And lips, O you
The doors of breath, seal with a righteous kiss
A dateless bargain to engrossing death.

Nor was it only on the dying that the ancients bestowed this mark of fondness: Tibullus and Propertius tell us, that, as their bodies were laid on the funeral pile, they clasped them in a fond and last embrace.

In regard to the painted crosses, the chaplets, the garlands of flowers, which mark the hallowed resting-place of the departed, it may be said that they are but romantic and poetical expressions of grief. If it were only real grief that expressed itself by outward testimonials, how soon would mourning be banished as an idle expense!—the “inky cloak,” and customary “suits of solemn black—the trappings and the suit of woes,” be laid aside! What a different feeling does the splendid catafalcum, covered with black velvet, studded with silver tears, and illumined by thousands of glaring tapers, excite, when compared with the simple and verdant graves which point out the spot “where souls do couch in flowers,” blessed by affection’s tears instead of lustral waters. At all periods, amongst every nation, flowers and certain trees seem to have been consecrated to the dead. The Romans planted the wild vine and the box around their tombs. Thus Martial to Alcimenes:

Accipe, non Phario nutantia pondera saxo,
Quæ cineri vanus dat ruitura labor,
Sed fragiles buxos, et opacas palmitis umbras,
Quæque virent lacrymis humida prata meis.

The wealthy assigned a beauteous garden to their departed favourites, as in the instance of Augustus and Mæcenas. Not only did they suspend garlands over their tombs, but scattered flowers around them. Again in Virgil,

Purpureosque jacit flores, ac talia fatur.

The same custom prevailed amongst the Grecians, who considered all purple and white flowers acceptable to the dead. The Thessalian’s strewed Achilles’ grave with the immortal amaranth and lilies. Electra complains that the tomb of Agamemnon received no myrtle boughs; in short, instances of this practice are every where to be found. In addition to flowers and perfumes, ribands and hair were also deposited on their sepulchres. Electra adorns Agamemnon’s tomb with her locks, and Canace laments that she had not been able to perform the same rite on her beloved Macareus. Poets tell us that precious ointments and wines were poured upon their monuments; and we find, in Euripides, Helen bidding Hermione to take locks of her hair, honey mixed with milk, and wine, to the sepulchre of her aunt.

Amongst the Chinese, to the present day, the cypress and the fir, shade their cemeteries: the former tree, an attribute of Pluto was ever considered funereal, hence called feralis; and the feralia were festivals in honour of the dead, observed by the Romans. Varro pretends that the cypress was called funereal from funus, as it emitted an antiseptic aroma. Pliny and others pretend that it typified the dead, from its never shooting out fresh sprouts when the trunk was hewn down. At any rate, to this hour, it is planted in burying-grounds in every civilized country.

The yew-tree has also been considered an emblem of mourning from the earliest times. The custom of planting it singly appears also to be very ancient. Statius, in his Thebaid, calls it the solitary yew. In England, the trees planted in churchyards were protected by legal enactments, as appears by a statute of 35 Edward I. From the scarcity of bow staves, they had been frequently despoiled by our numerous archers; and, to meet this service, by an enactment of Edward IV. every foreign trader was obliged to bring in four bow staves for every ton of imported merchandise; Elizabeth, from the scarcity of this important article, put the statute in full force.

Let us then hope, both for the living and the dead, that this custom, which obtains in France and other countries, will be adopted by us, instead of becoming the subject of ridicule. It is far more desirable to see families repairing to the tomb of the departed on the anniversary of their death, than to behold them daily passing by their remains with cold indifference.