The shrine, with the idol within it, was hidden in a rock cave by priests of Tii Vahine when idolatry was overthrown by Christianity, and was not discovered for a considerable time, when it was brought from its place of concealment and sold.
CHAPTER CX.
THE SOCIETY ISLANDS—Continued.
HISTORY—WAR—FUNERALS—LEGENDS.
THE PRIESTS THE HISTORIANS OF THE SOCIETY ISLANDS — THE MARO, OR KING’S ROBE, AND ITS HISTORICAL VALUE — THE HEREDITARY TITLE OF THE KING — THE KING’S BEARER — ARCHITECTURE IN THE SOCIETY ISLANDS — TAHITAN WARFARE — RETENTIVE MEMORY, AND ITS USE IN WAR — BEHAVIOR OF THE VICTORS TOWARD THE VANQUISHED — NAVAL BATTLES AND MANŒUVRES — MILITARY ETIQUETTE — HUMAN SACRIFICE BEFORE BATTLES — CAPTAIN COOK’S ACCOUNT OF THE CEREMONY — FUNERALS AMONG THE TAHITANS — EMBALMING OF A CHIEF’S BODY — STRANGE DRESS OF THE CHIEF MOURNER — THE AREOI SOCIETY, AND THE INFLUENCE WHICH IT EXERTED ON THIS GROUP OF ISLANDS — LEGENDARY TALES OF THE AREOIS.
The priests performed the office of historians as well as of hierophants, every chief of consequence having in his household at least one of these men, who made it his business to chant on all great occasions the most important events which had happened in the country, and especially those which affected the family of his patron. Not only did he relate those events of which he had been a witness, but he also sang of the deeds of past days, the records of which had been transmitted to him by his predecessors.
The priests were, therefore, the only historians of the Society Islands; and, indeed, there was no other mode of delivering to each succeeding generation the traditions of the past. As, however, much of their accuracy depended on the memory of the historian, and as that memory was likely to fade by age, it naturally followed that the history of earlier times was considerably modified by each succeeding narrator. Tamatoa was himself a well-known chronicler, and could repeat a wonderful number of narratives, in which fact and fiction were mixed together in a manner that exactly resembled the semi-mythic history of ancient Greece and Rome.
These chroniclers, though they were unable to write, were not without some means whereby they could refresh their memories. Chief of these was the Maro, the sacred scarf of royalty. The word “Maro” signifies the simple girdle which the men wear by way of clothing, but that of the king is called, by way of pre-eminence, The Maro; and, like the crown of an emperor, is only worn when the kingly rank is conferred. When not in use, it is rolled up in native cloth so as to make a large bundle, and is only untied when it is wanted. When Captain Cook saw it he described it as being fifteen feet long, but when Mr. Bennett was in the Society Islands it measured twenty-one feet in length, the additional measurement being due to the coronation of successive kings. It is only six inches in width, and when worn is rolled round the body, so that the end flows far behind on the ground. It is covered with the precious red feathers, and to it is attached the needle with which it is worked. So sacred is the maro thought to be, that, according to the ideas of the natives, whenever a new stitch was taken the event was marked by peals of thunder.
The maro was never intended to be finished, but, according to the original projection, would receive an addition at the coronation of every new king, so that it would continue to increase in length as long as the kingly succession was kept up. In several respects it bears a great resemblance to the Bayeux tapestry. It is very long in proportion to its width, and the patterns described upon it are records of the time when the maro was woven, and act as aids to the memory of the professional historians, who celebrate in their songs the deeds of past days.
The manufacture of the maro was stopped in a very curious manner. After Tamatoa became a Christian, he was so horrified at the unspeakable iniquity of the ceremonies that took place at each lengthening of the maro that he determined to destroy the maro itself. Fortunately, instead of destroying it, he gave it up to his teachers, and it was sent, together with many specimens of the idolatrous arts of Polynesia, to the museum of the London Missionary Society. I may here mention that Tamatoa is the hereditary name of the king, like the Pharaoh of Egypt and the Finow of Tonga.
All the kings, or rather the principal chiefs, have the greatest idea of their dignity, and are regarded by their subjects almost as demigods. Like some of the African royalties, they are carried on men’s shoulders when they travel from one place to another by land, and when they go by sea they are said to fly and not to sail. There is a special language for the king, whose canoe is called the Rainbow, and whose house is termed the Cloud of Heaven. No one is allowed to stand above him: and this idea is so strongly impressed upon him that a great chief dislikes going into the cabin of an European ship, lest an inferior should tread on the deck over his head. The king even claims authority over the language. We speak in England familiarly of the king or queen’s English. In the Society Islands the language really does belong to the king, who invents and alters words according to his own caprice, and even strikes out of the language those words which he does not happen to like.
The power of the king being so absolute, it might be imagined that the house in which he lived would be far superior to those of his subjects. His power is, however, more real than apparent, and though he has despotic authority, he is lodged, clothed, and fed, scarcely better than any of his subjects, and not in the least better than the chiefs. His house is built in the same manner and of the same materials as those of his subjects. It is certainly larger, because it has to accommodate more persons; but in other respects it is in no way superior.