Bible animals

by J. G. Wood

"He had not only no nose-string, but was besides a vicious brute, rising with a violent jerk before I was well in the saddle, and anxious to gain the caravan, which was a little way ahead, he set off at his roughest gallop. Carpets, kufieh, tarbush, all went off in the jolting; at every step I was thrown a foot into the air, glad to come down again, bump, bump, on the saddle, by dint of holding on to the front pommel with the left hand, while the right was engaged with the bridle, which in the violence of the exercise it was impossible to change to its proper hand. I had almost reached the caravan, and had no doubt my humpbacked Pegasus would relax his exertions, when a camel-driver, one of the sons of iniquity, seeing me come up at full speed, and evidently quite run away with, took it into his head to come to my assistance.

"I saw what he was at, and called out to him to get out of the way, but instead of this he stuck himself straight before me, stretching himself out like a St. Andrew's cross, with one hand armed with a huge club, and making most diabolical grimaces. Of course the camel was frightened, it was enough to frighten a much more reasonable being; so, wheeling quickly round, it upset my unstable equilibrium. Down I came head foremost to the ground, and when I looked up, my forehead streaming with blood, the first thing I saw was my Arab with the camel, which he seemed mightily pleased with himself for having so cleverly captured, while the servant who had suggested the unlucky experiment came ambling along on my easy-paced dromedary, and consoled me by saying that he knew it was a runaway beast, which there was no riding without a nose-string.

"I now began to study the way of keeping one's seat in such an emergency. An Arab, when he gallops his dromedary with one of these saddles, holds hard on with the right hand to the back part of the seat, not to the pommel, and grasps the bridle tightly in the other. The movement of the camel in galloping throws one violently forward, and without holding on, excepting on the naked back, when the rider sits behind the hump, it is impossible to retain one's seat. I afterwards thought myself lucky in not having studied this point sooner, as, from the greater resistance I should have offered, my tumble, since it was fated I should have one, would probably have been much more severe. It is true I might also have escaped it, but in the chapter of probabilities I always think a mishap the most probable."

It may be imagined that a fall from a Camel's back is not a trifle, and, even if the unskilful rider be fortunate enough to fall on soft sand instead of hard rock, he receives a tolerably severe shock, and runs no little risk of breaking a limb. For the average height of a Camel's back is rather more than six feet, while some animals measure seven feet from the ground to the top of the hump. Add to this a foot or two caused by the saddle and its cushions, and a height is gained equal to that of the ceiling of many rooms—say, eighteen inches above the top of an ordinary door.

This height, however, is of material advantage to the traveller. In the first place it lifts him above the waves of heated air that are continually rolling over the sand on which the burning rays of the sun are poured throughout the day; and in the second place it brings him within reach of the slightest breeze that passes above the stratum of hot air, and which comes to the traveller like the breath of life. Moreover, his elevated position enables him to see for a very great distance, which is an invaluable advantage in a land where every stranger may be a robber, and is probably a murderer besides.

The best mode of avoiding a fall is to follow the Arab mode of riding,—namely, to pass one leg over the upright pommel, which, as has been mentioned, is a mere wooden peg or stake, and hitching the other leg over the dangling foot. Perhaps the safest, though not the most comfortable, mode of sitting is by crossing the legs in front, and merely grasping the pommel with the hands.

Yet, fatiguing as is the seat on the Camel's back to the beginner, it is less so than that on the horse's saddle, inasmuch as in the latter case one position is preserved, while in the former an infinite variety of seat is attainable when the rider has fairly mastered the art of riding.

The Camel is not held by the bit and bridle like the horse, but by a rope tied like a halter round the muzzle, and having a knot on the left or "near" side. This is held in the left hand, and is used chiefly for the purpose of stopping the animal. The Camel is guided partly by the voice of its rider, and partly by a driving-stick, with which the neck is lightly touched on the opposite side to that which its rider wishes it to take. A pressure of the heel on the shoulder-bone tells it to quicken its pace, and a little tap on the head followed by a touch on the short ears are the signals for full speed.

There are three different kinds of stick with which the Camel is driven; one of them, a mere almond branch with the bark, and an oblique head, is the sceptre or emblem of sovereignty of the Prince of Mecca. Mr. Hamilton suggests that this stick, called the "mesh'ab," is the original of the jackal-headed stick with which so many of the Egyptian deities are represented; and that Aaron's rod that "brought forth buds, and bloomed blossoms, and yielded almonds," was the mesh'ab, the almond-branch sceptre, the emblem of his almost regal rank and authority.

The women mostly ride in a different manner from the men. Sometimes they are hardy enough to sit the animal in the same way as their husbands, but as a rule they are carried by the animal rather than ride it, sitting in great basket-like appendages which are slung on either side of the Camel. These constitute the "furniture" which is mentioned in Gen. xxxi. 34. When Jacob left the house of Laban, to lead an independent life, Rachel stole her father's images, or "teraphim," and carried them away with her, true to her affectionate though deceptive nature, which impelled her to incur the guilt of robbery for the sake of enriching her husband with the cherished teraphim of her father. From the most careful researches we learn that these teraphim were used for divining the future, and that they were made in the human form. That they were of considerable size is evident from the fact that, when Saul was hunting after David, his wife Michal contrived to convey him out of the house, and for a time to conceal her fraud by putting an image (or teraph) into the bed as a representative of her husband. Had not, therefore, the camel-furniture been of considerable dimensions, images of such a size could not be hidden, but they could well be stowed away in the great panniers, as long as their mistress sat upon them, after the custom of Oriental travellers, and declined to rise on the ready plea of indisposition.