During the autumn of 1796 he visited again his favorite haunts in Perthshire and Forfarshire. It was in the course of this tour that he spent a day or two at Montrose with his old tutor Mitchell, and astonished and grieved that worthy Presbyterian by his zeal about witches and fairies.[122] The only letter of his, written during this expedition, that I have recovered, was addressed to another of his clerical friends—one by no means of Mitchell's stamp—Mr. Walker, the minister of Dunnottar, and it is chiefly occupied with an account of his researches at a vitrified fort, in Kincardineshire, commonly called Lady Fenella's Castle, and, according to tradition, the scene of the murder of Kenneth III. While in the north, he visited also the residence of the lady who had now for so many years been the object of his attachment; and that his reception was not adequate to his expectations, may be gathered pretty clearly from some expressions in a letter addressed to him when at Montrose by his friend and confidante, Miss Cranstoun:—

TO WALTER SCOTT, ESQ., POST-OFFICE, MONTROSE.

Dear Scott,—Far be it from me to affirm that there are no diviners in the land. The voice of the people and the voice of God are loud in their testimony. Two years ago, when I was in the neighborhood of Montrose, we had recourse for amusement one evening to chiromancy, or, as the vulgar say, having our fortunes read; and read mine were in such a sort, that either my letters must have been inspected, or the devil was by in his own proper person. I never mentioned the circumstance since, for obvious reasons; but now that you are on the spot, I feel it my bounden duty to conjure you not to put your shoes rashly from off your feet, for you are not standing on holy ground.

I bless the gods for conducting your poor dear soul safely to Perth. When I consider the wilds, the forests, the lakes, the rocks—and the spirits in which you must have whispered to their startled echoes, it amazeth me how you escaped. Had you but dismissed your little squire and Earwig,[123] and spent a few days as Orlando would have done, all posterity might have profited by it; but to trot quietly away, without so much as one stanza to despair—never talk to me of love again—never, never, never! I am dying for your collection of exploits. When will you return? In the mean time, Heaven speed you! Be sober, and hope to the end.

William Taylor's translation of your ballad is published, and so inferior, that I wonder we could tolerate it. Dugald Stewart read yours to **** the other day. When he came to the fetter dance,[124] he looked up, and poor ***** was sitting with his hands nailed to his knees, and the big tears rolling down his innocent nose in so piteous a manner, that Mr. Stewart could not help bursting out a-laughing. An angry man was *****. have seen another edition, too, but it is below contempt. So many copies make the ballad famous, so that every day adds to your renown.

This here place is very, very dull. Erskine is in London; my dear Thomson at Daily; Macfarlan hatching Kant—and George[125] Fountainhall.[126] I have nothing more to tell you, but that I am most affectionately yours. Many an anxious thought I have about you. Farewell.—J. A. C.

The affair in which this romantic creature took so lively an interest was now approaching its end. It was known, before this autumn closed, that the lady of his vows had finally promised her hand to his amiable rival; and, when the fact was announced, some of those who knew Scott the best appear to have entertained very serious apprehensions as to the effect which the disappointment might have upon his feelings. For example, one of those brothers of the Mountain wrote as follows to another of them, on the 12th October, 1796: "Mr. [Forbes] marries Miss [Stuart]. This is not good news. I always dreaded there was some self-deception on the part of our romantic friend, and I now shudder at the violence of his most irritable and ungovernable mind. Who is it that says, 'Men have died, and worms have eaten them, but not for LOVE'? I hope sincerely it may be verified on this occasion."

Scott had, however, in all likelihood, digested his agony during the solitary ride in the Highlands to which Miss Cranstoun's last letter alludes.

Talking of this story with Lord Kinnedder, I once asked him whether Scott never made it the subject of verses at the period. His own confession, that, even during the time when he had laid aside the habit of versification, he did sometimes commit "a sonnet on a mistress's eyebrow," had not then appeared. Lord Kinnedder answered, "Oh yes, he made many little stanzas about the lady, and he sometimes showed them to Cranstoun, Clerk, and myself—but we really thought them in general very poor. Two things of the kind, however, have been preserved—and one of them was done just after the conclusion of the business." He then took down a volume of the English Minstrelsy, and pointed out to me some lines On a Violet, which had not at that time been included in Scott's collected works. Lord Kinnedder read them over in his usual impressive, though not quite unaffected, manner, and said, "I remember well, that when I first saw these, I told him they were his best, but he had touched them up afterwards."

"The violet in her greenwood bower,
Where birchen boughs with hazels mingle,
May boast itself the fairest flower
In glen or copse or forest dingle.