“They continued their ejaculations over the dog for some time, while two men at intervals beat on two drums very loud, and a boy screamed as before in a loud shrill voice three different times. This, as we were told, was to invite the Eatooa to feast on the banquet that they had prepared for him. As soon as the priests had ended their prayers, the carcass of the dog with what belonged to it were laid on a whatta, or scaffold, about six feet high, that stood close by, on which lay the remains of two other dogs, and of two pigs, which had lately been sacrificed, and at this time emitted an intolerable stench. This kept us at a greater distance than would otherwise have been required of us; for after the victim was removed from the seaside toward the marae we were allowed to approach as near as we pleased. Indeed, after that, neither seriousness nor attention were much observed by the spectators. When the dog was put upon the whatta, the priests and attendants gave a kind of shout, which closed the ceremonies for the present.”
The scene is well represented in [illustration No. 1], on the opposite page. In the foreground is the canoe, in which lies the body of the slain victim, attended by two priests; while just above it on the shore is the dog that is intended to furnish the second portion of the offering. Just in front of the house are two platforms, on the taller of which lie the dogs and pigs that have already been sacrificed, and on the lower lies the embalmed body of the late king, which is brought out for inspection. In front of the bier are the drummers performing on their elaborately carved instruments. A portion of the marae is seen on the left hand of the illustration, and on it lie the skulls of the human sacrifices that have been offered on various occasions.
Next day the ceremonies were resumed; more pigs were killed, some gifts were laid upon the movable house in which the Atua (or god) was carried about, and a young plantain tree was plucked up and laid at the feet of the king.
The mysterious bundles of cloth which had been laid on the marae were then unrolled, and out of one of them was taken the sacred maro, or royal girdle, which has already been described. It was remarkable for the fact that a portion of the scarlet feathers with which the maro is decorated were sewed upon an English pennant which had been hoisted by Captain Wallis when he landed on the island, and left flying when he left it. The second bundle contained the idol to whom the sacrifices were made.
Another hog was then killed, and the entrails inspected, exactly after the manner employed by the old Roman augurs; and the ceremony ended with rolling up the Atua, together with a number of scarlet feathers, in the bundle of cloth from which it had been taken.
At the funerals of very great men human sacrifices are often made, and near the large whattas, or platforms, on which the pigs and other provisions are offered, there are numbers of human skulls, each a relic of a human sacrifice. The only redeeming point about these sacrifices is, that the victim is quite unconscious of his fate. He is struck to the ground suddenly by an assassin who comes stealthily upon him, and never feels the real bitterness of death, namely, the dread of the coming fate.
The bodies of great chiefs undergo a process by which they are preserved for a considerable time. Captain Cook saw the corpse of a chief who had been dead for several months, and whose body had suffered scarcely any apparent change. There was a slight contraction of the muscles and sinking of the eyes, but the body was otherwise perfect; and when the attendants on the corpse unrolled the cloth in which it was enveloped, the limbs were found to be nearly as pliant as in life.
This result is obtained by removing the whole of the interior of the body, supplying its place with cloth soaked in cocoa-nut oil, and anointing the whole body repeatedly with the same substance. The bodies are exposed to public view for some time; but the embalming only postpones the process of decay, and, sooner or later, decomposition does its work. At first the body is exposed for several hours daily, provided that there be no rain; but by degrees it is only shown at intervals, and at last is scarcely ever exhibited, except by request.