THE STEWARD OF ABRAM,
PRINCE
BELOVED OF THE GODS."
After I had received Remeses into my house, I conducted him through a two-valved door, opened before us by my chief butler, into the superb apartment allotted for recreation and repose. My mansion consisted of a court encircled by columns, and from it extended corridors to various chambers. The court is crossed by avenues of trees, while fountains and flowering plants refresh the eye in every direction.
The apartment into which Remeses came with me, was divided into tall panels, upon which were executed, in the most brilliant colors, the fairest pictures. These panels were intercolumnar, each column adorned with carvings of leaves and flowers, and terminating in a capital in imitation of an open lotus. This room was open to the air, but shielded from the sun by a purple awning that extended to its four sides, and was a little raised above the walls upon the columns, so that the breezes, which were wafted over the gardens of flowers, might freely enter.
This was my reception-room, or mándara, as it is termed. A beautiful cornice surrounds the whole room. The furniture is of the most tasteful and luxurious description, and of forms and uses unknown to our severer Syrians. There are tables of Arabian wood, inlaid with ivory; sofas of ebony and other rare materials, covered with silken cushions; a chair ornamented with the skin of a leopard; another, of still more graceful outline, embroidered with silk and threads of gold; another, the frame of which recedes gradually, terminating at its summit in a graceful curve, and supported by resting upon the back of a swan with feathers of ivory. A chair for repose is covered with gilded leather, and arched by a rich canopy of painted flowers, birds, and fancy devices. The legs of all these chairs were in imitation of some wild beast, while the arms represented in ivory or ebony the beaks of birds,—that of the ibis, sacred as it is, being the favorite. There are couches, too, which are nothing more nor less than crouching lions gilded, upon the backs of which the sleeper reposes on gorgeous housings stuffed with the softest down. The shapes of the furniture exhaust all forms. There are, in some of my rooms, chairs shaped like harps, others like leaves of the fig-tree, others like birds. Tables of ebony are supported on the heads of naked Nubian slaves two feet high, carved in ebony, while the bronze lamps are uplifted upon the palm of a dancing girl cast in bronze, who seems to hold the light for you while you read or write. Carpets and foot-stools, covered with embroidery, are not wanting; and I have three round tables—one of metal, one of ivory, one of ebony—polished like mirrors of steel. These are covered with ornaments of the most exquisite finish and beauty; and before my window where I write is a sort of bureau ornamented with hieroglyphics, carved in intaglio, inlaid with sycamore, tamarisk, and palm woods, and enriched with bosses of solid gold.
In this apartment I received Remeses. Placing a seat by the window, I sat near him. For a moment he surveyed me with a close but courteous scrutiny, such as strangers irresistibly cast upon each other after a first meeting.
"I hope you are at home here, noble Sesostris," he said. "This is one of my palaces, but I have more than I can make use of, such is the bounty and affection of my mother."
"I have every comfort and luxury—more than I desire," I answered. "I was not prepared to find in Egypt such splendor and magnificence. The half, my noble prince, has not been told the world."
"And yet you have seen but a small portion of this kingdom," he said, with a smile of pardonable pride. "Although On is the city of palaces and temples, for there is a temple to each of the three hundred and sixty gods of our calendar year, yet Memphis is the true seat of our empire. We rule Egypt from Memphis: we worship the gods from On."