TO DANIEL TERRY, ESQ., LONDON.

Abbotsford, 20th October, 1813.

Dear Terry,—You will easily believe that I was greatly pleased to hear from you. I had already learned from The Courier (what I had anticipated too strongly to doubt for one instant) your favorable impression on the London public. I think nothing can be more judicious in the managers than to exercise the various powers you possess, in their various extents. A man of genius is apt to be limited to one single style, and to become perforce a mannerist, merely because the public is not so just to its own amusement as to give him an opportunity of throwing himself into different lines; and doubtless the exercise of our talents in one unvaried course, by degrees renders them incapable of any other, as the over-use of any one limb of our body gradually impoverishes the rest. I shall be anxious to hear that you have played Malvolio, which is, I think, one of your coups-de-maître, and in which envy itself cannot affect to trace an imitation. That same charge of imitation, by the way, is one of the surest scents upon which dunces are certain to open. Undoubtedly, if the same character is well performed by two individuals, their acting must bear a general resemblance—it could not be well performed by both were it otherwise. But this general resemblance, which arises from both following nature and their author, can as little be termed imitation as the river in Wales can be identified with that of Macedon. Never mind these dunderheads, but go on your own way, and scorn to laugh on the right side of your mouth, to make a difference from some ancient comedian who, in the same part, always laughed on the left. Stick to the public—be uniform in your exertions to study even those characters which have little in them, and to give a grace which you cannot find in the author. Audiences are always grateful for this—or rather—for gratitude is as much out of the question in the theatre, as Bernadotte says to Boney it is amongst sovereigns—or rather, the audience is gratified by receiving pleasure from a part which they had no expectation would afford them any. It is in this view that, had I been of your profession, and possessed talents, I think I should have liked often those parts with which my brethren quarrelled, and studied to give them an effect which their intrinsic merit did not entitle them to. I have some thoughts of being in town in spring (not resolutions by any means); and it will be an additional motive to witness your success, and to find you as comfortably established as your friends in Castle Street earnestly hope and trust you will be.

The summer—an uncommon summer in beauty and serenity—has glided away from us at Abbotsford, amidst our usual petty cares and petty pleasures. The children's garden is in apple-pie order, our own completely cropped and stocked, and all the trees flourishing like the green bay of the Psalmist. I have been so busy about our domestic arrangements, that I have not killed six hares this season. Besides, I have got a cargo of old armor, sufficient to excite a suspicion that I intend to mount a squadron of cuirassiers. I only want a place for my armory; and, thank God, I can wait for that, these being no times for building. And this brings me to the loss of poor Stark, with whom more genius has died than is left behind among the collected universality of Scottish architects. O Lord!—but what does it signify?—Earth was born to bear, and man to pay (that is, lords, nabobs, Glasgow traders, and those who have wherewithal)—so wherefore grumble at great castles and cottages, with which the taste of the latter contrives to load the back of Mother Terra?—I have no hobbyhorsical commissions at present, unless if you meet the Voyages of Captain Richard, or Robert Falconer, in one volume—"cow-heel, quoth Sancho"—I mark them for my own. Mrs. Scott, Sophia, Anne, and the boys, unite in kind remembrances. Ever yours truly,

W. Scott.

TO THE RIGHT HON. LORD BYRON, 4 BENNET STREET, ST. JAMES'S, LONDON.

Abbotsford, 6th November, 1813.

My dear Lord,—I was honored with your Lordship's letter of the 27th September,[39] and have sincerely to regret that there is such a prospect of your leaving Britain, without my achieving your personal acquaintance. I heartily wish your Lordship had come down to Scotland this season, for I have never seen a finer, and you might have renewed all your old associations with Caledonia, and made such new ones as were likely to suit you. I dare promise you would have liked me well enough—for I have many properties of a Turk—never trouble myself about futurity—am as lazy as the day is long—delight in collecting silver-mounted pistols and ataghans, and go out of my own road for no one—all which I take to be attributes of your good Moslem. Moreover, I am somewhat an admirer of royalty, and in order to maintain this part of my creed, I shall take care never to be connected with a court, but stick to the ignotum pro mirabili.

The author of The Queen's Wake will be delighted with your approbation. He is a wonderful creature for his opportunities, which were far inferior to those of the generality of Scottish peasants. Burns, for instance—(not that their extent of talents is to be compared for an instant)—had an education not much worse than the sons of many gentlemen in Scotland. But poor Hogg literally could neither read nor write till a very late period of his life; and when he first distinguished himself by his poetical talent, could neither spell nor write grammar. When I first knew him, he used to send me his poetry, and was both indignant and horrified when I pointed out to him parallel passages in authors whom he had never read, but whom all the world would have sworn he had copied. An evil fate has hitherto attended him, and baffled every attempt that has been made to place him in a road to independence. But I trust he may be more fortunate in future.

I have not yet seen Southey in the Gazette as Laureate. He is a real poet, such as we read of in former times, with every atom of his soul and every moment of his time dedicated to literary pursuits, in which he differs from almost all those who have divided public attention with him. Your Lordship's habits of society, for example, and my own professional and official avocations, must necessarily connect us much more with our respective classes in the usual routine of pleasure or business, than if we had not any other employment than vacare musis. But Southey's ideas are all poetical, and his whole soul dedicated to the pursuit of literature. In this respect, as well as in many others, he is a most striking and interesting character.