Tommy and Grizel

by J. M. Barrie

She did not say since when. I don't know whether she knew; but it was since she and Tommy had ceased to correspond. David's words showed her too suddenly how she had changed, and it was then that she broke down before him—because she had ceased to care for housekeeping.

But she had her way, and early in the new year David and his wife were established in their new home, with all Grizel's furniture, except such as was needed for the two rooms rented by her from Gavinia. She would have liked to take away the old doctor's chair, because it was the bit of him left behind when he died, and then for that very reason she did not. She no longer wanted him to see her always. "I am not so nice as I used to be, and I want to keep it from you," she said to the chair when she kissed it good-bye.

Was Grizel not as nice as she used to be? How can I answer, who love her the more only? There is one at least, Grizel, who will never desert you.

Ah, but was she?

I seem again to hear the warning voice of Grizel, and this time she is crying: "You know I was not."

She knew it so well that she could say it to herself quite calmly. She knew that, with whatever repugnance she drove those passions away, they would come back—yes, and for a space be welcomed back. Why does she leave Gavinia's blue hearth this evening, and seek the solitary Den? She has gone to summon them, and she knows it. They come thick in the Den, for they know the place. It was there that her mother was wont to walk with them. Have they been waiting for you in the Den, Grizel, all this time? Have you found your mother's legacy at last?

Don't think that she sought them often. It was never when she seemed to have anything to live for. Tommy would not write to her, and so did not want her to write to him; but if that bowed her head, it never made her rebel. She still had her many duties. Whatever she suffered, so long as she could say, "I am helping him," she was in heart and soul the Grizel of old. In his fits of remorse, which were many, he tried to produce work that would please her. Thus, in a heroic attempt to be practical, he wrote a political article in one of the reviews, quite in the ordinary style, but so much worse than the average of such things that they would never have printed it without his name. He also contributed to a magazine a short tale,—he who could never write tales,—and he struck all the beautiful reflections out of it, and never referred to himself once, and the result was so imbecile that kindly people said there must be another writer of the same name. "Show them to Grizel," Tommy wrote to Elspeth, inclosing also some of the animadversions of the press, and he meant Grizel to see that he could write in his own way only. But she read those two efforts with delight, and said to Elspeth, "Tell him I am so proud of them."

Elspeth thought it very nice of Grizel to defend the despised in this way (even Elspeth had fallen asleep over the political paper). She did not understand that Grizel loved them because they showed Tommy trying to do without his wings.

Then another trifle by him appeared, shorter even than the others; but no man in England could have written it except T. Sandys. It has not been reprinted, and I forget everything about it except that its subject was love. "Will not the friends of the man who can produce such a little masterpiece as this," the journals said, "save him from wasting his time on lumber for the reviews, and drivelling tales?" And Tommy suggested to Elspeth that she might show Grizel this exhortation also.

Grizel saw she was not helping him at all. If he would not fight, why should she? Oh, let her fall and fall, it would not take her farther from him! These were the thoughts that sent her into solitude, to meet with worse ones. She could not face the morrow. "What shall I do to-morrow?" She never shrank from to-day—it had its duties; it could be got through: but to-morrow was a never-ending road. Oh, how could she get through to-morrow?