The sun had hardly set, and the fête in the garden was not yet begun, when, Vespers being over, he came out upon the river-side lined with stately houses which fronted the palace gardens towering in terraced walks and trellises of green hedges on the opposite bank. The sun, setting behind the wooded slopes, flooded this green hill-side with soft and dream-like light, and bathed the carved marble façade of the palace, rising above it with a rosy glimmer, in which the statues on its roof, and the fretted work of its balustrades, rested against the darkening blue of the evening sky. A reflex light, ethereal and wonderful, coming from the sky behind him, and the marble buildings and towers on which the sun's rays rested more fully than they did upon the palace, brooded over the river and the bridge with its rows of angelic forms, and, climbing the leafy slopes, as if to contrast its softer splendour with the light above, transfigured with colour the wreaths of vapour which rose from the river and hung about its wharves.

The people were already crowding out of the city, and forcing their way across the bridge towards the palace, where the illuminations and the curious waterworks, upon which the young Duke had, during his short reign, expended much money, were to be exhibited as soon as the evening was sufficiently dark. The people were noisy and jostling, but as usual good-tempered and easily pleased. Few masques or masquerade dresses had appeared as yet, but almost every one was armed with a small trumpet, a drum, or a Samarcand cane, from which to shoot peas or comfits. At the corner of the main street that opened on to the quay, however, some disturbing cause was evidently at work. The crowd was perplexed by two contending currents, the one consisting of those who were attempting to turn into the street from the wharf, in order to learn the cause of the confusion, the other, of those who were apparently being driven forcibly out of the street, towards the wharves and the bridge, by pressure from behind. Discordant cries and exclamations of anger and contempt rose above the struggling mass. Taking advantage of the current that swept him onward, Inglesant reached the steps of the Church of St. Felix, which stood at the corner of the two streets, immediately opposite the bridge and the ducal lions which flanked the approach. On reaching this commanding situation the cause of the tumult presented itself in the form of a small group of men, who were apparently dragging a prisoner with them, and had at this moment reached the corner of the wharf, not far from the steps of the Church, surrounded and urged on by a leaping, shouting, and excited crowd. Seen from the top of the broad marble bases that flanked the steps, the whole of the wide space, formed by the confluence of the streets, and over which the shadows were rapidly darkening, presented nothing but a sea of agitated and tossing heads, while, from the windows, the bridge, and even the distant marble terraced steps that led up to the palace, the crowd appeared curious, and conscious that something unusual was in progress.

From the cries and aspect of the crowd, and of the men who dragged their prisoner along, it was evident that it was the intention of the people to throw the wretched man over the parapets of the bridge into the river below, and that to frustrate this intention not a moment was to be lost. The pressure of the crowd, greater from the opposite direction than from the one in which Inglesant had come, fortunately swept the group almost to the foot of the steps. Near to Inglesant, and clinging to the carved bases of the half-columns that supported the façade of the Church, were two or three priests who had come out of the interior, attracted by the tumult. Availing himself of their support, Inglesant shouted to the captors of the unhappy man, in the name of the Church and of the Duke, to bring their prisoner up the steps. They probably would not have obeyed him, though they hesitated for a moment; but the surrounding crowd, attracted towards the Church by Inglesant's gestures, began to press upon it from all sides, as he had indeed foreseen would be the case, and finally, by their unconscious and involuntary motion, swept the prisoner and his captors up the steps to the side of the priests and of Inglesant. It was a singular scene. The rapidly advancing night had changed the golden haze of sunset to a sombre gloom, but lights began to appear in the houses all around, and paper lanterns showed themselves among the crowd.

The cause of all this confusion was dragged by his persecutors up the steps, and placed upon the last of the flight, confronting the priests. His hair was disordered, his clothes nearly torn from his limbs, and his face and dress streaked with blood. Past the curtain across the entrance of the Church, which was partly drawn back by those inside, a flash of light shot across the marble platform, and shone upon the faces of the foremost of the crowd. This light shone full upon Inglesant, who stood, in striking contrast to the dishevelled figure that confronted him, dressed in a suit of black satin and silver, with a deep collar of Point-de-Venice lace. The priests stood a little behind, apparently desirous to learn the nature of the prisoner's offence before they interfered; and the accusers therefore addressed themselves to Inglesant, who, indeed, was recognized by many as a friend of the Duke, and whom the priests especially had received instructions from Rome to support. The confusion in the crowd meanwhile increased rather than diminished; there seemed to be causes at work other than the slight one of the seizure by the mob of an unpopular man. The town was very full of strangers, and it struck Inglesant that the arrest of the man before him was merely an excuse, and was being used by some who had an object to gain by stirring up the people. He saw, at any rate, however this might be, a means of engaging the priests to assist him, should their aid be necessary in saving the man's life.

