The contagion of Milanese enthusiasm spread rapidly. Some of the Venetian towns on the mainland now petitioned for union with the Cisalpine Republic; and the deputies of the Cispadane, who were present at the festival, urgently begged that their little State might enjoy the same privilege. Hitherto Bonaparte had refused these requests, lest he should hamper the negotiations with Austria, which were still tardily proceeding; but within a month their wish was gratified, and the Cispadane State was united to the larger and more vigorous republic north of the River Po, along with the important districts of Como, Bergamo, Brescia, Crema, and Peschiera. Disturbances in the Swiss district of the Valteline soon enabled Bonaparte to intervene on behalf of the oppressed peasants, and to merge this territory also in the Cisalpine Republic, which consequently stretched from the high Alps southward to Rimini, and from the Ticino on the west to the Mincio on the east.[81]
Already, during his sojourn at the Castle of Montebello, Bonaparte figured as the all-powerful proconsul of the French Republic. Indeed, all his surroundings—his retinue of complaisant generals, and the numerous envoys and agents who thronged his ante-chambers to beg an audience—befitted a Sulla or a Wallenstein, rather than a general of the regicide Republic. Three hundred Polish soldiers guarded the approaches to the castle; and semi-regal state was also observed in its spacious corridors and saloons. There were to be seen Italian nobles, literati, and artists, counting it the highest honour to visit the liberator of their land; and to them Bonaparte behaved with that mixture of affability and inner reserve, of seductive charm alternating with incisive cross-examination which proclaimed at once the versatility of his gifts, the keenness of his intellect, and his determination to gain social, as well as military and political, supremacy. And yet the occasional abruptness of his movements, and the strident tones of command lurking beneath his silkiest speech, now and again reminded beholders that he was of the camp rather than of the court. To his generals he was distant; for any fault even his favourite officers felt the full force of his anger; and aides-de-camp were not often invited to dine at his table. Indeed, he frequently dined before his retinue, almost in the custom of the old Kings of France.
With him was his mother, also his brothers, Joseph and Louis, whom he was rapidly advancing to fortune. There, too, were his sisters; Elise, proud and self-contained, who at this period married a noble but somewhat boorish Corsican, Bacciocchi; and Pauline, a charming girl of sixteen, whose hand the all-powerful brother offered to Marmont, to be by him unaccountably refused, owing, it would seem, to a prior attachment. This lively and luxurious young creature was not long to remain unwedded. The adjutant-general, Leclerc, became her suitor; and, despite his obscure birth and meagre talents, speedily gained her as his bride. Bonaparte granted her 40,000 francs as her dowry; and—significant fact—the nuptials were privately blessed by a priest in the chapel of the Palace of Montebello.
There, too, at Montebello was Josephine.
Certainly the Bonapartes were not happy in their loves: the one dark side to the young conqueror's life, all through this brilliant campaign, was the cruelty of his bride. From her side he had in March, 1796, torn himself away, distracted between his almost insane love for her and his determination to crush the chief enemy of France: to her he had written long and tender letters even amidst the superhuman activities of his campaign. Ten long despatches a day had not prevented him covering as many sheets of paper with protestations of devotion to her and with entreaties that she would likewise pour out her heart to him. Then came complaints, some tenderly pleading, others passionately bitter, of her cruelly rare and meagre replies. The sad truth, that Josephine cares much for his fame and little for him himself, that she delays coming to Italy, these and other afflicting details rend his heart. At last she comes to Milan, after a passionate outburst of weeping—at leaving her beloved Paris. In Italy she shows herself scarcely more than affectionate to her doting spouse. Marlborough's letters to his peevish duchess during the Blenheim campaign are not more crowded with maudlin curiosities than those of the fierce scourge of the Austrians to his heartless fair. He writes to her agonizingly, begging her to be less lovely, less gracious, less good—apparently in order that he may love her less madly: but she is never to be jealous, and, above all, never to weep: for her tears burn his blood: and he concludes by sending millions of kisses, and also to her dog! And this mad effusion came from the man whom the outside world took to be of steel-like coldness: yet his nature had this fevered, passionate side, just as the moon, where she faces the outer void, is compact of ice, but turns a front of molten granite to her blinding, all-compelling luminary.
Undoubtedly this blazing passion helped to spur on the lover to that terrific energy which makes the Italian campaign unique even amidst the Napoleonic wars. Beaulieu, Würmser, and Alvintzy were not rivals in war; they were tiresome hindrances to his unsated love. On the eve of one of his greatest triumphs he penned to her the following rhapsody:
"I am far from you, I seem to be surrounded by the blackest night: I need the lurid light of the thunder-bolts which we are about to hurl on our enemies to dispel the darkness into which your absence has plunged me. Josephine, you wept when we parted: you wept! At that thought all my being trembles. But be consoled! Würmser shall pay dearly for the tears which I have seen you shed."
What infatuation! to appease a woman's fancied grief, he will pile high the plains of Mincio with corpses, recking not of the thousand homes where bitter tears will flow. It is the apotheosis of sentimental egotism and social callousness. And yet this brain, with its moral vision hopelessly blurred, judged unerringly in its own peculiar plane. What power it must have possessed, that, unexhausted by the flames of love, it grasped infallibly the myriad problems of war, scanning them the more clearly, perchance, in the white heat of its own passion.
At last there came the time of fruition at Montebello: of fruition, but not of ease or full contentment; for not only did an average of eight despatches a day claim several hours, during which he jealously guarded his solitude; but Josephine's behaviour served to damp his ardour. As, during the time of absence, she had slighted his urgent entreaties for a daily letter, so too, during the sojourn at Montebello, she revealed the shallowness and frivolity of her being. Fêtes, balls, and receptions, provided they were enlivened by a light crackle of compliments from an admiring circle, pleased her more than the devotion of a genius. She had admitted, before marriage, that her "Creole nonchalance" shrank wearily away from his keen and ardent nature; and now, when torn away from the salons of Paris, she seems to have taken refuge in entertainments and lap-dogs.[82] Doubtless even at this period Josephine evinced something of that warm feeling which deepened with ripening years and lit up her later sorrows with a mild radiance; but her recent association with Madame Tallien and that giddy cohue had accentuated her habits of feline complaisance to all and sundry. Her facile fondnesses certainly welled forth far too widely to carve out a single channel of love and mingle with the deep torrent of Bonaparte's early passion. In time, therefore, his affections strayed into many other courses; and it would seen that even in the later part of this Italian epoch his conduct was irregular. For this Josephine had herself mainly to thank. At last she awakened to the real value and greatness of the love which her neglect had served to dull and tarnish, but then it was too late for complete reunion of souls: the Corsican eagle had by that time soared far beyond reach of her highest flutterings.[83]
At Montebello, as also at Passeriano, whither the Austrian negotiations were soon transferred, Bonaparte, though strictly maintaining the ceremonies of his proconsular court, yet showed the warmth of his social instincts. After the receptions of the day and the semi-public dinner, he loved to unbend in the evening. Sometimes, when Josephine formed a party of ladies for vingt-et-un, he would withdraw to a corner and indulge in the game of goose; and bystanders noted with amusement that his love of success led him to play tricks and cheat in order not to "fall into the pit." At other times, if the conversation languished, he proposed that each person should tell a story; and when no Boccaccio-like facility inspired the company, he sometimes launched out into one of those eerie and thrilling recitals, such as he must often have heard from the improvisatori of his native island. Bourrienne states that Bonaparte's realism required darkness and daggers for the full display of his gifts, and that the climax of his dramatic monologue was not seldom enhanced by the screams of the ladies, a consummation which gratified rather than perturbed the accomplished actor.