A SUNDAY WITH THE LUNATICS.
One of the earliest of the Gospel stories is that which tells how the Saviour healed the man possessed with devils. It is only of late that we have learned to imitate His example. For hundreds of years society has gone on torturing the mad, hardening the hardened, depraving the depraved. We are now retracing our steps; we are atoning nobly for sins of omission and commission on the part of our ancestors. It would do good to some of the noisy poor who waste their time in low pot-houses talking of their rights, when all that a man has a right to is what he can earn, to look over such places as Hanwell and Colney Hatch, where pauper lunatics are lodged in a palace, waited on by skilful male and female attendants, spend their days in light and airy rooms as
clean as wax-work, have four meals a day, and every reasonable want supplied. I have no doubt that many a careworn City man, as he has been hurried backwards and forwards past such places by the train, has often wished that in some such stately pile he had a niche where he could come of a night, after the day’s work was over, to breathe the fresh air, to tread the fresh grass, and to smell the fresh flowers. I propose to gratify this wish,—come with me, respected reader, and in the twinkling of an eye you will find yourself in Colney Hatch.
It is on Sunday, a day when the asylum is closed to the public. Far and near this bright sunshiny afternoon there seems resting over all a Sabbath calm. On the neighbouring rails no trains are running; the doors of the Station Hotel are shut; no traffic occupies the road and distracts your attention. You gaze on fields as yet yellow with no ripening corn, meadows as yet uncarpeted by flowers, trees as yet leafless. Farther off on the distant ridge we see lofty mansions.
“All bright and glittering in the smokeless air.”
Arrived at the gate we ring a bell; the porter opens it to us. We enter our name in the visitors’
book, and descend the gravel slope on which the asylum is placed. All round is a wide extent of land in which the lunatics take exercise and occasionally work. There are none outside now, for it is the hour appointed for Divine service. The door is opened for us by an attendant, who understands our mission. He takes us upstairs and we find ourselves seated in a little gallery set apart for the leading officers of the asylum. Just below us is the pulpit; on a line with it, but a little farther off, is the reading-desk; opposite us, at the other end of the room, is the organ. From the floor on which the pulpit is placed there is a gradually ascending series of benches; on our right are ranged the female, on our left the male inmates of the house. It may be that there are some four or five hundred present. Here and there amongst them you see their well-clad keepers. The lunatics attend this service willingly, it is a pleasure for them to come, it is a punishment for them to keep away. On the whole they behave very well, and, as is often the case outside the walls of lunatic asylums, the females greatly preponderate. From our gallery in this clean, cheerful chapel we look down upon the group below. The sight is an unmitigatedly sad one; we fail to see a single pleasant face. The chapel, considering who
are the audience, is almost light and cheerful. It is painful to turn from its white walls and rafters to the crowd beneath and realize how much darker and more cheerless is the human face when it is void of intelligence. In this chapel you do not see the worse cases, they are properly concealed from the spectator’s eye; it is enough to know that they are equally wisely and carefully tended with those before you. The women are far more troublesome than the men. All are hideously ugly, such as Fuseli might dream of after a supper of pork-chops, such as, perhaps, that wonderful painter at Brussels, whose pictures form the chief modern attraction of the place, could have painted in that queer little imitation Roman ruin in which he lived and died, but such as no living artist, at any rate in England, could portray. You feel inclined to exclaim with Banquo—
“What are these,
So withered and so wild in their attire,
That look not like the inhabitants of earth,
And yet are on’t?”
Some sit as living corpses, others with scowling eye, flesh-and-blood pictures of despair. Others there be who have driven themselves mad with their bad tempers and unruly tongues. You can read all that