That there was a passionate attachment among the people to a separate and independent government of their city and state, an affection towards the family of their hereditary dukes, and a dread and jealous dislike of the Pope's government and of the priests, he had reason to believe. It seemed to him that the people were about to break forth into some demonstration of this antipathy, which, if allowed to take place, and if taken advantage of, as it would be, by the neighbouring princes, would be most displeasing to the policy of Rome, if not entirely subversive of it. With these thoughts in his mind, as he stood for a moment silent on the marble platform, and saw before him, what is perhaps the most impressive of all sights, a vast assemblage of people in a state of violent and excited opposition, and reflected on the causes which he imagined agitated them,—causes which in his heart he, though enlisted on the opposite side, had difficulty in persuading himself were not justifiable,—it came into his mind more powerfully than ever, that the moment foretold to him by Serenus de Cressy was at last indeed come. Surely it behoved him to look well to his steps, lest he should be found at last absolutely and unequivocally fighting against his conscience and his God; if, indeed, this looking well to their steps on such occasions, and not boldly choosing their side, had not been for many years the prevailing vice of his family, and to some extent the cause of his own spiritual failure.

The two men who held the apparent cause of all this uproar were two mechanics of jovial aspect, who appeared to look upon the affair more in the light of a brutal practical joke (no worse in their eyes for its brutality), than as a very serious matter. To Inglesant's question what the man had done they answered that he had refused to kneel to the Blessed Sacrament, as it was being carried through the streets to some poor, dying soul, and upon being remonstrated with, had reviled not only the Sacrament itself, but the Virgin, the Holy Father, and the Italians generally, as Papistical asses, with no more sense than the Pantaleoni of their own comedies. The men gave this evidence in an insolent half-jesting manner, as though not sorry to utter such words safely in the presence of the priests.

Inglesant, who kept his eyes fixed upon the prisoner, and noticed that he was rapidly recovering from the breathless and exhausted condition the ill-treatment he had met with had reduced him to, and was assuming a determined and somewhat noble aspect, abstained from questioning him, lest he should make his own case only the more desperate; but, turning to the priests, he rapidly explained his fears to them, and urged that the man should be immediately secured from the people, that he might be examined by the Duke, and the result forwarded to Rome. The priests hesitated. Apart from the difficulty, they said, of taking the man out of the hands of his captors, such a course would be sure to exasperate the people still further, and bring on the very evil that he was desirous of averting. It would be better to let the mob work their will upon the man; it would at least occupy some time, and every moment was precious. In less than an hour the fireworks at the palace would begin, might indeed be hastened by a special messenger; and the fête once begun, they hoped all danger would be over. To this Inglesant answered that the man's arrest was evidently only an excuse for riot, and had probably already answered its purpose; that to confine the people's attention to it would be unfavourable to the intentions of those who were promoting a political tumult; and that the avowed cause of the man's seizure, and of the excitement of the mob, being disrespectful language towards the Holy Father, the tumult, if properly managed, might be made of service to the cause of Rome rather than the reverse.

Without waiting for the effect of this somewhat obscure argument on the priests, Inglesant directed the men who held their prisoner to bring him into the Church. They were unwilling to do so, but the crowd below was so confused and tumultuous, one shouting one thing and one another, that it seemed impossible that, if they descended into it again, they would be allowed to retain their prey, and would not rather be overwhelmed in a common destruction with him. On the other hand, by obeying Inglesant, they at least kept possession of their prisoner, and could therefore scarcely fail of receiving some reward from the authorities. They therefore consented, and by a sudden movement they entered the Church, the doors of which were immediately closed, after some few of the populace had managed to squeeze themselves in. A messenger was at once despatched to the palace to hasten the fireworks, and to request that a detachment of the Duke's guard should be sent into the Church by a back way.

The darkness had by this time so much increased that few of the people were aware of what had taken place, and the ignorance of the crowd as to the cause of the tumult was so general that little disturbance took place among those who were shut out of the Church. They remained howling and hooting, it is true, for some time, and some went so far as to beat against the closed doors; but a rumour being spread among the crowd that the fireworks were immediately to begin, they grew tired of this unproductive occupation, and flocked almost to a man out of the square and wharves, and crowded across the bridge into the gardens.

When the guard arrived, Inglesant claimed the man as the Duke's prisoner, to be examined before him in the morning. The curiosity of the Duke in all religious matters being well known, this seemed very reasonable to the officer of the guard, and the priests did not like to dispute it after the instructions they had received with regard to Inglesant's mission. The two artisans were propitiated by a considerable reward, and the prisoner was then transported by unfrequented ways to the palace, and shut up in a solitary apartment, whilst the rest of the world delighted itself at the palace fêtes.