If we had not taken Scrymgeour in hand I dare not think what his craze might have reduced him to. A friend asked him into the country for ten days, and of course he was glad to go. As it happened, my chambers were being repapered at the time, and Scrymgeour gave me permission to occupy his rooms until his return. The other Arcadians agreed to meet me there nightly, and they were indefatigable in their efforts to put the boudoir to rights. Jimmy wrote letters to editors, of a most cutting nature, on the moon, breaking the table as he stepped on and off it, and we gave the butterflies to William John. The reptiles had to crawl off the door, and we made pipe-lights of the Japanese fans. Marriot shot the candles at the mice and birds; and Gilray, by improvising an entertainment behind the blood-red curtains, contrived to give them the dilapidated appearance without which there is no real comfort. In short, the boudoir soon assumed such a homely aspect that Scrymgeour on his return did not recognize it. When he realized where he was he lighted up at once.
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CHAPTER XI.
HIS WIFE'S CIGARS.
Though Pettigrew, who is a much more successful journalist than Jimmy, says pointedly of his wife that she encourages his smoking instead of putting an end to it, I happen to know that he has cupboard skeletons. Pettigrew has been married for years, and frequently boasted of his wife's interest in smoking, until one night an accident revealed the true state of matters to me. Late in the night, when traffic is hushed and the river has at last a chance of making itself heard, Pettigrew's window opens cautiously, and he casts something wrapped in newspaper into the night. The window is then softly closed, and all is again quiet. At other times Pettigrew steals along the curb-stone, dropping his skeletons one by one. Nevertheless, his cupboard beneath the bookcase is [ [!-- IMG --]