strength enough to cross themselves. Persons who had been supposed dead for years managed almost to smile. The vacant eyes of old, old children gazed at the violet cross outlined in the air by the Prelate's gloved hand. Chartres, that city of the dead, had changed to a vast nursery; in the extravagance of its joy the town was in its second childhood.
But as soon as the Bishop was past the scene changed. Durtal was startled, and he tittered.
A whole "Court of Miracles" seemed to follow in the Prelate's train, strutting but tottering; a procession of old wrecks, dressed out in such garments as are sold from the dead-house, staggered along holding each other's arms, propped one against another. Every reach-me-down that had been hanging these twenty years flapped about their limbs, hindering their progress. Trousers with baggy ankles or with gaiter tops, balloon-shaped or close-fitting, made of loose-woven stuff or so shrunk that they would not meet the boot, displaying feet where the elastic sides wriggled like living vermin, and ankles covered with vermicelli dipped in ink; then the most impossibly threadbare and discoloured coats, made, as it seemed, of old billiard cloths, of tarpaulin worn to the canvas, of cast-off awnings; overcoats of cast iron, the surface worn off the back-seam and sleeves—glaucous waistcoats, sprigged with flowers and furnished with buttons of dry brawn-parings; and all this was as nothing; what was prodigious, beyond the bounds of belief, fabulous, positively insane, was the collection of hats that crowned these costumes.
The specimens of extinct headgear, lost in the night of ages, that were collected here! The veterans wore muff-boxes and gas-pipes; some had tall white hats, for all the world like toilet-pails turned upside down, or huge spigots with a hole for the head; others had donned felt hats like sponges, shaggy, long-haired Bolivars, melons on flat brims just like a tart on a dish; others, again, had crush-hats, which swayed and played the accordion on their own account, their ribs showing through the stuff.
The craziness of the gibus hats beats description. Some were very tall, the shaft crowned with a platform larger than the head, like the shako of an Imperial Lancer; others very low, ending in an inverted cone—the mouth of a blunderbuss or a Polish schapska.
And under this Sanhedrim of drunken hats were the mopping, wrinkled faces of very old men, with whiskers like white rabbits' paws, and bristles like tooth-brushes in their nostrils.
Durtal shook with inextinguishable laughter at this carnival of antiquities; but his mirth was soon over; he saw two Little Sisters of the Poor who were in charge of this school of fossils, and he understood. These poor creatures were dressed in clothes that had been begged, the rummage of wardrobes, for which the owners had no further use. Then the queerness of their outfit was pathetic; the Little Sisters must have been at infinite trouble to utilize these leavings of charity; and the old children, recking little of fashion, plumed themselves with pride at being so fine.
Durtal followed to the cathedral. When he reached the little square, the procession, caught by a gale of wind, was struggling and clinging to the banners, which bellied like the sails of a ship, carrying on the men who clutched the poles. At last, more or less easily, all the people were swallowed up in the basilica. The Te Deum was pouring out in a torrent from the organ. At this moment it really seemed as though, under the impulsion of this glorious hymn, the church, springing heavenward in a rapturous flight, were rising higher and higher; the echo resounded down the ages, repeating the hymn of triumph which had so often been sung under that roof; and for once the music was in harmony with the building, and spoke the language which the cathedral had learnt in its infancy.
Durtal was exultant. It seemed to him that Our Lady smiled down from those glowing windows, that She was touched by these accents, created by the saints she had loved, to embody for ever, in a definite melody, and in unique words, the scattered praise of the faithful, the unformulated rejoicing of the multitude.
Suddenly his exalted mood was sobered. The Te Deum was ended; a roll of drums and a clarion flourish rang out from the transept. And while the brass band of Chartres cannonaded the old walls with the balista of mere noise, he fled to breathe away from the crowd, which, however, did not nearly fill the church; and then, after the ceremony, he went to see the parade of representatives of the various institutions in the town, who came to pay their respects to the new Bishop in his palace.