The execution in satisfaction of the judgment obtained against Mr. Belcher was promptly issued and levied; claimants and creditors of various sorts took all that the execution left; Mrs. Belcher and her children went to their friends in the country; the Sevenoaks property was bought for Mr. Benedict, and a thousand lives were adjusted to the new circumstances; but narrative palls when its details are anticipated. Let us pass them, regarding them simply as memories coming up—sometimes faintly, sometimes freshly—from the swiftly retiring years, and close the book, as we began it, with a picture.

Sevenoaks looks, in its main features, as it looked when the reader first saw it. The river rolls through it with the old song that the dwellers upon its banks have heard through all these changing years. The workmen and workwomen come and go in the mill, in their daily round of duty, as they did when Phipps, and the gray trotters, and the great proprietor were daily visions of the streets. The little tailoress returns twice a year with her thrifty husband, to revisit her old friends; and she brings at last a little one, which she shows with great pride. Sevenoaks has become a summer thoroughfare to the woods, where Jim receives the city-folk in incredible numbers.

We look in upon the village on a certain summer evening, at five years' remove from the first occupation of the Belcher mansion by Mr. Benedict. The mist above the falls cools the air and bathes the trees as it did when Robert Belcher looked upon it as the incense which rose to his lordly enterprise. The nestling cottages, the busy shops, the fresh-looking spires, the distant woods, the more distant mountain, the old Seven Oaks upon the Western plateau and the beautiful residence behind them, are the same to-day that they were when we first looked upon them; but a new life and a new influence inform them all. Nature holds her unvarying frame, but the life upon the canvas is what we paint from year to year. The river sings to vice as it sings to virtue. The birds carol the same, whether selfishness or love be listening. The great mountains rejoice in the sun, or drape their brows in clouds, irrespective of the eyes that regard them.

This one fact remains good in Sevenoaks, and the world over. The man who holds the financial power and the social throne of a town, makes that town, in a good degree, what he is. If he is virtuous, noble, unselfish, good, the elements beneath him shape themselves, consciously or unconsciously, to his character. Vice shrinks into disgrace, or flies to more congenial haunts. The greed for gold which grasps and over-reaches, becomes ashamed, or changes to neighborly helpfulness. The discontent that springs up in the shadow of an unprincipled and boastful worldly success, dies; and men become happy in the toil that wins a comfortable shelter and daily bread, when he to whom all look up, looks down upon them with friendly and sympathetic eyes, and holds his wealth and power in service of their good.

Paul Benedict is now the proprietor of Sevenoaks; and from the happy day in which he, with his sister and child, came to the occupation of the mansion which his old persecutor had built for himself, the fortunes and character of the town have mended. Even the poor-house has grown more comfortable in its apartments and administration, while year by year its population has decreased. Through these first years, the quiet man has moved around his mill and his garden, his mind teeming with suggestions, and filling with new interest in their work the dull brains that had been worn deep and dry with routine. All eyes turn upon him with affection. He is their brother as well as their master.

In the great house, there is a happy woman. She has found something to love and something to do. These were all she needed to make her supremely self-respectful, happy, and, in the best degree, womanly. Willful, ambitious, sacrificing her young affections to gold at the first, and wasting years in idleness and unworthy intrigue, for the lack of affection and the absence of motive to usefulness and industry, she has found, at last, the secret of her woman's life, and has accepted it with genuine gratitude. In ministering to her brother and her brother's child, now a stalwart lad, in watching with untiring eyes and helping with ready wit the unused proprietor in his new circumstances, and in assisting the poor around her, she finds her days full of toil and significance, and her nights brief with grateful sleep. She is the great lady of the village, holding high consideration from her relationship to the proprietor, and bestowing importance upon him by her revelation of his origin and his city associations.

The special summer evening to which we allude is one which has long been looked forward to by all the people in whom our story has made the reader sympathetically interested. It is an anniversary—the fifth since the new family took up their residence in the grand house. Mr. and Mrs. Balfour with their boy are there. Sam Yates is there—now the agent of the mill—a trusty, prosperous man; and by a process of which we have had no opportunity to note the details, he has transformed Miss Snow into Mrs. Yates. The matter was concluded some years ago, and they seem quite wonted to each other. The Rev. Mr. Snow, grown thinner and grayer, and a great deal happier, is there with his wife and his two unmarried daughters. He finds it easier to "take things as they air," than formerly, and, by his old bridge, holds them against all comers. And who is this, and who are these? Jim Fenton, very much smoothed exteriorly, but jolly, acute, outspoken, peculiar as ever. He walks around the garden with a boy on his shoulder. The "little feller" that originally appeared in Mr. Benedict's plans of the new hotel is now in his hands—veritable flesh and blood; and "the little woman," sitting with Mrs. Snow, while Mrs. Dillingham directs the arrangement of the banquet that is being spread in the pagoda, watches the pair, and exclaims: "Look at them! now isn't it ridiculous?"

The warm sun hides himself behind the western hill, though still an hour above his setting. The roar of the falling river rises to their ears, the sound of the factory bell echoes among the hills, and the crowd of grimy workmen and workwomen pours forth, darkening the one street that leads from the mill, and dissipating itself among the waiting cottages. All is tranquillity and beauty, while the party gather to their out-door feast.

It is hardly a merry company, though a very happy one. It is the latest issue of a tragedy in which all have borne more or less important parts. The most thoughtless of them cannot but feel that a more powerful hand than their own has shaped their lives and determined their destinies.

The boys are called in, and the company gather to their banquet, amid conversation and laughter.