THE GOD OF THE LEARNED.
Amongst the figures of the gods, in a country where literature is the sole passport to success, where examinations on the knowledge of that literature lasted for days, and where the results of the examinations meant so much, it would be quite natural that a high place should be given to the god of literature. Here we have a magnificent specimen, possibly worth about £4,000. It is a figure, of extraordinary size, of Wan Chong (God of Literature). The robe, of exceptionally brilliant green enamel, is decorated with clouds in aubergine, white, yellow, and black; the centre having a large panel containing a flying stork and clouds in rouge de fer, yellow, green, and aubergine, on a white ground, the whole of this surrounded by a narrow margin of aubergine and black. Above this panel, and going round the waist, is a girdle in high relief; this is decorated with small hawthorn blossoms of rouge de fer, raised from a ground of rich aubergine; the borders of the garment contain hawthorn blossoms in aubergine, yellow, blue, and black, on a deep green ground. The exposed hand, which is movable, is of white biscuit, whilst the face is glazed in white, and the headdress and feet are of brilliant black enamel. Attention may be called to the sublime expression and modelling of the features in this figure, which can without doubt rank as one of the finest and most important pieces of the period.
THE TAOIST DIVINITIES.
The first of these divinities is Laò-tseù, the founder of Taoism. He is usually represented holding a book whilst seated on a buffalo. He lived to a great age in a hermitage situated on a mountain side, when one day a buffalo, ready harnessed, came where he was, and when he had mounted it he was carried away to the west. Chang-Ti, the god of heaven, is represented seated upon a horse and holding a tablet. Héou Tou, goddess of the earth, appears in the dress of an empress. The gods of the stars have various names, but they may be found as images, and we give some of them. Sou Sing, god of the Pole Star and of the North, is usually seated on a stool; before him lies a tortoise enveloped in the coils of a serpent. Koéï Sing, the god of the Great Bear, carries the writing pencil, or brush, and an ingot of silver, symbol of the fortune which is secured by knowledge. He also carries a bushel measure. Nan Kiun Lao, or Chô, is the incarnation of Laò-tseù and the god of the Southern Cross. He holds a sceptre and rides upon a mule.
Amongst the very old statuettes may be found some that are very ancient, dating from the Sung dynasty (960-1279). These are of violet and blue Celadon. Fou Hi, the first Emperor of China, is a specimen of these figures in the Musée Guimet at Paris. To him is ascribed the invention of agriculture and writing. Chen Noung, the inventor of medicine; Fô, Lô, and Chô, the three gods of happiness, and many others.
The illustration is an exceptionally fine and rare figure of Kouan-ti, the god of war, seated on a horse. The armour is in green with yellow edgings, belt, &c.; the under-garments in aubergine, and black boots. The head-dress is green. The horse aubergine and black. All the trappings, including saddle and saddle-cloth, in green and aubergine. Period, Ming.
WEN-TCHANG. CHIEF OF THE FIVE GODS OF LETTERS.