Consequently, the king continues, every one who may wish to practise in London or seven miles round, must previously submit to an examination before the bishop of that city, or before the Dean of St. Paul’s, assisted by four “doctors of phisyk.” In the country the examination will take place before the bishop of the diocese or his vicar-general. In 1540, the same prince united the corporation of the barbers and the college of surgeons, and granted each year to the new association the bodies of four condemned criminals “for anathomies.”
Hardly were all these privileges conceded than doubts filled the mind of the legislator himself, and who, it may be wondered, did he regret? precisely those old unregistered quacks, those possessors of infallible secrets, those village empirics so harshly treated in the statute of 1511. A new law was enacted, which is but one long enumeration of the guilty practices of qualified doctors; they poison their clients as thoroughly as the quacks of old, the chief difference is that they take more for it, refusing even to interfere if the patient is poor:
“Mynding oonelie theyre owne lucres, and nothing the profite or ease of the diseased or patient, [they] have sued, troubled and vexed divers honest persones aswell men as woomen, whome God hathe endued with the knowledge of the nature, kinde, and operacion of certeyne herbes, rotes, and waters, . . . and yet the saide persones have not takin any thing for theyre peynes and cooning, but have mynistred the same to the poore people oonelie for neighbourhode and Goddes sake, and of pite and {191} charytie; and it is nowe well knowen that the surgeons admytted wooll doo no cure to any persone, but where they shall knowe to be rewarded with a greater soome or rewarde than the cure extendeth unto, for in cace they wolde mynistre theyre coonning to sore people unrewarded, there shoulde not so manye rotte and perishe to deathe for lacke of helpe of surgerye as dailie doo.” Besides, in spite of the examinations by the Bishop of London, “the most parte of the persones of the said crafte of surgeons have small coonning.” For which cause all the king’s subjects who have, “by speculacion or practyse,” knowledge of the virtues of plants, roots, and waters, may as before, notwithstanding enactments to the contrary, cure any malady apparent on the surface of the body, by means of plasters, poultices, and ointments “within any parte of the realme of Englande, or within any other the kinges dominions.”[242]
A radical change, as we see; the secrets and “speculacions” of country people were no longer those of sorcerers, but precious recipes which they had received from God by intuition; the poor, subject to die without a doctor, rejoiced, the quacks breathed once more—but were led again onto the boards of the comic stage just as before. Ben Jonson, that bold pedestrian who walked all the way from London to Scotland, and who, in his long rambles through villages or cities, had become familiar with the variegated characters haunting their market places, painted, in his turn, the portrait of the “mountebank doctor,” one of the best, not better however than Rutebeuf’s, and very similar to it, for, as we said, the type passed on from century to century, unchanged.
Old Ben, as usual, paints from life, having seen and heard more than once at Bartholomew and other fairs the drug-seller pacing his scaffold and exclaiming, “O, health, health! the blessing of the rich! the riches of the {192} poor! who can buy thee at too dear a rate, since there is no enjoying this world without thee.” Upon which the man makes game of the despicable “asses” his rivals, boasts of his incomparable panacea, into which enters a little human fat, which is worth a thousand crowns, but which he will part with for eight crowns, no, for six, finally for sixpence. A thousand crowns is what the cardinals Montalto and Farnese and his friend the Grand Duke of Tuscany have paid him, but he despises money and he makes sacrifices for the people. Likewise he has a little of the powder which gave beauty to Venus and to Helen; one of his friends, a great traveller, found it in the ruins of Troy and sent it him. This friend also sent a little of it to the French Court, but that portion had become “sophisticated,” and the ladies who use it do not obtain from it such good results.[243]
Three years later, an English traveller, finding himself at Venice, was filled with wonder at the talk of the Italian mountebanks, and describing them, he too, from life, gave another copy of the same immutable original. “Truely,” wrote Coryat, “I often wondered at many of these natural orators. For they would tell their tales with such admirable volubility and plausible grace, even extempore, and seasoned with that singular variety of elegant jests and witty conceits, that they did often strike great admiration into strangers that never heard them before.” They sell “oyles, soueraigne waters, amorous songs printed, apothecary drugs, and a common-weale of other trifles. . . . I saw one of them holde a viper in his hand, and play with his sting a quarter of an houre together, and yet receive no hurt. . . . He made us all beleeve that the same viper was lineally descended from the generation of that viper that lept out of the fire upon St. Paul’s hand, in the island of Melita, now called Malta.”[244] {193}
No doubt the loquacity, the volubility, the momentary conviction, the grace, the insinuating tone, the light, winged gaiety of the southern charlatan were not found so fully or so charmingly at the festivals of old England. These festivals were, however, merry and boisterous, attended by large crowds, among which moved many an artful character so full of jest and guile that Shakespeare thought them worthy of immortality; he gave it them indeed in creating, as a model of those men whose “revenue is the silly cheat,” his incomparable “Autolycus, a rogue.”
Country labourers went in numbers to these meetings, to stand jests which, aimed at them, were an amusement even to themselves, and to buy some drug which would do them good: they are to be seen there still. At the present day they continue to collect before the vendors of cures for the toothache and other troubles. Certificates abound round the booth; it seems as though all the illustrious people in the world must have been benefited by the discovery; the man now addresses himself to the rest of humanity. He talks, gesticulates, gets excited, leans over with a grave tone and a deep voice. The peasants press around, gaping with inquisitive eye, uncertain if they ought to laugh or to be afraid, and in the end get confident. The large hand fumbles in the new coat, the purse is drawn forth with an awkward air, the piece of money is held out and the medicine received, while the shining eye and undecided physiognomy say plainly that the cunning and the habitual practical sense are here at fault; that these good souls, clever and invincible in their own domain when it is a question of a sheep or a cow, are the victims of every one in an unknown land, the land of medical lore. The vendor bestirs himself, and now, as formerly, triumphs over indecision by means of direct appeals.
In England the incomparable Goose Fair at {194} Nottingham should be chosen as the place to see these spectacles, which shine there in all their infinite variety, with quacks as racy as those of pristine days, scenes reminding one of Rubens’ great “Kermesse” at the Louvre, and at every turn and before every shop living confutations of St. Evremond and others’ ideas of the temper of the English, ever lost in their thoughts, as if merry England were no more.[245]
Greater still was, in the Middle Ages, the popularity of those wayfarers, numerous too at the Goose Fair, who came not to cure, but to amuse, and who, if they did not offer remedies for diseases, at least brought forgetfulness of troubles; the minstrels, tumblers, jugglers, and singers. Minstrels and jongleurs, under different names, exercised the same profession, that is, they chanted songs and romances to the accompaniment of their instruments, as is still done in the East, in Persia for instance, where poems are not told but chanted, in various keys according to the subject. At a time when books were rare, and the theatre, properly so called, did not exist, poetry and music travelled with the minstrels and gleemen along the roads; such guests were always welcome. They were to be found at every feast, wherever there were rejoicings; it was expected from them, as from wine or beer, that care would be lulled to sleep, and merriment would replace it. They had many ways to fulfil the expectation, some dignified, some not. Of the first sort was the singing and reciting, either in French or English, of the loves and deeds of ancient heroes.