[95] It is Bonaparte who does every thing—every thing is submitted to him—every thing is possible for him.
[96] Among the old friends of my family, from whom we received particular kindness, I shall be pardoned for naming madame (la ci-devant comtesse) d’H—t, so frequently mentioned in the confessions of Jean Jacques, and the real model on which he formed his imaginary Heloise. We had the pleasure of passing some days at her country seat, in the valley of Montmorency, and several evenings at her hotel at Paris. This accomplished woman, who at the age of thirty, had the talent to attract, and the virtue to resist the affection of Rousseau, has still at seventy, that amiability of manner, that suavity of disposition, and that fund of enlightened conversation, which, notwithstanding the disadvantages of a person far from handsome, gained her the love of that extraordinary man. The latter has been very unjust in the character which he has drawn of the husband of this lady. He is still living, and is a respectable man of ancient family, independent fortune, and irreproachable reputation. St. Lambert, the Thomson of France, resides with Mr. and madame d’H—t, and his extreme old age receives from their attention the comforts and kindness of unvarying friendship.
[97] There are innumerable houses at Paris in which, with every appearance of respectability, and often with the assistance of some lofty sounding title, the unwary stranger often finds his ruin. Amidst the smiles of beauty, the splendour of foreign orders, the jollity of wine, and the gaiety of dancing, youth loses its prudence, and one evening’s entertainment is paid by the loss of that fortune, on which a man’s happiness, and perhaps that of many dear relatives depended.
INDEX.
- A.
- Advocates, [223]
- Affaire manquée, definition of the term, [44]
- Albani, Francesco, his paintings, [32]
- Amiens, [6]
- Ancienne noblesse, account of, [55], [57]
- a ball of, [140]
- Antiquities, cabinet of, [16]
- Apathy of the french people, [179]
- Apollo Belvidere, [16], [18]
- Arabian horses, [202]
- Archbishop of Paris, [217]
- of Tours, [218]
- Artistes, théâtre des jeunes, [130]
- Athénée, [255]
- Aveyron, savage of, [109]
- B.
- Bagatelle, garden of, [231]
- Ball, a public, [92]
- Ball, a private, [140]
- Ballets, [123]
- Bargains, necessity of making them, [280], [283]
- Beggars, [5]
- Berthier, general, [139]
- Bendette, paintings of, [31]
- Blind, Institutions for the, [103]
- Boissy d’Anglass, [90]
- Bois de Boulogne, [175], [228]
- Bonaparte, first consul, account of, [81], [158], [161]
- court of, [159]
- dinner with, [247]
- madame, [43], [188], [220]
- Lucien, [188]
- Boulevards, [229]
- Brun, le, the third consul, [59]
- Charles, paintings of, [23]
- Burgoing, mademoiselle, [116], [117]
- C.
- Calais, [2]
- Caravaggio, Michael Angelo Amerigi, [34]
- Cardinal legate, [217]
- Carnival, [152]
- Carracci, Agostino, [33]
- Lodovico, [33], [173]
- Antonio, [33]
- Annibale, [ib.]
- Carriages, [177], [209], [211]
- job, [270]
- Castiglione, Gio Benedetto, his paintings, [31]
- Cavedone, James, [35]
- Champagne, Philip of, [25]
- Champ de Mars, [237]
- Champs Elisées, [228]
- Chantilly, [7]
- Claissens, Anthony, [25]
- Clotilde, mademoiselle, [124]
- Cloud, St., [192]
- Comparison between London and Paris, [282]
- Concert of the blind, [104]
- Conciergerie, [225]
- Concordat, [188]
- Contat, mademoiselle, [118]
- Cornwallis, lord, [67]
- Corregio, [35]
- Costume of dress, [93], [176]
- Cosway, Maria, copying the principal pictures in the Museum for prints, [15]
- Court of Bonaparte, [159]
- of madame Bonaparte, [188]
- Criminal law, [224]
- D.
- Dancers, [123], [190]
- Dances, [95], [142]
- Dancing, [144]
- Deaf and dumb, [69]
- Dessein’s hotel, [3]
- Dinner with Bonaparte, [247]
- Domenichino, [35]
- Douaine at Calais, [2]
- Dover, [1]
- Duel, frivolous occasion of one, [233]
- Dress, [93], [176]
- Durer, Albert, [25]
- Dutch school of painting, [ib.]
