He threw his flashlight here and there in the gloom, lighting up figure after figure. Some of them turned and gazed toward us with dazzled eyes; but others continued their reading without paying us any attention. It reminded me of a glimpse into the City of Dreadful Night; but it seemed better than the things we had met in our wanderings outside. After all, there was something almost heroic in this vain acquirement of learning at a moment when human things seemed doomed to destruction.
As we emerged from the Museum, it seemed to me that the glare of the flames in the sky was brighter; but this may have been due merely to the increased sensitiveness of my retina after the darkness within the building. We turned to the right and followed Great Russell Street westwards.
We crossed Oxford Street and turned down Charing Cross Road. At the lower end of the street, houses were burning furiously, and I could hear the sound of the fires and the crash of falling girders. Beyond Cambridge Circus the road was impassable. Sutton Street seemed to be the only way left to us. As we came into it, I noticed that the dead were much more numerous here and that many of them held clasped in their skeleton hands a crucifix or a rosary.
“Making their way to St. Patrick’s when they died,” Glendyne explained to me. As we came closer to the church, we found living mingled with the dead. Some of them were so feeble that they could crawl no further; but others were still making efforts to drag themselves nearer to the door. Organ music came from the porch, and I halted amid the dead and dying to listen to the voices of the choir:
“Dies irae, dies illa
Solvet saeclum in favilla....”
It was weirdly apposite, there in the centre of that burning city. Then the choir continued:
“Tuba mirum spargens sonum
Per sepulchra regionum
Coget omnes ante thronum.”