If the reader will look at the [row of shields] on page 742, he will see that [figs. 2 and 3] exhibit two views of the same shield. This is one of the commonest forms of the weapon, and is found throughout a considerable portion of Western Australia. It is cut out of a solid piece of the ever useful gum-tree, and is in consequence very hard and very heavy. As may be seen by reference to the illustration, the form of the shield is somewhat triangular, the face which forms the front of the weapon being slightly rounded, and the handle being formed by cutting through the edge on which the other two faces converge. The handle is very small, and could scarcely be used by an ordinary European, though it is amply wide enough for the small and delicate looking hand of the Australian native. My own is a small hand, but is yet too large to hold the Australian shield comfortably.

The reader will see that by this mode of forming the handle the wrist has great play, and can turn the shield from side to side with the slightest movement of the hand. This faculty is very useful, especially when the instrument is used for warding off the spear or the club, weapons which need only to be just turned aside in order to guide them away from the body.

One of these shields in my own collection is a very fine example of the instrument, and its dimensions will serve to guide the reader as to the usual form, size, and weight of an Australian shield. It measures exactly two feet seven inches in length, and is five inches wide at the middle, which is the broadest part. The width of the hole which receives the hand is three inches and three-eighths, and the weight of the shield is rather more than three pounds.

The extraordinary weight of the shield is needed in order to enable it to resist the shock of the boomerang, the force of which may be estimated by its weight, eleven ounces, multiplied by the force with which it is hurled. This terrible weapon cannot be merely turned aside, like the spear or the waddy, and often seems to receive an additional impulse from striking any object, as the reader may see by reference to [page 737], in which the mode of throwing the boomerang is described. A boomerang must be stopped, and not merely parried, and moreover, if it be not stopped properly, it twists round the shield, and with one of its revolving ends inflicts a wound on the careless warrior.

Even if it be met with the shield and stopped, it is apt to break, and the two halves to converge upon the body. The very fragments of the boomerang seem able to inflict almost as much injury as the entire weapon; and, in one of the skirmishes to which the natives are so addicted, a man was seen to fall to the ground with his body cut completely open by a broken boomerang.

It is in warding off the boomerang, therefore, that the chief skill of the Australian is shown. When he sees the weapon is pursuing a course which will bring it to him, he steps forward so as to meet it; and, as the boomerang clashes against the shield, he gives the latter a rapid turn with the wrist. If this manœuvre be properly executed, the boomerang breaks to pieces, and the fragments are struck apart by the movement of the shield.

Perhaps some of my readers may remember that “Dick-a-dick,” the very popular member of the Australian cricketers who came to England in 1868, among other exhibitions of his quickness of eye and hand, allowed himself to be pelted with cricket balls, at a distance of fifteen yards, having nothing wherewith to protect himself but the shield and the leowal, or angular club, the former being used to shield the body, and the latter to guard the legs. The force and accuracy with which a practised cricketer can throw the ball are familiar to all Englishmen, and it was really wonderful to see a man, with no clothes but a skin-tight elastic dress, with a piece of wood five inches wide in his left hand, and a club in his right, quietly stand against a positive rain of cricket-balls as long as any one liked to throw at him, and come out of the ordeal unscathed.

Not the least surprising part of the performance was the coolness with which he treated the whole affair, and the almost instinctive knowledge that he seemed to possess respecting the precise destination of each ball. If a ball went straight at his body or head, it was met and blocked by the shield; if it were hurled at his legs, the club knocked it aside. As to those which were sure not to hit him, he treated them with contemptuous indifference, just moving his head a little on one side to allow the ball to pass, which absolutely ruffled his hair as it shot by, or lifting one arm to allow a ball to pass between the limb and his body, or, if it were aimed but an inch wide of him, taking no notice of it whatever. The shield which he used with such skill was the same kind as that which has just been described, and was probably selected because its weight enabled it to block the balls without the hand that held it feeling the shock.

To all appearances, the natives expend much more labor upon the shield than upon the boomerang, the real reason, however, being that much ornament would injure the boomerang, but can have no injurious effect upon the shield. By reference to the [illustration], the reader will see that the face of the shield is covered with ornament, which, simple in principle, is elaborate in detail.

There is a specimen in my collection which is ornamented to a very great extent on its face, the sides and the handle being perfectly plain. It has a number of lines drawn transversely in bands, which, however, are seven instead of five in number. Each band is composed of three zigzag grooves, and each groove has been filled with red ochre. The space between is filled in with a double zigzag pattern, and the effect of all these lines, simple as they are, is perfectly artistic and consistent.