can parody the religion of men whose religion at any rate was a real thing, but that is all. Of our times they have no idea. Of the human heart, as it beats and burns in this age of the—
“Steamship and the railway, and the thoughts that move mankind,”
they are profoundly ignorant. They are strangers in a strange land. Amongst us but not of us—of an alien race and speaking an alien tongue—with garments, it may be, unspotted by the world, but without the strength and the heart and the rich experience which contact with, and mastery over, the world alone can give. Mr. Morris is not one of this class—nor is he a painter of idle pictures, whose talk is of fields ever clothed in living green—of white garments—of pavements of sapphire and of shining thrones—nor is he a dreamy sentimentalist lisping out the attributes of the Majesty of heaven and of earth in terms of maudlin endearment, as some drivelling dotard might tell of the goodness and the virtue and the precocious cleverness of the child of his old age. Were Mr. Morris either of these, he might have a larger audience—he might be a more popular preacher—but he certainly would be a less useful one. He thinks, and he gives you something to think about as well. His own creed he has not taken upon trust, nor does he want you to do so either. He has a clear, definite conception of spiritual