"Its sparkling pleasantness, its drollery, its shrewdness, the charming little bits of character which frequently come in, its easy liveliness, and a certain chattiness which, while it is never vulgar, brings the writer very near, and makes one feel as if the story were being told in lazy confidence in an hour of idleness by a man who, while thoroughly good-natured, is strongly humorous, and has an ever-present perception of the absurdities of people and things."—Spectator.
Dante.—DANTE'S COMEDY, THE HELL. Translated by W. M. Rossetti. Fcap. 8vo. cloth. 5s.
"The aim of this translation of Dante may be summed up in one word—Literality. To follow Dante sentence for sentence, line for line, word for word—neither more nor less, has been my strenuous endeavour."—Author's Preface.
Days of Old; STORIES FROM OLD ENGLISH HISTORY. By the Author of "Ruth and her Friends." New Edition. 18mo. cloth, extra. 2s. 6d.
"Full of truthful and charming historic pictures, is everywhere vital with moral and religious principles, and is written with a brightness of description, and with a dramatic force in the representation of character, that have made, and will always make, it one of the greatest favourites with reading boys."—Nonconformist.
Deane.—MARJORY. By Milly Deane. Third Edition. With Frontispiece and Vignette. Crown 8vo. 4s. 6d.
The Times of September 11th says it is "A very touching story, full of promise for the after career of the authoress. It is so tenderly drawn, and so full of life and grace, that any attempt to analyse or describe it falls sadly short of the original. We will venture to say that few readers of any natural feeling or sensibility will take up 'Marjory' without reading it through at a sitting, and we hope we shall see more stories by the same hand." The Morning Post calls it "A deliciously fresh and charming little love story."
De Vere.—THE INFANT BRIDAL, and other Poems. By Aubrey De Vere. Fcap. 8vo. 7s. 6d.
"Mr. De Vere has taken his place among the poets of the day. Pure and tender feeling, and that polished restraint of style which is called classical, are the charms of the volume."—Spectator.