"Lerne to love," quod Kynde · "and leve of alle othre."
III.
Chaucer, with his genius and his manifold qualities, his gaiety and his gracefulness, his faculty of observation and that apprehensiveness of mind which enables him to sympathise with the most diverse specimens of humanity, has drawn an immortal picture of mediæval England. In certain respects, however, the description is incomplete, and one must borrow from Langland some finishing touches.
We owe to Chaucer's horror of vain abstractions the individuality of each one of his personages; all classes of society are represented in his works; but the types which impersonate them are so clearly characterised, their singleness is so marked, that on seeing them we think of them alone and of no one else. We are so absorbed in the contemplation of this or that man that we think no more of the class, the ensemble, the nation.
The active and actual passions of the multitude, the subterranean lavas which simmer beneath a brittle crust of good order and regular administration, all the latent possibilities of volcanoes which this inward fire betokens, are, on the contrary, always present to the mind of the visionary; rumblings are heard, and they herald the earthquake. The vehement and passionate England that produced the great rising of 1381, and the heresy of Wyclif, that later on will give birth to the Cavaliers and Puritans, is contained in essence in Langland's work; we divine, we foresee her. Chaucer's book is, undoubtedly, not in contradiction to that England, but it screens and allows her to be forgotten. In their anger Chaucer's people exchange blows on the highway; Langland's crowds in their anger sack the palace of the Savoy, and take the Tower of London.
Langland thus shows us what we find in none of his contemporaries: crowds, groups, classes, living and individualised; the merchant class, the religious world, the Commons of England. He is, above all, the only author who gives a sufficient and contemporaneous idea of that grand phenomenon, the power of Parliament. Chaucer who was himself a member of that assembly, sends his franklin there; he mentions the fact, and nothing more; the part played by the franklin in that group, amid that concourse of human beings, is not described. On the other hand, an admirable picture represents him keeping open house, and ordering capons, partridges, and "poynant sauce" in abundance. At home, his personality stands out in relief; but yonder, at Westminster, the franklin was doubtless lost in the crowd; and crowds had little interest for Chaucer.
In two documents only does that power appear great and impressive as it really was, and those documents are: the Rolls wherein are recorded the acts of Parliament, and the poem of William Langland. No one before him, none of his contemporaries, had seen so clearly how the matter stood. The whole organisation of the English State is summed up in a line of admirable conciseness and energy, in which the poet shows the king surrounded by his people:
Knyghthod hym ladde,
Might of the comunes · made hym to regne.[649]
The power of the Commons is always present to the mind of Langland; he observes the impossibility of doing without them. When the king is inclined to stretch his prerogative beyond measure, when he gives in his speeches a foretaste of the theory of divine right, when he speaks as did Richard II. a few years after, and the Stuarts three centuries later, when he boasts of being the ruler of all, of being "hed of lawe," while the Clergy and Commons are but members of the same, Langland stops him, and through the mouth of Conscience, adds a menacing clause:
"In condicioun," quod Conscience, · "that thow konne defende
And rule thi rewme in resoun · right wel, and in treuth."[650]