And now the dull, dark day, by the magic power of gas, has been transformed into gay and
brilliant night. The thousands who have spent the day sight-seeing are not satiated, and are flocking round the entrances of the various theatres. Let us stand on the stage of the Victoria, and see them to the number of fifteen hundred mounted upon the gallery benches. Through the small door near the ceiling they come down like a Niagara, and you expect to see them hurled by hundreds into the pit. What a Babel of sounds! It is in vain one cries “Horder!” “’Ats off!” “Down in front!” “Silence!” Boys in the gallery are throwing orange peel all over the pit; Smith halloos to Brown, and Brown to Smith; a sailor in a private box recognises some comrades beneath, and immediately a conversation ensues; rivals meet and quarrel; women treat each other to the contents of their baskets—full of undigestible articles, you may be sure, with a bottle of gin in the corner. The play—it is that refreshing drama, the “Battersea Brigand”—proceeds in dumb-show; but the pantomime, the subject of which is, “Wine, War, and Love, and Queen Virtue in the Vistas of Light or Glitter,”—with what a breathless calm, that is ushered in. It is an old silly affair. Harlequin, clown, and
pantaloon, are they not all very dreary in their mirth? Yet the audience is in a roar of laughter, and little babes clap their tiny hands, and tears of laughter chase each other down the withered cheeks of age. This night in every theatre of London is a similar scene witnessed. The British public is supposed to be unusually weak at Christmas, and tricks that were childish and stale when George the Third was king, and jokes venerable even in Joe Miller’s time, are still supposed to afford the most uproarious amusement to a people boasting its Christianity, its civilisation, and enlightenment. Of all conventionalisms those of the stage are the most rigid, antiquated, and absurd.
But the thousands outside who did not get in—what are they about? Look at that respectable mechanic; you saw him in the morning as happy as a prince, and almost as fine; he stands leaning against the lamp-post, apparently an idiot. His hat is broken—his coat is torn—his face is bloody—his pockets are empty; not a friend is near, and he is far away from home. It is clear too what he has been about. Come on a few steps further—three policemen are carrying a woman to Bow-street. A hooting
crowd follow; she heeds them not, nor cares she that she has lost her bonnet—that her hair streams loosely in the wind—that her gown (it is her Sunday one) is all torn to tatters—or that her person is rudely exposed. The further we go, and the later it grows, the more of these sad pictures shall we see. Of course we do not look for such in Regent-street, or Belgravia, or Oxford-street, or the Strand. Probably in them we shall meet respectable people staggering along under the influence of drink—but they are not noisy or obstreperous—they do not curse and swear—they do not require the aid of the police. We must go into the low neighbourhoods—into St Giles’, or Drury-lane, or Ratcliffe-highway, or the New-cut, or Whitechapel—if we would see the miseries of London on Boxing night. We must take our stand by some gin-palace. We must stay there till the crowds it has absorbed and poisoned are turned loose and maddened into the streets. Then what horrible scenes are realized. Here an Irish faction meet, and men, women, and children engage in a general mêlée, and cries of murder rend the air, and piercing shrieks vex the dull ear of night. There two mates are stripped and
fighting, who but this morning were bosom friends, and who to-morrow would not harm a hair of each other’s heads. Here a mechanic with a bloody head is being borne to the neighbouring hospital, to lie there a few months at the public expense, while his family are maintained by the parish. Again, we meet two wives nursing young babes scared into unnatural silence, clenching their fists in each other’s faces, and with difficulty restrained from acts of more savage violence by their drunken husbands. Their day’s holiday has come to this. In the metropolis in 1853, the number of public-houses was 5729—the number of beer-shops 3613. These figures give a total of 9342. If on this night we suppose on an average one fight in the course of the evening takes place in each of these drinking shops, we can get some idea of what goes on in London on a Boxing night. In passing at midnight down Drury-lane, I see three fights in a five minutes’ walk. Enlightened native of Timbuctoo, will you not pity our London heathens and send a few missionaries here!
THE MOGUL,
Not the Great Mogul in Thibet, but the Mogul in Drury-lane, is an increasingly popular place of public amusement. I was there a few years since, and it was not more than half full. The other night I could hardly get standing room, though I paid sixpence and went with the operative swells into the gallery. In these days the test of everything is success. We speak well of the tradesman who does the largest business—of the writer whose books sell the most—of the actor or preacher that draws the largest crowd. We do not stop to criticise the manner in which that business is done, the influence of the writer, the doctrine taught by the preacher, or the character of the acting. On the ordinary principle, then, the Mogul is a creditable establishment, for it is a successful one. Indeed, in the present state of society, it is hardly possible to conceive how a place that combines entertainment and drinking together can well be
otherwise. In the course of last summer Vauxhall was open a few nights; I was credibly informed that on each night it was supposed not more than half the company paid for admission, the other half having been admitted by means of orders. It is calculated the sale of drink and refreshment to the crowd thus collected will yield a profit sufficient to cover all expenses. Thus it is such places as the Mogul pay. The entrance fee and the sale of intoxicating drinks must amount to a sum out of which a proprietor can extract a handsome profit.
Thus at the Mogul you have a double attraction. Are you a gin-drinker, you can go and get your quartern or half-quartern over the bar—or you can lounge into the concert-room and quietly sit soaking the whole evening; for, as the performance does not close till midnight, the time admits of a man getting “fou” between the commencement and the close of the entertainment. Drury-lane is what may be called a low neighbourhood, devoted principally to butchers’ and bakers’ shops, pawnbrokers’ establishments, and gin-palaces. Pass these latter any hour of the day you will, and you will find