CHAPTER XIII
LITTLE WELLS OF GLADNESS
It was dusk, and she had not seen him. In the silent Den he stood motionless within a few feet of her, so amazed to find that Grizel really loved him that for the moment self was blotted out of his mind. He remembered he was there only when he heard his heavy breathing, and then he tried to check it that he might steal away undiscovered. Divers emotions fought for the possession of him. He was in the meeting of many waters, each capable of whirling him where it chose, but two only imperious: the one the fierce joy of being loved; the other an agonizing remorse. He would fain have stolen away to think this tremendous thing over, but it tossed him forward. "Grizel," he said in a husky whisper, "Grizel!"
She did not start; she was scarcely surprised to hear his voice: she had been talking to him, and he had answered. Had he not been there she would still have heard him answer. She could not see him more clearly now than she had been seeing him through those little wells of gladness. Her love for him was the whole of her. He came to her with the opening and the shutting of her eyes; he was the wind that bit her and the sun that nourished her; he was the lowliest object by the Cuttle Well, and he was the wings on which her thoughts soared to eternity. He could never leave her while her mortal frame endured.
When he whispered her name she turned her swimming eyes to him, and a strange birth had come into her face. Her eyes said so openly they were his, and her mouth said it was his, her whole being went out to him; in the radiance of her face could be read immortal designs: the maid kissing her farewell to innocence was there, and the reason why it must be, and the fate of the unborn; it was the first stirring for weal or woe of a movement that has no end on earth, but must roll on, growing lusty on beauty or dishonour till the crack of time. This birth which comes to every woman at that hour is God's gift to her in exchange for what He has taken away, and when He has given it He stands back and watches the man.
To this man she was a woman transformed. The new bloom upon her face entranced him. He knew what it meant. He was looking on the face of love at last, and it was love coming out smiling from its hiding-place because it thought it had heard him call. The artist in him who had done this thing was entranced, as if he had written an immortal page.
But the man was appalled. He knew that he had reached the critical moment in her life and his, and that if he took one step farther forward he could never again draw back. It would be comparatively easy to draw back now. To remain a free man he had but to tell her the truth; and he had a passionate desire to remain free. He heard the voices of his little gods screaming to him to draw back. But it could be done only at her expense, and it seemed to him that to tell this noble girl, who was waiting for him, that he did not need her, would be to spill for ever the happiness with which she overflowed, and sap the pride that had been the marrow of her during her twenty years of life. Not thus would Grizel have argued in his place; but he could not change his nature, and it was Sentimental Tommy, in an agony of remorse for having brought dear Grizel to this pass, who had to decide her future and his in the time you may take to walk up a garden path. Either her mistake must be righted now or kept hidden from her for ever. He was a sentimentalist, but in that hard moment he was trying to be a man. He took her in his arms and kissed her reverently, knowing that after this there could be no drawing back. In that act he gave himself loyally to her as a husband. He knew he was not worthy of her, but he was determined to try to be a little less unworthy; and as he drew her to him a slight quiver went through her, so that for a second she seemed to be holding back—for a second only, and the quiver was the rustle of wings on which some part of the Grizel we have known so long was taking flight from her. Then she pressed close to him passionately, as if she grudged that pause. I love her more than ever, far more; but she is never again quite the Grizel we have known.
He was not unhappy; in the near hereafter he might be as miserable as the damned—the little gods were waiting to catch him alone and terrify him; but for the time, having sacrificed himself, Tommy was aglow with the passion he had inspired. He so loved the thing he had created that in his exultation he mistook it for her. He believed all he was saying. He looked at her long and adoringly, not, as he thought, because he adored her, but because it was thus that look should answer look; he pressed her wet eyes reverently because thus it was written in his delicious part; his heart throbbed with hers that they might beat in time. He did not love, but he was the perfect lover; he was the artist trying in a mad moment to be as well as to do. Love was their theme; but how to know what was said when between lovers it is only the loose change of conversation that gets into words? The important matters cannot wait so slow a messenger; while the tongue is being charged with them, a look, a twitch of the mouth, a movement of a finger, transmits the story, and the words arrive, like Blücher, when the engagement is over.