Strings or tags are undoubtedly the most characteristic portion of the dress, and there is scarcely a mat of any description that is not ornamented with them. One variety of mat, which is called E wakaiwa, is covered with long cylindrical ornaments that look very much as if they were made of porcupine quills, being hard, and colored alternately black and yellow. The ornaments are, however, made of the phormium leaf in a very ingenious manner. The epidermis is carefully scraped off the under side of the leaf with a sharp-edged shell, and the leaf is then turned over. On the upper side the epidermis is removed at regular intervals, so as to expose the fibres.
The next process is to put the scraped leaf into a dye made of a decoction of kinan bark, and to let it remain for a definite time. When it is taken out, the dye has stained the exposed fibres a deep glossy black, while it has not been able to touch the polished yellow epidermis that is allowed to remain. The dyed leaves are next rolled up until they form cylinders as large as goose quills, and are then woven in regular rows into the material of a mat. As the wearer moves about, the cylinders rustle and clatter against each other, producing a sound which seems to be peculiarly grateful to the ears of the natives. Such a mat or cloak is highly prized. Several of these mats are in my collection, and very curious examples of native art they are.
One of these has cost the weaver an infinity of trouble. It is nearly five feet wide and three in depth. The warp has been dyed black, while the weft is white; and the effect of the weft passing in reverse lines across the warp is very good. Every other line of weft is decorated with the cylindrical tassels each of which is nine inches in length, and is divided into four parts by the removal of the epidermis. These tassels begin at the fourth line of warp, and are regularly continued to the lower edge, whence they hang so as to form a fringe. On account of their number, they would qualify the garment as a rain mat on an emergency; and the rattling they make as the mat is moved is very much like that which is produced by a peacock when it rustles its train.
(1.) WOMEN MAKING MATS.
(See [page 808].)
(2.) THE TANGI.
(See [page 824].)
Along the upper edge, which passes over the shoulders, the strings have been rolled together into ropes as thick as the finger, and then plaited so as to form a thick and soft border which will not hurt the neck. The portion of the mat which comes between the edge and the first row of tassels is ornamented with scraps of scarlet wool plaited into the weft. This wool is a favorite though costly ornament to the natives, being procured from seamen’s woollen caps, which they unpick, and the yarns used to ornament the dress.
One of these mantles brought from New Zealand by Stiverd Vores, Esq., is adorned very largely with scarlet wool. It is completely bordered with the precious material, a narrow line of scarlet running under the upper edge, a broader under the lower, while the two sides are decorated with a band nearly four inches in width. In this case the wool has been arranged in a series of loops; but in another specimen the loops are cut so as to form a fringe.