Then, to the left of the royal musician there was another man, bearded, with a walnut-stained face, the eye-sockets vacant and covered by round spectacles; on his head were a diadem and a tiara, in his hands a chalice and a paten, a censer and a loaf; while to the right of the other sovereign who held the sceptre, a still more harassing shape came forth against the blue background of the sword—a sort of oriental brigand, escaped perhaps from the prison cells of Persepolis or Susa, a bandit as it seemed, wearing a little scarlet cap edged with yellow, in shape like an inverted jam-pot, and a tan-coloured gown with white stripes on the skirt; and this clumsy and ferocious personage bore a green palm and a book.
Durtal turned away to sound the depths of darkness, and before him, at a giddy height on the horizon, more sword-blades gleamed. The scrawls which might have been mistaken in the darkness for patterns embossed or incised on the surface of the steel, developed into figures draped in long, straight, pleated robes; and at the highest point of the firmament there hovered amid a sparkle of rubies and sapphires a woman crowned, pale of face, dressed like the Moorish mother of the northern side in Carmelite-brown and green; and she too held an infant, a child, like herself, of the white race, clasping a globe in one hand, and extending the other in benediction.
Last of all, the still dark side, the late side, to Durtal's right hand and further south, till now wrapped in the half-dispelled morning haze, was lighted up; the shield opposite to that on the north caught the blaze, and below it, against the polished metal of the broad blade facing that which presented the negress queen, appeared a woman of somewhat olive hue, in raiment like the others, of myrtle-green
and brown, holding a sceptre, and with her, too, there was a child. And round her again emerged images of men piled up one above the other, shouldering each other in the narrow field they filled.
For a quarter of an hour nothing was clearly defined; then the real things asserted themselves. In the middle of the swords, which were in fact mosaic of glass, the figures stood out in broad daylight. In the field of each window with its pointed arch bearded faces took form, motionless in the midst of fire; and on all sides, in the thicket of flames, as it were the burning bush of Horeb where God showed His glory to Moses, the Virgin was seen in an unchangeable attitude of imperious sweetness and pensive grace, mute and still, and crowned with gold.
She was, indeed, many; She came down from the empyrean to lower levels, to be closer to Her flock, and at last found a place where they might almost kiss Her feet, at the corner of an aisle that was always in gloom; but there She wore a different aspect.
She stood forth in the middle of a window, like a tall, blue plant, and the garnet-red foliage was supported by black iron rods.
Her colour was slightly coppery, almost Chinese, with a long nose and rather narrow eyes; on the head there was a black coif, and She looked steadily before Her, while the lower part of the face with its short chin, the mouth rather drawn by two grave lines, gave it an expression of suffering that was even a little morose. And here again, under the immemorial name of Notre Dame de la belle Verrière, she held an infant in a dress of raisin-purple, a child barely visible in the mixture of dark hues all about it.
In short, She to whom all appealed was there; everywhere under the forest roof of this cathedral the Virgin was present. She seemed to have come from all the ends of the earth, under the semblance of every race known in the Middle Ages: black as an African, tawny as a Mongolian, pale coffee colour as a half-caste, and white as an European, thus declaring that, as mediator for the whole human race, She was everything to each, everything to all; and promising by the presence of Her Son, whose features bore the character of each race, that the Messiah had come to redeem all men without distinction.
And it seemed as though the sun, as it mounted higher, followed the growth of the Virgin, taking its birth in the window where She was still a babe in that northern transept where Saint Anne, her mother, of the black face, sat between David, the king of the golden harp, and Solomon, the bearer of the blue-lilied sceptre, each against a background of purple, to prefigure the royal birth of the Son; between Melchizedec, the mitred patriarch, holding the censer, and Aaron, in the curious red cap bordered with lemon yellow, representing prophetically the Priesthood of Christ.