The Night Side of London

by J. Ewing Ritchie

morning, on a door-step, in spite of the pouring rain, you might have seen a woman, in her rags and loneliness, trying to gather a few hours of sleep. She was too weak to pursue her unhallowed calling, and had she been so disposed on that cold, wet night, it would have been of little avail had she walked the streets. The policeman as he goes his monotonous rounds tells her to move on. She wakes up, gets upon her legs, hobbles along, and then, when he is past, again, weary and wayworn, seeks the friendly door-step. The policeman returns; “What, here still?” he exclaims. Ah yes! she has not power to move away. She is weak, ill, dying. The friendly police carry her to the neighbouring hospital. “She cannot be received here,” says Routine, and she is taken to the workhouse. Again she is taken to the hospital, admitted at last—for is she not a woman, and a young one, too?—not more than twenty-five, it appears,—and on her face, stained with intemperance and sin, there is the dread stamp of death—in this case, perhaps, a welcome messenger; for who would live, fallen, friendless, forsaken, with a diseased body and a broken heart? “The spirit of a man can sustain his infirmity; but a wounded spirit who

can bear?” Peace be with her! in another hour or two she will have done with this wretched life of hers, and have gone where “the wicked cease from troubling, and the weary are at rest.” More than usual official cruelty is visible in this case, for all that is given her between her admission and her death is a simple cup of tea; and the coroner’s verdict very properly censures the hospital authorities. Well, what connexion, you ask, is there with this girl’s sad fate and the jollity of the Cyder Cellars? Only this, that her father made the Cyder Cellars so popular a place of resort. If I go there again I shall think of Louisa Regan, who began life as the daughter of a successful publican, who had been a governess in a nobleman’s family, at the early age of twenty-five rescued from the streets by policemen, and dependent on charity for a bed on which to die. In the foaming cup, in the glitter of the gas, while the comic singer was most comical, or the sentimental singer most sentimental, I could not be oblivious of her fate. Is there not poison in the bowl? Is there not madness in the merriment? To the night so bright does there not come a dolorous morrow? You may sing and laugh the hours away in the

Cyder Cellars for a while, but you must pay your reckoning, and then, I imagine, you will doubt whether the amusement was worth the price. Youth generally pays too dear for its whistle. Youth is finding this out; at any rate the days of the Cyder Cellars are numbered, and now, with its Judge and Jury and Poses Plastiques, it collects comparatively few.

Let me ask, need the amusements of our leisure hours be thus based on false principles? Cambridge, in one of the pleasantest papers in the “World,” says, “Among the numbers who have changed a sober plan of living for one of riot and excess, the greatest part have been converted by the arguments in a drinking song.” Life is real, life is earnest. It is a battle-ground which requires heart and muscle, and where only the brave can conquer; but if I drop for half-an-hour into a music hall, I learn that pleasure is the great aim of life, and that gin can make me jolly and a genius.

LEICESTER-SQUARE.

One of the peculiar institutions of the country is the square. Charles Knight says:—“The Piazza, Place, Platz, of Italy, France, or Germany, have little in common with it. Its elements are simple enough—an open space of a square figure, houses on each of the four sides, and an enclosed centre with turf, a few trees, and, it may be, flowers; and there is a square.” There are fashionable squares, all alive with the sound of carriage-wheels and the chaste accents of a thousand flunkeys; there are city squares, dull, dark places, with old red-brick houses, and a stunted, smoke-dried shrub or two in the middle. Then there are respectable squares, which never were fashionable, nor ever aimed to be such; and then there are squares which were once fashionable, but now are sadly gone out of repute. One of the chief of these is Leicester-square. Do our readers remember how Queen Caroline found time to be the mother of seven

promising children, of whom the eldest, Frederick, Prince of Wales, was a continual source of sorrow and vexation to both his parents? “He resembled,” writes Horace Walpole, with his usual sneer, “the Black Prince only in dying before his father.” Well, there was a house built before the Commonwealth, called Leicester-house. Hither came this young, dissipated, short-lived Prince, and fixed his court. When he passed away, and the wits wrote—

“Here lies Fred,
Who was alive,
And is dead,”

still the place had the prestige of fashion. It gradually assumed the shape of a square, and became the dwelling-place of men truly great. Sir Isaac Newton resided near the square, in a house yet standing, and known to fast men as Bertolini’s, alias the Newton Hotel. Where now we see the Sablonière Hotel, Hogarth once dwelt, and at a later time Sir Joshua Reynolds lived on the opposite side of the square. In its neighbourhood Sir Charles Bell made his discoveries respecting the nervous system, and here the renowned John Hunter lived. In later times Wordsworth made it the scene of his

Moon-gazers; and if he could term it “Leicester’s busy square,” still more is that epithet appropriate to it at the present time. It is true that the Great Globe is not a success; that the Panopticon failed; that the Western Literary Institution did not flourish; that the place is not literary or scientific, nor even business-like, for by daylight the shops look seedy, and the wares exhibited are somewhat of the cheapest. But at night a change comes over the spirit of its dream. Here, from cheap lodging-houses hard by, from cold garrets or dark and dusty two-pair backs, crawl out to walk its flagstones, or taint its air with the smoke of cheap cigars, men of all nations and tongues—French, Germans, Italians, Spaniards, Poles—the scoundrels and patriots of Europe. There is business here now; the air is laden with the sickly odour of a thousand dinners. Hotels and cafés and restaurants are lit up and gay. Mr Smith opens the Alhambra on Sundays and week-days for Music for the Million; and women, rouged and dressed as much as possible like the nude figures, degrade our conceptions of Venus, and Sappho, and the Syrens, and others of our classic acquaintances, by the exhibition of them in questionable