A ball, but not the one to which we have seen Miss Susan and Miss Phoebe rush forth upon their career of crime. This is the third of the series, the one of which Patty has foretold with horrid relish that it promises to be specially given over to devilries. The scene is a canvas pavilion, used as a retiring room and for card play, and through an opening in the back we have glimpses of gay uniforms and fair ladies intermingled in the bravery of the dance. There is coming and going through this opening, and also through slits in the canvas. The pavilion is fantastically decorated in various tastes, and is lit with lanterns. A good-natured moon, nevertheless, shines into it benignly. Some of the card tables are neglected, but at one a game of quadrille is in progress. There is much movement and hilarity, but none from one side of the tent, where sit several young ladies, all pretty, all appealing and all woeful, for no gallant comes to ask them if he may have the felicity. The nervous woman chaperoning them, and afraid to meet their gaze lest they scowl or weep in reply, is no other than Miss Susan, the most unhappy Miss Susan we have yet seen; she sits there gripping her composure in both hands. Far less susceptible to shame is the brazen Phoebe, who may be seen passing the opening on the arm of a cavalier, and flinging her trembling sister a mischievous kiss. The younger ladies note the incident; alas, they are probably meant to notice it, and they cower, as under a blow.
HARRIET (a sad-eyed, large girl, who we hope found a romance at her next ball). Are we so disagreeable that no one will dance with us? Miss Susan, 'tis infamous; they have eyes for no one but your niece.
CHARLOTTE. Miss Livvy has taken Ensign Blades from me.
HARRIET. If Miss Phoebe were here, I am sure she would not allow her old pupils to be so neglected.
(The only possible reply for MISS SUSAN is to make herself look as small as possible. A lieutenant comes to them, once a scorner of woman, but now SPICER the bewitched. HARRIET has a moment's hope.)
How do you do, sir?
SPICER (with dreadful indifference, though she is his dear cousin). Nay, ma'am, how do you do? (Wistfully.) May I stand beside you, Miss Susan?
(He is a most melancholic young man, and he fidgets her.)
MISS SUSAN (with spirit). You have been standing beside me, sir, nearly all the evening. SPICER (humbly. It is strange to think that he had been favourably mentioned in despatches). Indeed, I cannot but be cognisant of the sufferings I cause by attaching myself to you in this unseemly manner. Accept my assurances, ma'am, that you have my deepest sympathy.
MISS SUSAN. Then why do you do it?