The dress of the women is essentially the same as that of the men, although it is more complicated, and there is more of it. As is the case with the Kaffir, the children of both sexes wear no clothing at all until they are eight or nine years old, and then the girls assume the little leathern apron called the “makkâbi.” This portion of dress is somewhat similar to that which is worn by the Kaffir girls, and is simply a flat piece of leather cut into thin strips. The thongs are generally longer than those worn by the Kaffir, and sometimes reach nearly to the knee. Over this is sometimes, but not universally, worn a second apron of skin, ornamented with beads, bits of shining metal, and similar decorations. The beads are arranged in patterns, an idea of which can be gained from the [illustration No. 1], page 219, which represents a Gonaqua Hottentot girl, about sixteen years of age. This girl was a special favorite of Le Vaillant’s, and certainly seems from his account to have been a singularly favorable instance of unsophisticated human nature. The attitude in which she is depicted is a very characteristic one, being that which the Hottentot girls are in the habit of assuming. It is remarkable, by the way, that the pleasing liveliness for which the Hottentot youth are notable departs together with youth, the demeanor of the men and women being sedate and almost gloomy.

Around the loins is fastened a much larger apron without any decoration. This is of variable size and shape, but the usual form is that which is shown in the [illustration]. Its name is “musesi,” and, like the “staart-rheim” of the men, is not thought to be a necessary article of clothing, being put on more for ceremony than for use. This apron is also variable in size, sometimes being so long as nearly to touch the ground, and sometimes barely reaching to the knee. The Dutch settlers called these aprons the “fore-kaross,” and “hind-kaross,” words which sufficiently explain themselves.

(1.) HOTTENTOT YOUNG MAN.
(See [page 218].)

(2.) HOTTENTOT IN FULL DRESS.
(See [page 222].)

The leather thongs which encircle the leg are mostly ornamented with wire twisted round them, and sometimes a woman will wear on her legs one or two rings entirely composed of wire. Sometimes there are so many of these rings that the leg is covered with them as high as the knee, while in a few instances four or five rings are even worn above the knee, and must be extremely inconvenient to the wearer. Beads of various colors are also worn profusely, sometimes strung together on wire, and hung round the neck, waist, wrists, and ankles, and sometimes sewed upon different articles of apparel.

Before beads were introduced from Europe, the natives had a very ingenious method of making ornaments, and, even after the introduction of beads, the native ornament was much prized. It was made by laboriously cutting ostrich shells into thin circular disks, varying in size from the sixth of an inch to nearly half an inch in diameter, and pierced through the middle. Many hundreds of these disks are closely strung together, so as to form a sort of circular rope, white as if made of ivory. Sometimes this rope is long enough to pass several times round the body, against which the shining white disks produced a very good effect.

Burchell mentions a curious kind of ornament which was worn by a young Hottentot girl, and which seemed to be greatly prized by her. It consisted of three pieces of ivory about the size and shape of sparrow’s eggs, each tied to the end of a thong, and so arranged that one of them hung over the nose and another on each cheek. As she moved her head in conversation these ivory beads swung about from side to side, and in her estimation produced a very telling effect. I have in my collection a good specimen of a similar frontlet. It consists of a leathern thong three feet in length, at each end of which is a cowrie shell. One foot in length of its centre is composed of a double row of the ostrich egg-rope which has just been described, so that, when the frontlet is tied on the head, the white egg-shell ropes cross the forehead. From the exact centre fall six short thongs, at the end of each of which is an ornament of pearly-shell or tortoise-shell. Four of these thongs are covered with native beads, made from the bone of the ostrich, and are further ornamented with a large scarlet seed in the middle. At each end of the egg-shell rope are two shell-clad thongs, exactly like those which have been described, and, when the frontlet is in its place, these ornaments hang upon each cheek. The [illustration No. 5] upon page 247 shows the frontlet as it appears when bound upon the head of a Hottentot belle.