- Dyck, Anthony Van, [26], [173]
- Philip Van, [27]
- E.
- École Militaire, [238]
- Edouard en Ecosse, [146]
- Élèves, theatre of, [131]
- Elephant, account of, [261]
- Emigrés, their conduct to the english, [57], [58]
- Enfans trouvés, [236]
- English language most simple and natural in its construction, [70]
- Engravings, cabinet of, [253]
- Exorbitant demands at Versailles, [198]
- Expenses at Paris, [266]
- F.
- Fashions, [176]
- Ferrari, Gandertio, [36]
- Fête for the peace, [40]
- Feydeau, théâtre, [125]
- Fire arms, manufacture of, [195]
- Fireworks, [50]
- Fitzjames, the ventriloquist, [132]
- Flemish school of painting, [25]
- Fleury, the actor, [119]
- Fond, la, [116]
- Footmen, english, publicly forbidden to wear laced hats, [178]
- Fournisseur, assembly at the house of a, [137]
- Fox, Mr., opinion entertained of him, as an orator, in french society, [78]
- French school of painting, [23]
- Frescati, [231]
- Furniture of the houses in Paris, [60], [295]
- G.
- Gallery of paintings, [11], [166]
- of statues, [16]
- Galvanism explained by Massieu, deaf and dumb, [106]
- Gambling houses, [99]
- Gardens of Paris, [228], [229]
- Garden, national, of plants, [260], [261]
- Généviève, St., [182]
- Gens d’armes, [216]
- German school of painting, [25]
- Germain, St., [203]
- Globes, [250]
- Gobelins, [235]
- Governmental class of society, [55], [59]
- Guards, consular, [84]
- Guercino, paintings of, [37], [173]
- Guides, les, [215]
- Guido, paintings of, [36]
- Guillotine, [225]
- Gyzen, Peter, [27]
- H.
- Hameau de Chantilly, [229]
- Harpe, la, [256]
- Hayes, de, [190]
- Henry, the Fourth, original manuscript of, [252]
- Henry, madame, [127]
- Holbein, Hans, paintings of, [27]
- Horses, [177], [202], [270]
- Horsemanship, exhibitions of, [181]
- Hospitals, [304]
- Hotels, [9], [272]
- list of the best in Paris, and their prices, [273]
- Houses, description of an elegant Parisian house, [60]
- expense of, [267]
- I & J.
- Jets d’eau at St. Cloud, [193]
- at Versailles, [197]
- Illuminations, description of, at Paris, [47], [179], [220]
- Indifference in the french people, [179]
- Inns, [8]
- Institute, national, [259]
- Institution for the deaf and dumb, [69]
- for the blind, [103]
- for les enfans trouvés, [236]
- Introduction to Bonaparte, [158]
- Invalides, [238]
- Italian opera, [42], [128]
- Italian school of painting, [31]
- Judges of the tribunals, [222]
- Justice of a juge de paix at Versailles, [199]
- K.
- Kosciusko, [145]
- L.
- Lanfranco, [38]
- Laocoon, description of the statue, [21]
- La partie de chasse de Henri IV, [133]
- Laquais de place, expense of, [270]
- Lectures, account of, [256]
- Legislative body, account of its sittings, [63]
- Leonardo da Vinci, paintings of, [38], [173]
- Lewis XIV, memoirs of his own times, [251]
- Libraries, want of circulating, in Paris, [264]
- Library, national, [250]
- of the Pantheon, [254]
- des quatre nations, [255]
- Mazarine, [ib.]
- of the institute, [ib.]
- of the legislature, tribunate, senate, &c., [ib.]
- Literature, advantages in the pursuits of, at Paris, [249]
- Lodgings, price of, [272], [273]
- London compared with Paris, [282]
- Long Champ, [205]
- Louvois, théâtre, [127]
- Louvre, [11]
- Luxembourg, palace of, [181]
- Lyceum, [255]
- M.
