POWDER-BLUE WITH "FAMILLE VERTE" DECORATION.

A pair of very fine quality, large size, powder-blue Plates with Joo-e-shaped panels in the centre, and eight small panels or reserves round the border. It will be noticed that the patterns of the decoration on the two plates is not the same. The central panel on the left has a fine landscape with figures in conversation. The smaller panels are alternately decorated with a small landscape, and with flowers. The gilt pattern, too, so often used with powder-blue, and so quickly lost, is clearly shown on the blue ground, giving a further decoration of flowers not alone in compartments, but also over all the blue surface. The other plate has the central panel decorated with a landscape and some striking cloud forms. The small panels are all decorated with flowers. There are only traces of the formal golden chrysanthemum pattern, which, besides, is again different to that on the other plate. Both have a mountainous coast scene in the distance with a pagoda and trees. Both, too, in middle distance a house and a weeping willow. Besides this class of powder-blue with green family decoration, it is also very effective, though not so brilliant, with blue under-glaze landscapes, figures, and flowers in similar panels to those we have described-that is, the Joo-e-head panel. Special attention should be paid to the variation of the Joo-e outline. The Joo-e-head itself is given amongst the symbolical marks. The catalogue description is sometimes like this, "Joo-e head-shaped reserves," or again "Joo-e-head-shaped Y diaper." Kang-he period.

MAZARINE BLUE.

A pair of mazarine blue Jars and Covers, having two leaf-shaped panels. These are from a set of five, three vases and two beakers. These are finely decorated with storks and other birds and flowers in "famille rose" enamel. Various small panels as on the covers are similarly decorated with flowers. The covers themselves are surmounted by dogs of Fô or Corean lions. These are ascribed to Keen-lung, and may be taken as an attempt to copy Kang-he powder-blue. They are covered with a rich blue enamel named mazarine, after the cardinal of that name. This is opaque and generally darker in colour than the powder-blue. One is applied as a colour enamel—that is mazarine; the other is colour powdered or dabbed on—that is powder-blue. The mazarine blue comes really under the Celadon class as a "self" colour. The leaf-shaped panels or reserves are in white surrounded by a faint dull red outline of the leaf. The blue enamel is not alone used with "famille rose" decoration as in the illustration, but it is also combined with "famille verte" either with or without red scroll-work as a ground diaper. The vases made in pairs have usually a right and a left—that is, the pattern is reversed. Here we have an example of the contrary, the two specimens are identical. The leaf-panel runs down from the top to the point at the bottom on the right in both, and birds, flowers, and trees are as nearly alike as possibly could be expected.

Note.—The decoration in blue enamel colour was an addition of the early part of the Tsing dynasty; no Ming specimen has been identified having the blue over the glaze.

D.—Green and Yellow Family—"Famille Jaune."

An elegant combination is found in this early product, where the two prominent colours are green and yellow. Sometimes the body may have a black ground covered with almost invisible green glaze, but the main decoration is green, aubergine, and yellow, although other colours such as red, especially red triangle work, is frequently found. These pieces probably originated in the Ming period, but were recopied later. They have reserves such as those mentioned before, decorated with Buddhist emblems or with subjects such as a prince and princess of the Imperial house walking in a garden with two Ho-Ho birds, and a landscape where ladies are conversing and men are in attendance. Amongst the symbols are to be found the official one of the branch of coral with the peacock's feathers. The diapers are very varied and the joo-e-head decoration is frequently found. The frontispiece gives a good idea of this form of decoration, and its description should be noted.

In speaking of the rare examples, yellow-ground, as well as black and green, could be ranked quite in the first order; in fact, they are almost the rarest kind. Specimens of these families were made at the end of the Ming period, and it is a very moot point to-day whether the fine examples, which we know, belong to the end of the Ming or the beginning of the Kang-he.