Jean Daille, a French Protestant minister of the 17th century, in his treatise entitled La Religion Catholique Romaine Institute par Nama Pompile, demonstrates that "the Papists took their idolatrous worship of images, as well as all their ceremonies, from the old heathen religion." Bishop Stillingfleet of the English church and a writer of considerable eminence in the 17th century, said, in reference to the complaisant spirit of the early church towards the Pagans, that "it was attended by very bad consequences, since Christianity became at last, by that means, nothing else but reformed Paganism, as to its divine worship." See Stillingfleet's defense of the charge of idolatry against the Romanists, vol. 5, page 459. M. Turrentin, of Geneva, Switzerland, a learned Protestant
writer of the 17th century, in one of his orations describing the state of Christianity in the 4th century, says "that it was not so much the Empire that was brought over to the faith, as the faith that was brought over to the Empire; not the Pagans who were converted to Christianity, but the Christians who were converted to Paganism." Thus, having shown that the Catholics derived all their cardinal tenets from the Pagan mythology, the Protestants must surely have obtained theirs from the Catholics, for they teach all of them except that of Purgatory.
[FREEMASONRY AND DRUIDISM.]
The rites and ceremonies of Astral worship, under the name of Druidism, were primarily observed in consecrated groves by all peoples; which custom was retained by the Scandinavian and Germanic races, and by the inhabitants of Gaul and the British Islands; while the East Indians, Assyrians, Egyptians, Grecians, Romans, and other adjacent nations, ultimately observed their religious services in temples; and we propose to show that the modern societies of Freemasonry, and ancient order of Druids, are but perpetuations of the grove and temple
forms of the ancient astrolatry. In determining the fact that Freemasonry finds its prototype in the temple worship of ancient Egypt, we have but to study the Masonic arms, as illustrated in Fellows' chart, in which are pictured, as its objects of adoration, the sun and moon, the seven stars, known as Pleiades in the sign of Taurus; the blazing star Sirius, or Dog-star, worshipped by the Egyptians under the name of Anubis, and whose rising forewarned those people of the rising of the Nile River; the seven signs of the Zodiac from Aries to Libra, inclusive, through which the sun was supposed to pass in making his apparent annual revolution, and which constitutes the Royal arch from which was derived the name of one of its higher degrees; and its armorial bearings, consisting of pictures of the Lion, the Bull, the Waterman, and the Flying Eagle, which representing the signs at the cardinal points, constituted the genii of the seasons. Besides these, we have the checkered flooring or mosaic
work, representing the earth and its variegated face, which was introduced when temple worship succeeded its grove form; the two columns representing the imaginary pillars of heaven resting upon the earth at Equinoctial points, and supporting the Royal arch; also the letter "G" standing for Geometry, the knowledge of which was of great importance to the natives of Egypt in establishing the boundaries
of their lands removed by the inundations of the Nile, the square and compass, being the instruments through which the old landmarks were restored, and which ultimately became the symbols of justice. The cornucopia, or horn of plenty, denoted the sun in the sign of Capricorn, and indicated the season when the harvest was gathered and provisions laid up for Winter use; the cenotaph or mock coffin with the sign of the cross upon its lid, referred to the sun's crossing of the celestial equator at the Autumnal Equinox, and to the figurative death of the genius of that luminary in the lower hemisphere; whose resurrection at the Vernal Equinox is typified by the sprig of acacia sprouting near the head of the coffin. The serpent, issuing from the small vessel to the left, represented the symbol of the Lord of Evil under whose dominion was placed the seasons of Autumn and Winter; and the figure of a box at the right hand, represented the sacred ark in which, anciently, the symbols of solar worship were deposited; but which is now used by the masons as a receptacle for their papers.
After, the promulgation, in the fifth century, of the edict by one of the Emperors of Rome, decreeing the death penalty against all persons discovered practicing any of the rites and ceremonies of the ancient religion, a body of its cultured adherents, determining to observe