With press tickets, which he got very cheap, he often looked in at the theatres to acquaint himself with the faces and figures of the constant frequenters.
He drew capital pencil sketches of the leading critics in his note-book.
The gentleman next him that night at "Manteaux Noirs" would not have laughed so heartily if he had known why Andrew listened for his address to the cabman.
The young Scotchman resented people's merriment over nothing; sometimes he took the Underground Railway just to catch clerks at "Tit-Bits."
One afternoon he saw some way in front of him in Piccadilly a man with a young head on old shoulders.
Andrew recognized him by the swing of his stick; he could have identified his plaid among a hundred thousand morning coats. It was John Stuart Blackie, his favourite professor.
Since the young man graduated, his old preceptor had resigned his chair, and was now devoting his time to writing sonnets to himself in the Scotch newspapers.
Andrew could not bear to think of it, and quickened his pace to catch him up. But Blackie was in great form, humming "Scots wha hae." With head thrown back, staff revolving and chest inflated, he sang himself into a martial ecstasy, and, drumming cheerily on the doors with his fist, strutted along like a band of bagpipers with a clan behind him, until he had played himself out of Andrew's sight.
Far be it from our intention to maintain that Andrew was invariably successful. That is not given to any man.
Sometimes his hands slipped.