- Malmaison, [203]
- Mamalukes, [217]
- Manuscripts, cabinet of, [257]
- Maria Cosway, her paintings and proposed engravings, [15]
- Marley, [203]
- Masquerade at Paris, [5]
- Massieu, deaf and dumb pupil of l’abbé Sicard, [71], [105]
- Mauvais compagnie, definition of the phrase, [54]
- Mazarine library, [255]
- Medals, cabinet of, [251], [253]
- Ménagerie, [260]
- Military made use of on trifling occasions, [214]
- Mineralogy, collection of, [262]
- Mistakes of the french concerning english names, [127]
- Molière’s plays, [120]
- Molière, théâtre de, [129]
- Montreuil, [5]
- Monuments, collection of, [242]
- Moreau, general, [135]
- Monvel, [119]
- Mousseux, garden of, [229]
- Museum of arts, [11], [166]
- of monuments, [239]
- N.
- National institute, [259]
- National library, [250]
- New year’s day kept at Paris, [98]
- Noir, le, [240]
- O.
- Observatory, [236]
- Œconomy of Paris, [267]
- Opera, french, [123]
- Opera, italian, [42], [128]
- Orange, prince of, his introduction to Bonaparte, [159]
- Orators, french, [89]
- P.
- Paintings, gallery of, [11], [166]
- catalogue of, [23], [169]
- at Versailles, [195]
- restored, [167]
- Palace Royal, [99]
- of Versailles, [195]
- of Justice, [222]
- Pantheon, description of, [182]
- library of, [254]
- Paris, view of, [183], [230]
- streets of, [227], [293]
- compared with London, [282]
- Parvenues, or third class of society, [55], [60]
- Passports, [3], [8]
- Paul Potter, paintings of, [28]
- Payne, of the York Hotel, Dover, [1]
- People, better behaved to their superiours since the revolution, [6]
- Pettit, madame, [116]
- Phantasmagorie de Robertson, [131]
- Phyllis, mademoiselle, [126]
- Plate glass, manufactory of, [105]
- Police, their order, [93]
- Pordenone, paintings of, [171]
- Portalis, account and speech of, [87]
- Poussin, Nicholas, paintings of, [23]
- Price of posting, [5]
- of the various articles of life, [269]
- of tickets for the play, [122], [268], [272]
- Printing by the blind, [103]
- Provision, price of, [269]
- R.
- Raphael, paintings of, [38], [171]
- Recommendation, letters of, necessary, [291], [292]
- Religion, reestablishment of, [213]
- Rembrandt, paintings of, [28]
- Restaurateurs, [278]
- Restout, paintings of, [24]
- Review of troops before Bonaparte, [81]
- Road from Calais, [4]
- Rousseau, tomb of, [186]
- Rubens, paintings of, [29], [171]
- S.
- Sacchi, Andrea, paintings of, [172]
- Salon des étrangers, [92]
- Salvator Rosa, [172]
- Savage of Aveyron, [109]
- Sèvre, manufactory of, [193]
- Shakspeare, opinion of the french concerning him, [77]
- Shorthand defined by a deaf and dumb youth, [107]
- Sicard, abbé, [69]
- Societies, literary and scientific, [249], [264]
- Society, state and classes of, in Paris, [53], [74]
- Spectacle, definition of the word, [41]
- Spectacles, general account of, [116]
- Stables of Chantilly, [8]
- of Versailles, [202]
- Statues, gallery of, [16]
- Sueur, le, Eustache, paintings of, [24]
- T.
- Tallien, madame, [95]
- Talma, [116]
- Taxes, [56]
- Tea assemblies, [74]
- Temple of Mars, [233]
- Teniers, the elder and the younger, paintings of, [31]
- Texier, [133]
- Theatre, general account of, [116]
- Comique, rue Feydeau, [125]
- de la Gaieté, [131]
- de l’Ambigu Comique, [130]
- de la République et des Arts, [123]
- de Molière, [129]
- des jeunes Artistes, [130]
- des jeunes Élèves, [131]
- du Marais, [ib.]
- François de la République, [116]
- Italian Opera, [42], [128]
- Louvois, [127]
- Montansier, [129]
- sans Pretension, [121]
- Vaudeville, [126]
- Thuilleries, [10]
- Tintoret, paintings of, [173]
- Titian, paintings of, [39], [172]
- Tivoli, the gardens of, [232]
- Tom Jones, a french play, [127]
- Traiteurs, a list of the principal, [278]
- Trial at Versailles, [199]
- Trianon, le Grand, [203]
- le Petit, Hôtel at Versailles, exorbitant charges, [198]
- garden of, [202]
- Tribunal de Cassation, [223]
- de la Police Correctionelle, [ib.]
