Castles in the air began to rear their gleaming but deceptive turrets, and in the delusive glamour of a lover’s Paradise, Philip approached the lodge by the gate which led through Waverdale Park. The night was dark and still, and his path was made more gloomy by the overarching trees, which almost converted the lane into an avenue, and shut out the glimmer of the watchful stars. He thought of Lucy and his all-engrossing love; he thought of his father and of the interview he must summon courage to seek, that he might reveal his tender secret as in duty bound; he thought of Black Morris and his final threat; and then his mind reverted to the interview he had had, that evening, with the rector of the parish, the Rev. Bertram Elliott.

Philip’s visit to the Rectory had been connected with those mental troubles which had more and more disturbed him since the Sunday evening when he had heard Nathan Blyth discourse on “the Lamb of God,” and joined with the rural worshippers in singing of the love of a crucified Christ. From then till now no day had passed without bringing to his mind the sweet and touching lines—

“All ye that pass by,

To Jesus draw nigh,

To you is it nothing that Jesus should die?”

To the clergyman Philip had confided his spiritual anxieties, and from him had sought the ghostly counsel which his troubled heart and conscience did so greatly need. The worthy rector was a gentleman and a scholar, and for the space of five-and-twenty years had christened, married, and buried the villagers of Nestleton; had read the grand old liturgy with some earnestness and irreproachable accent; had given a fifteen minutes’ homily every Sunday morning of the most harmless character; and, altogether, was a genial and worthy member of his class. But to Philip, in his moody anxiety and distress of soul, he was of no use whatever. He simply urged him to live a moral life, attend the church and take the sacraments, to go into company and engage in field sports as a sure way of dissipating the “vapours” and getting rid of “the blues.” That sort of teaching, let us be thankful to say, is by no means common in this year of grace, but there was more than a sufficiency of it fifty years ago.

Philip reached the lodge and let himself gently through the gate, so as not to disturb Giles Green, the lodge-keeper, who with his little household had retired to rest. On his way through the park he heard the sound of human voices from a coppice to the right, and, pausing a moment, caught the mention of his own name. Almost immediately afterwards, another voice said,—

“Nivver mind ’im, owd chum. Lucy Blyth’s ower poor a dish for ’im to sit down tae. Why, Squire Fuller would shutt ’im if ’e was to tak’ up wi’ a blacksmith’s dowter.”

Here another voice rapped out an ugly oath, “If’e dizzn’t I will, as soon as look at ’im. Ah mean to hev that little wench myself, an’ I’ll give an ounce of lead to anybody that gets into my road.”

Here the voices became more distant, and Philip lost the remainder of the conversation. He had heard enough, however, to convince him that mischief was brewing, and that Lucy Blyth was right in warning him against the reckless revenge of Black Morris. Resuming his walk, and burdened by this new complication, he entered the portals of Waverdale Hall. His favourite Newfoundland dog, Oscar, rose from his mat, shook his shaggy sides, and received a kindly pat and friendly word from Philip, who straightway entered into his stately father’s presence.