On our right, a few hundred yards below Natchez, crowning a noble eminence, stand the ruins of Fort Rosalie, celebrated in the early history of this country. Its garrison early in the last century was massacred, by the Natchez tribe, to a single man, who escaped by leaping from the precipice. Here is the principal scene of Chateaubriand's celebrated romance. The position of the fort, in a military point of view, commanding, as it does, a great extent of river and country, is well chosen. Beyond the fort, a peep at rich woods, green hills, and tasteful country-seats, is agreeably refreshing to the eye, so long accustomed to gaze upon melancholy forests, and dead flats covered with cane-brakes. Indeed, the mournful character of the forests along the Mississippi, is calculated to fill the mind with gloom. The long black moss, well known at the north as the "Carolina moss", hangs in immense fringes from every limb, frequently enveloping the whole tree in its sombre garb. The forests thus clothed present a dismal yet majestic appearance. As the traveller gazes upon them his mind partakes of their funereal character, and the imagination is ready to assent to the strong and highly poetical remark of a gentleman on board, with whom I was promenading the "guard," who observed that it would seem that the Deity was dead, and that nature had clothed herself in mourning.
XXV.
Land at the Levée—African porters—First impression of passing travellers—"Natchez under the Hill"—A dizzy road—A rapid descent—View from the summit—Fine scenery in the vicinity—Reservoir—A tawny Silenus—A young Apollo—Warriors "hors du combat"—Indian females—Mississippian backwoodsmen—Mansion House.
Since the date of my last letter, a period sufficiently long to enable me to make my observations with correctness has elapsed; and from memoranda collected during the interval, I shall prepare this and subsequent letters from this place.
We landed last evening at the Levée, amid the excitement, noise, and confusion which always attend the arrival or departure of a steamer in any place. But here the tumult was varied and increased by the incessant jabbering, hauling, pulling, kicking and thumping, of some score or two of ebony-cheeked men and urchins, who were tumbling over each other's heads to get the first trunk.
"Trunk, massa—trunk! I take you baggage".
"You get out, for a nigger!" exclaimed a tall, strapping fellow, as black as night, to his brother ebony. "I'm the gemman, massa, what care de trunk." "Dis nigger, him know noffing, massa—I'm what's always waits on um gentlemans from de boats!" roared another; and stooping to take one of the handles, the other was instantly grappled by a rival, and both giving a simultaneous jerk, the subject of the contest flew violently from their hands, and was instantly caught up by the first "gemman", and borne off in triumph. This little by-play was acted, with variations, in every part of the cabin, where there was either a gentleman or a trunk to form the subject.
On landing, there was yet another trial of the tympanum.
"Carriage, massa—mighty bad hill to walk up!" was vociferated on all sides; and