“A dangerous woman,” I said, with a shudder, and fell to examining a painting over the mantel-shelf. It was a portrait of a man, and had impressed me favourably because it was framed.
“A friend of hers,” my guide informed me, “but I never seed him.”
I would have turned away from it, had not an inscription on the picture drawn me nearer. It was in a lady's handwriting, and these were the words: “Fancy portrait of our dear unknown.” Could it be meant for me? I cannot tell you how interested I suddenly became.
It represented a very fine looking fellow, indeed, and not a day more than thirty.
“A friend of hers, ma'am, did you say?” I asked quite shakily. “How do you know that, if you have never seen him?”
“When master was painting of it,” she said, “in the studio, he used to come running in here to say to her such like as, 'What colour would you make his eyes?'”
“And her reply, ma'am?” I asked eagerly.
“She said, 'Beautiful blue eyes.' And he said, 'You wouldn't make it a handsome face, would you?' and she says, 'A very handsome face.' And says he, 'Middle-aged?' and says she, 'Twenty-nine.' And I mind him saying, 'A little bald on the top?' and she says, says she, 'Not at all.'”
The dear, grateful girl, not to make me bald on the top.
“I have seed her kiss her hand to that picture,” said the maid.