SALNEUVE (DE), a man of considerable importance in the Second Empire, whose influence was secured for Eugene Rougon by Clorinde Balbi. Son Excellence Eugene Rougon.
SAMBUC (GUILLAUME), one of the francs-tireurs who carried on a guerilla warfare against the Germans in 1870. He was the worthy son of a family of scoundrels, and lived by theft and rapine. He furnished most valuable information to the French generals regarding the movement of the Prussians to surprise Beaumont, but his information was disregarded till too late. The francs-tireurs had a particular hatred against Goliath Steinberg, the German spy, and, instigated by Silvine Morange, Sambuc arranged for his capture, afterwards killing him by cutting his throat. La Debacle.
SAMBUC (PROSPER), brother of the preceding. Of a nature docile and hard-working, he hated the life of the woods, and would have liked to be a farm labourer. He entered the army and became one of the Chasseurs d’Afrique. Sent to France to take part in the war against Germany, he shared in many weary marches, but saw no fighting, till the battle of Sedan, when his horse, Zephir, which he loved like a brother, was killed under him. He made his escape after the battle, and having been able to change his uniform for the clothes of a countryman, he returned to Remilly and got employment on the farm of Fouchard. La Debacle.
SANDORFF, a member of the Austrian Embassy at Paris. He married Mlle. de Ladricourt, who was much younger than he. He was very niggardly. L’Argent.
SANDORFF (BARONESS), wife of the Councillor to the Austrian Embassy, who was thirty-five years older than herself. She was an inveterate speculator, and, as her husband refused to assist her, she found it necessary to have recourse to her lovers when her losses were greater than usual. She stopped at nothing to gain information, and at one time was on intimate terms with Saccard. Having quarrelled with him, she hastened the downfall of the Universal Bank, by giving information to Gundermann which caused him to continue his attack on the Bank. L’Argent.
SANDOZ (PERE), a Spaniard who took refuge in France in consequence of a political disturbance in which he was involved. He started near Plassans a paper mill with new machinery of his own invention. When he died, almost heart-broken by the petty local jealousy that had sought to hamper him in every way, his widow found herself in a position so involved, and burdened with so many tangled lawsuits, that the whole of her remaining means were swallowed up. L’Oeuvre.
SANDOZ MERE (MADAME), wife of the preceding, was a native of Burgundy. Yielding to her hatred of the Provencals, whom she blamed for the death of her husband, and even for the slow paralysis from which she herself was suffering, she migrated to Paris, with her son Pierre, who then supported her out of a clerk’s small salary. In Rue d’Enfer she occupied a single room on the same flat as her son, and there, disabled by paralysis, lived in morose and voluntary solitude, surrounded by his tender care. Later, Pierre, who was now married, and was making a considerable income, took a house in Rue Nollet, and there Madame Sandoz passed her remaining years. L’Oeuvre.
SANDOZ (PIERRE), a famous novelist whose youth was spent at Plassans, where at school he was the inseparable companion of Claude Lantier and Dubuche. The favourite amusement of the boys was walking, and together they took long excursions, spending whole days in the country. After the death of his father Sandoz went to Paris, where he got employment at a small salary at the Mairie of the fifth arrondissement, in the office for registration of births; he was chained there by the thought of his mother, whom he had to support, and to whom he was tenderly attached. Presently he published his first book: a series of mild sketches, brought with him from Plassans, among which only a few rougher notes indicated the mutineer, the lover of truth and power. He lived at this time with his mother in a little house in Rue d’Enfer, and there he received each Thursday evening his old friends from Plassans, Claude Lantier and Dubuche, and with them Fagerolles, Mahoudeau, Jory, Gagniere, now reunited at Paris, and all animated by the same passion for art. He was still obsessed by a desire for literary glory, and had thoughts of writing a poem on some vast subject, but at last he hit on a scheme which soon took form in his mind. With reference to it he said, “I am going to take a family, and I shall study its members, one by one, whence they come, whither they go, how they react upon one another—in short, humanity in a small compass, the way in which humanity grows and behaves. On the other hand, I shall set my men and women in a determined period of history, which will provide me with the necessary surroundings and circumstances, a slice of history—you understand, eh? A series of fifteen or twenty books, episodes that will cling together although having each a separate framework, a suite of novels with which I shall be able to build myself a house for my old age if they don’t crush me.” The first of the novels met with some success, and Sandoz having resigned his appointment, and put his trust entirely in literature, married a young girl named Henriette, the daughter of middle-class parents, and removed his house to Rue Nollet. In course of time his circumstances became still more comfortable, and he again removed to a large house in Rue de Londres. When Claude Lantier fell into misery and despair, a gradual separation came about between him and his friends, but Sandoz remained true to the old companionship. He was one of the few mourners who attended the funeral of the unfortunate artist. L’Oeuvre.
SANDOZ (MADAME HENRIETTE), wife of the preceding. She was an orphan, the daughter of a small shop-keeper, without a penny, but pretty and intelligent. She occupied herself much with the affairs of the kitchen, being specially proud of some of her dishes. Even later, when the family was more prosperous and had removed to a large flat in Rue de Londres, Henriette continued to take personal charge, out of affection for her husband, whose only fault was a tendency to gluttony. L’Oeuvre.
SANQUIRINO (DUCHESSE), a lady of the Italian aristocracy, who resided at Paris. She gave Eugene Rougon very unsatisfactory information regarding Comtesse Balbi and her daughter Clorinde. Son Excellence Eugene Rougon.