Once Inglesant thought he had discovered the man of whom he was in search. The Cavaliere, the story now ran, had arrived in Rome a few days ago from Naples, where the plague had the mastery, so that the living could not bury the dead. He had come, flying towards the healthy north before the pestilence, which had overtaken him as he entered the Giovanni gate, and had taken refuge in a pest-house, which had been established in the courtyard of a little church, "S. Salvatoris in Laterano ad scalas sanctas." Thither Inglesant repaired, in the full glare of an afternoon in the late summer. In a sort of cloister, round a little courtyard, the beds were laid out side by side, on which lay the dying and the dead. Between the worn stones of the courtyard, sprinkled with water, bright flowers were springing up. The monks were flitting about; two or three of these also were dead already. Inglesant inquired for the stranger who had arrived from Naples. He was dead, the monks told him, but not yet taken away for burial; he lay there still upon his couch. They took Inglesant to a corner of the courtyard, where, looking down upon the dead body, he saw at once it was not that of the Cavaliere. It was the body of a man in the very prime of life, of a singularly noble and lofty look. He lay with his hand clasped over a little bit of crossed wood the monks had made, his eyes closed, something like a smile upon his lips.
"The Cavaliere will not look like that," thought Inglesant to himself.
Who was he? In some part of Italy, doubtless, there were at that moment those who waited for him, and wondered, just as he and Lauretta were doing. Perhaps in some distant lazaretto some one might be standing over the body of the Cavaliere, at just such a loss for a name and clue. It did not seem strange to Inglesant; he had wandered through these cross ways and tangled paths of life from a child.
He went out into the hot sunshine and down the long straight street, by the great church of the Sancta Maria, into the Via Felix, scarcely knowing where he went. Across the whole breadth of Rome the few persons he met regarded him with suspicion, and crossed over to the other side. He himself carried a pomander of silver in the shape of an apple, stuffed with spices, which sent out a curious faint perfume through small holes. He wandered down the steps of the Trinita, where even the beggars were few and quiet, and seeking unconsciously the cooler air of the river, passed the desolate Corso, and came down to the Ripetta, to the steps.
The sun was sinking now, and the western sky was all ablaze with a strange light. All through the streets the image of the dead man had haunted Inglesant, and the silent city seemed full of such pale and mystic forms. The great dome of St. Peter's stood out dark and clear against the yellow light, which shone through the casements below the dome till the whole seemed faint and ethereal as the air itself. In the foreground, across the river, were low meadows, and the bare branches of trees the leaves of which had already withered and fallen. In the distance the pollard firs upon the ramparts stood out distinctly in fantastic forms; to the left the spires and domes of the city shone in the light; in front flowed the dark river, still and slow. The large steps by the water's edge, usually so crowded and heaped with market produce, were bare and deserted; a wild superstitious terror took possession of Inglesant's mind.
In this solitude and loneliness, amid the busiest haunts of life, with the image of death on every hand, he felt as though the unseen world might at any moment manifest itself; the lurid sky seemed ready to part asunder, and amid the silent courts and pavements the dead would scarcely seem strangers were they to appear. He stood waiting, as though expecting a message from beyond the grave.
And indeed it seemed to come. As he stood upon the steps a gray form came along the pathway on the further side beneath the leafless trees and down the sloping bank. It entered the small boat that lay moored beneath the alders and guided itself across the stream. It stood erect and motionless, propelling the skiff doubtless by an oar at the stern, but from the place where Inglesant stood the boat seemed to move of its own accord, like the magic bark in some romance of chivalry. In its left hand the figure held something which shone in the light; the yellow glamour of the sunset, dazzling to Inglesant's eyes, fluttered upon its vestment of whitish grey, and clothed in transparent radiance this shadowy revenant from the tomb. It made no stay at the landing-place, but, as though on an errand of life and death, it came straight up the wide curved steps, holding forward in its left hand a crucifix of brass. It passed within a step of Inglesant, who was standing, wonderstruck, at the summit of the steps, his silver pomander in his hand. As it passed him he could see the face, pale and steadfast, with a bright lustre in the eyes, and looking full upon him without pausing, the friar, if it were a friar, said,—
"He is in Naples. In that city, or near it, you will find the man you seek. Ay! and far more than you seek. Let there be no delay on your part."
Then, still holding the crucifix forward at arm's length, as though to cleave the poisoned air before him as he went, the figure passed up the street, turning neither to the right nor to the left, and, taking no notice of any of the few loiterers in his way, passed quickly out of sight.
Inglesant turned to two fishermen who were coming slowly down towards the ferry.