- Tribunals of justice, [222]
- Tribunal, sitting of, [87]
- Turenne, tomb of, [245], [247]
- Turnpikes, [8]
- V.
- Van Loo, Carlo, paintings of, [25]
- John Baptist, paintings of, [ib.]
- Lewis Michael, paintings of, [ib.]
- Venetian horses at the gates of the Thuilleries, [11]
- Veronese, Alexander, paintings of, [38]
- Paul, paintings of, [ib.]
- Versailles, [192], [194]
- Vestris, [163]
- Vinci, Leonardo da, [38], [173]
- Visits, [284]
- Vivacity wanted in french society, [80]
- Volney, mademoiselle, [116]
- Voltaire, tomb of, [186]
- W.
- Walse, description of this dance, [142]
- Wild boy of Aveyron, [109]
- Y.
- York Hotel, Dover, [1]
ERRATA.
Transcriber’s Note: the errata have been corrected. In addition, accents in the French have been standardized, and obvious typographical errors have been amended.
| Page | [14], | l. 17, | for chefs d’œuvre, read chefs d’œuvres. |
| ⸺ | [33], | No. 713, | for occupation, read vocation. |
| ⸺ | [45], | l. 21, | for merits, read talents. |
| ⸺ | [56], | l. 20, | for public offices hereditary in their families, read public offices which had become almost hereditary in their families. |
| ⸺ | [79], | l. 9, | for c’est moi qui a traduit, read c’est moi qui ai traduit. |
| ⸺ | [91], | l. 3, | for ce climate, read ce climat. |
| ⸺ | [93], | l. 6, | for nor, read or. |
| ⸺ | [102], | l. 19, | for Monteaussier,” read Montansier.” |
| ⸺ | [105], | l. 6, | the word illness ought not to have been in italics. |
| ⸺ | [114], | l. 8, | for that too, read those too. |
| ⸺ | [119], | l. 21, | for “Morvel,” read “Monvel.” [Transcriber’s Note: also changed in the index.] |
| ⸺ | [159], | l. 23, | for count, read marquis. |
| ⸺ | [160], | l. 13, | for des Anglois, read d’Anglois. |
| ⸺ | [171], | No. 61, | for Justus, Lipsius, read Justus Lipsius. |
| ⸺ | [182], | l. 8, | for even, read ever. |
| ⸺ | [184], | l. 15, | for it was proposed to confer immortality by burying in its vaults, read it was proposed, by burying in its vaults, to confer immortality. |
| ⸺ | [195], | note, l. 1, | put on before ne. |
| ⸺ | [203], | last line, | for moderate, read moderately. |
| ⸺ | [218], | l. 9, | for Thoulouse, read Tours. [Transcriber’s Note: also changed in the index.] |
| l. 17, | the words in the same pulpit, should be omitted. | ||
| ⸺ | [224], | l. 19, | for Seine, read la Seine. |
| ⸺ | [231], | l. 10, | for Prince de Condé, read Comte D’Artois. |
| ⸺ | [234], | l. 4, | for infinitely, read much. |
| ⸺ | [246], | l. 9, | for statues, read tombs. |
| ⸺ | [257], | l. 8, | for Perpignan, read Pompignan. |
| l. 18, | for publique,” read public.” | ||
| ⸺ | [260], | l. 1, | read “Colin d’Harleville.” |
| ⸺ | [268], | l. 15, | and note l. 1, read baignoir.” |
| ⸺ | [280], | l. 3, | after and, add the. |
| ⸺ | [285], | l. 8, | of the note, add that, after that. |
| ⸺ | [294], | l. 1, | for affords, read afford. |
| ⸺ | [303], | l. 1, | for having, read have. [Transcriber’s Note: This change didn’t need making. The original text already read “have”, correctly.] |
| ⸺ | [307], | l. 19, | read Lyons, Switzerland, and Italy. |
| ⸺ | [318], | l. 18, | read Montansier. [Transcriber’s Note: Also changed twice on page 129, to which this index entry refers.] |