Ever yours,

M. G. Lewis.

Another friend (and he had, I think, none more dear), the late Margaret Maclean Clephane of Torloisk, afterwards Marchioness of Northampton, writes thus from Kirkness, in Kinross-shire, on the 11th October:—

"In this place I feel a sort of pleasure, not unallied to pain, from the many recollections that every venerable tree, and every sunny bank, and every honeysuckle bower, occasions; and I have found something here that speaks to me in the voice of a valued friend—Waverley. The question that rises, it is perhaps improper to give utterance to. If so, let it pass as an exclamation.—Is it possible that Mr. Erskine can have written it? The poetry, I think, would prove a different descent in any court in Christendom. The turn of the phrases in many places is so peculiarly yours, that I fancy I hear your voice repeating them; and there wants but verse to make all Waverley an enchanting poem—varying to be sure from grave to gay, but with so deepening an interest as to leave an impression on the mind that few—very few poems—could awaken. But, why did not the author allow me to be his Gaelic Dragoman? Oh! Mr. ——, whoever you are, you might have safely trusted—M. M. C."

There was one person with whom it would, of course, have been more than vain to affect any concealment. On the publication of the third edition, I find him writing thus to his brother Thomas, who had by this time gone to Canada as paymaster of the 70th regiment:—

Dear Tom,—A novel here called Waverley has had enormous success. I sent you a copy, and will send you another, with The Lord of the Isles, which will be out at Christmas. The success which it has had, with some other circumstances, has induced people

"To lay the bantling at a certain door,
Where lying store of faults, they'd fain heap more."[102]

You will guess for yourself how far such a report has credibility; but by no means give the weight of your opinion to the transatlantic public; for you must know there is also a counter-report, that you have written the said Waverley. Send me a novel intermixing your exuberant and natural humor with any incidents and descriptions of scenery you may see—particularly with characters and traits of manners. I will give it all the cobbling that is necessary, and, if you do but exert yourself, I have not the least doubt it will be worth £500; and, to encourage you, you may, when you send the MS., draw on me for £100, at fifty days' sight—so that your labors will at any rate not be quite thrown away. You have more fun and descriptive talent than most people; and all that you want—i. e., the mere practice of composition—I can supply, or the devil's in it. Keep this matter a dead secret, and look knowing when Waverley is spoken of. If you are not Sir John Falstaff, you are as good a man as he, and may therefore face Colville of the Dale. You may believe I don't want to make you the author of a book you have never seen; but if people will, upon their own judgment, suppose so, and also on their own judgment give you £500 to try your hand on a novel, I don't see that you are a pin's-point the worse. Mind that your MS. attends the draft. I am perfectly serious and confident that in two or three months you might clear the cobs. I beg my compliments to the hero who is afraid of Jeffrey's scalping-knife.

In truth, no one of Scott's intimate friends ever had, or could have had, the slightest doubt as to the parentage of Waverley: nor, although he abstained from communicating the fact formally to most of them, did he ever affect any real concealment in the case of such persons; nor, when any circumstance arose which rendered the withholding of direct confidence on the subject incompatible with perfect freedom of feeling on both sides, did he hesitate to make the avowal.

Nor do I believe that the mystification ever answered much purpose, among literary men of eminence beyond the circle of his personal acquaintance. But it would be difficult to suppose that he had ever wished that to be otherwise; it was sufficient for him to set the mob of readers at gaze, and above all, to escape the annoyance of having productions, actually known to be his, made the daily and hourly topics of discussion in his presence.[103]