It is necessary that the thrower should be alone, or at least have only an instructor with him, when he practises this art, as the boomerang will, in inexperienced hands, take all kinds of strange courses, and will, in all probability, swerve from its line, and strike one of the spectators; and the force with which a boomerang can strike is almost incredible. I have seen a dog killed on the spot, its body being nearly cut in two by the boomerang as it fell; and I once saw a brass spur struck clean off the heel of an incautious spectator, who ran across the path of the weapon.

It is necessary that he choose a soft as well as spacious field, as the boomerang has a special knack of selecting the hardest spots on which to fall, and if it can find a large stone is sure to strike it, and so break itself to pieces. And if there are trees in the way, it will get among the boughs, perhaps smash itself, certainly damage itself, and probably stick among the branches. The learner should throw also against the wind, as, if the boomerang is thrown with the wind, it does not think of coming back again, but sails on as if it never meant to stop, and is sure to reach a wonderful distance before it falls.

Nearly thirty years ago, I lost a boomerang by this very error. In company with some of my schoolfellows, I was throwing the weapon for their amusement, when one of them snatched it up, turned round, and threw it with all his force in the direction of the wind. The distance to which the weapon travelled I am afraid to mention, lest it should not be believed. The ground in that neighborhood is composed of successive undulations of hill and vale, and we saw the boomerang cross two of the valleys, and at last disappear into a grove of lime-trees that edged the churchyard.

In vain we sought for the weapon, and it was not found until four years afterward, when a plumber, who had been sent to repair the roof of the church, found it sticking in the leads. So it had first traversed that extraordinary distance, had then cut clean through the foliage of a lime-tree, and lastly had sufficient force to stick into the leaden roofing of a church. The boomerang was brought down half decayed, and wrenched out of its proper form by the shock.

Should the reader wish to learn the use of the weapon, he should watch a native throw it. The attitude of the man as he hurls the boomerang is singularly graceful. Holding three or four of the weapons in his left hand, he draws out one at random with his right, while his eyes are fixed on the object which he desires to hit, or the spot to which the weapon has to travel. Balancing the boomerang for a moment in his hand, he suddenly steps a pace or two forward, and with a quick, sharp, almost angry stroke, launches his weapon into the air.

Should he desire to bring the boomerang back again, he has two modes of throwing. In the one mode, he flings it high in the air, into which it mounts to a wonderful height, circling the while with a bold, vigorous sweep, that reminds the observer of the grand flight of the eagle or the buzzard. It flies on until it has reached a spot behind the thrower, when all life seems suddenly to die out of it; it collapses, so to speak, like a bird shot on the wing, topples over and over, and falls to the ground.

There is another mode of throwing the returning boomerang which is even more remarkable. The thrower, instead of aiming high in the air, marks out a spot on the ground some thirty or forty yards in advance, and hurls the boomerang at it. The weapon strikes the ground, and, instead of being smashed to pieces, as might be thought from the violence of the stroke, it springs from the ground Antæus-like, seeming to attain new vigor by its contact with the earth. It flies up as if it had been shot from the ground by a catapult; and, taking a comparatively low elevation, performs the most curious evolutions, whirling so rapidly that it looks like a semi-transparent disc with an opaque centre, and directing its course in an erratic manner that is very alarming to those who are unaccustomed to it. I have seen it execute all its manœuvres within seven or eight feet from the ground, hissing as it passed through the air with a strangely menacing sound, and, when it finally came to the ground, leaping along as if it were a living creature.

We will now examine the various shapes of boomerangs, as seen in the [illustration] on the 731st page. Some of the specimens are taken from the British Museum, some from the collection of Colonel Lane Fox, some from my own, and the rest are drawn by Mr. Angas from specimens obtained in the country. I have had them brought together, so that the reader may see how the boomerang has been gradually modified out of the club.

At [fig. 4] is the short pointed stick which may either answer the purpose of a miniature club, a dagger, or an instrument to be used in the ascent of trees. Just below it is a club or waddy, with a rounded head, and at [fig. 6] the head has been developed into a point, and rather flattened. If the reader will refer to [figs. 6 and 7], he will see two clubs which are remarkable for having not only the knob, but the whole of the handle flattened, and the curve of the head extended to the handle.

The transition from this club to the boomerang is simple enough, and, indeed, we have an example ([fig. 1]) of a weapon which looks like an ordinary boomerang, but is in fact a club, and is used for hand-to-hand combat.