Ffor men of contre shulde know whom they hadde oughte.”[511]
They were of lead or pewter, and perforated to be more easily sewn on the breast or cap, like those sold at the present day at St. Anne d’Auray in Brittany, but larger. At Canterbury they represented St. Thomas, or were in the shape of an ampulla or tiny flask, containing water from the miraculous well; at St. James’s they represented shells; at Amiens the head of St. John the Baptist: “Ecce signum faciei beati Johannis Baptiste”; at Rome the holy sudary, called the vernicle;[512] at Rocamadour the Holy Virgin.[513] The right of selling these signs was a source of profit, and it sometimes belonged exclusively to a convent or to a private family. At Rocamadour this {366} right had been conceded in return, it seems, for military services, to the De Valon family, lords of Thegra.[514] They and the Bishop of Tulle appointed a deputy to superintend the sale, and the product was divided by halves between them and the bishop. Such were the benefits derived from these sales that clandestine manufactories of pewter medals were established by the inhabitants, who sold numbers of them, to the great detriment of the authorized shop and in defiance of ever-recurring prohibitions. Once, however, in 1425, free sale was allowed to all the people of the place; the country had been reduced to such poverty that the bishop renounced his privilege for two years, out of charity and for the benefit of his flock.
Pilgrims when going home were careful to wear prominently sewn on their garments these testimonials of their holy travels. In the above-quoted dialogue of Erasmus, the sceptical Menedemus wonders at the appearance of his friend: “I pray you, what araye is this that you be in; me thynke that you be clothyd with cockle schelles, and be laden on every side with bruches of lead and tynne. And you be pretely garnyshed with wrethes of strawe, and your arme is full of snakes eggs,” thus uncivilly designating the beads of his chaplet. The French king Louis XI, of grim memory, was never without some such pewter medals and brooches, and wore them on his hat. “And truly,” writes his contemporary, Claude de Seyssel, “his devotion seemed more superstitious than religious. For to whatever image or church of God and the saints or of Our Lady that he heard the people were devoted, or where miracles were worked, he went there to make offerings, or sent a man there expressly. He had, besides, his hat quite full of images, mostly of lead or pewter, which he kissed on all occasions when any good or bad news arrived, or that his fancy prompted him; casting himself upon his knees so {367} suddenly at times, in whatever place he might be, that he seemed more like one wounded in his understanding than a rational man.”[515]
Professional pilgrims outshone in this respect all the others. For, beside the occasional pilgrim who came to make an offering to such or such a shrine in accomplishment of a vow and afterwards returned to take up again the course of his ordinary life, there was the pilgrim by calling or by penance (for such a life-long penance was sometimes inflicted), whose whole existence was spent travelling from one sanctuary to another, always on the road, and always begging. With the professional pardoner, the professional palmer, back from many countries, adorned with many tokens, the witness of many wonders, the hero of many adventures, was the most curious type of the religious wayfaring race, with hardly any equivalent in our days. Like the pardoner and the friar, the palmer could not but have a great experience of men and things; he had seen much, and he invented more. He too had to edify the multitude to whom he held out his hand for alms, and the fine stories, in which he rarely missed giving himself a part to play, were his livelihood; failing this, his daily bread failed too. By dint of repeating his tales, he came to almost believing them, then quite; and his voice henceforth took that accent of certitude which alone begets conviction in audiences. Besides, he came from so far that he might indeed have seen marvels; around us, of course, life flows on without prodigies, almost without events in its flat monotony; but it is common knowledge that in distant parts things are quite different. And the best proof is that none of those who have undertaken the journey comes back disappointed, quite the contrary; the {368} pleasure of believing them is moreover innocent enough, why should we deprive ourselves of an enjoyment exhilarating for the mind and good for the soul?
Clever people, poets, men of the world, deprived themselves of this pleasure, and made up for the loss by laughing at pilgrims and story-telling travellers. So did Chaucer, as we have already seen, who held up to ridicule in his “House of Fame,” shipmen and pilgrims, with their bags “brimful of lies.” To the same effect but in graver mood, Langland wrote in his “Visions”:
“Pylgrimis and palmers · plyghten hem to-gederes,
To seche saint Iame · and seyntys of rome,
Wenten forth in hure (their) way · with meny un-wyse tales,
And haven leve to lye · al hure lyf-tyme.”[516]
The crowd felt otherwise; they listened, laughed perhaps sometimes, but more often recollected themselves and remained attentive. The pilgrim was so interesting! he was a play in himself, a living story, he had on his feet the dust of Rome and of Jerusalem, and brought news of the “worshippers” of Mahomet. He was a picture too, with his bag hung at his side, not for lies, but for provisions, and his staff, at the top of which was a knob and sometimes a piece of metal with an appropriate motto like the device on a bronze ring found at Hitchin, a cross with these words, “Hæc in tute dirigat iter” (“May this safely guide thee on thy way”).[517] The staff had at the other end an iron point, like an alpenstock of the {369} present day; as may be seen in numerous drawings in mediæval manuscripts.